|Opera by Luigi Dallapiccola|
September 29, 1968 (in German)
Ulisse [u.ˈli.se] is an opera in a prologue and two acts composed by Luigi Dallapiccola to his own libretto based on the legend of Ulysses. It premiered at the Deutsche Oper Berlin (in German translation by Karl-Heinrich Kreith as Odysseus) on 29 September 1968 conducted by Lorin Maazel with Erik Saedén in the title role. Ulisse was Dallapiccola's last opera and took eight years to compose. As in his previous operas, Volo di notte and Il prigioniero , his declared theme was "the struggle of man against some force much stronger than he".
Mignon is an 1866 opéra comique in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel Wilhelm Meisters Lehrjahre. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's "The Dead" (Dubliners) and Willa Cather's The Professor's House. Thomas's goddaughter Mignon Nevada was named after the main character.
Volo di notte is a one-act opera composed by Luigi Dallapiccola to an Italian libretto he wrote based on the novel Vol de nuit by Antoine de Saint-Exupéry. It was first performed at the Teatro della Pergola in Florence on May 18, 1940.
Antonio Tamburini was an Italian operatic baritone.
Ottone in villa is an opera in three acts by Antonio Vivaldi to an Italian libretto by Domenico Lalli. It was Vivaldi's first opera and premiered on 17 May 1713 at the Teatro delle Grazie in Vicenza. Lalli's pastoral drama is set in ancient Rome and was a condensed adaptation of Francesco Maria Piccioli's satirical libretto for Carlo Pallavicino's opera Messalina (1679). However, Lalli changed several of the characters in Piccioli's libretto. Messalina became an invented character, Cleonilla. Emperor Claudius became another Roman emperor, Otho (Ottone), who had already appeared as a protagonist in Monteverdi's L'incoronazione di Poppea (1642) and in Handel's Agrippina (1709).
Tancrède is a 1702 tragédie en musique in a prologue and five acts by composer André Campra and librettist Antoine Danchet, based on Gerusalemme liberata by Torquato Tasso.
Hésione is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts. The libretto, by Antoine Danchet, is based on the Greek myth of Hesione and Laomedon.
Iphigénie en Tauride is an opera by the French composers Henri Desmarets and André Campra. It takes the form of a tragédie en musique in a prologue and five acts. The libretto is by Joseph-François Duché de Vancy with additions by Antoine Danchet. Desmarets had begun work on the opera around 1696 but abandoned it when he was forced to go into exile in 1699. Campra and his regular librettist Danchet took up the piece and wrote the prologue, most of Act Five, two arias in Act One, an aria for Acts Two and Three, and two arias for the fourth act. The plot is ultimately based on Euripides' tragedy Iphigeneia in Tauris.
Der Trompeter von Säckingen is an opera in a prologue and three acts by Viktor Nessler. The German libretto was by Rudolf Bunge, based on the epic poem, Der Trompeter von Säkkingen [sic], by Joseph Viktor von Scheffel.
Baritenor is a portmanteau (blend) of the words "baritone" and "tenor." It is used to describe both baritone and tenor voices. In Webster's Third New International Dictionary it is defined as "a baritone singing voice with virtually a tenor range." However, the term was defined in several late 19th century and early 20th century music dictionaries, such as The American History and Encyclopedia of Music, as "a low tenor voice, almost barytone [sic]."
Hulda is an opera by César Franck to a French libretto by Charles Grandmougin. It is set in 11th-century Norway, and is based on the play Lame Hulda (1858) by Norwegian writer Bjørnstjerne Bjørnson. The complete opera contains a prologue, three acts and an epilogue. It was composed between 1879 and 1885.
Nozze istriane is an opera in three acts by Antonio Smareglia to an Italian libretto by Luigi Illica. It premiered on 28 March 1895 at the Teatro Comunale in Trieste.
L'Orfeide is an opera composed by Gian Francesco Malipiero who also wrote the Italian libretto, partly based on the myth of Orpheus and incorporating texts by Italian Renaissance poets. The work consists of three parts – La morte delle maschere, Sette canzoni, and Orfeo, ovvero L'ottava canzone. It received its first complete performance on 5 November 1925 at the Stadttheater in Düsseldorf.
Giuseppina Pasqua was an Italian opera singer who performed throughout Italy and Europe from the late 1860s through the early 1900s. She began her career as a soprano when she was only 13, but later retrained her voice as a mezzo-soprano. She sang in several world premieres, but is most remembered today for having created the role of Mistress Quickly in Giuseppe Verdi's Falstaff. The composer wrote the role specifically for her and dedicated the act 2 aria "Giunta all' albergo" to Pasqua. She was married to the baritone Astorre Giacomelli.
Carl Erik Sædén (3 September 1924, in Vänersborg – 3 November 2009), was a Swedish bass-baritone whose career was principally centred on Stockholm, both on the operatic stage as well as the concert platform. He made a few recordings and appeared in the 1975 Bergman film of The magic flute.
Luigi Dallapiccola was an Italian composer known for his lyrical twelve-tone compositions.
The Portrait is an opera in eight scenes composed by Mieczysław Weinberg to a libretto by Alexander Medvedev based on Nikolai Gogol's short story The Portrait.
Éros vainqueur is an opera or conte lyrique in 3 acts and 4 scenes by composer Pierre de Bréville. The work uses a French language libretto by the poet and novelist Jean Lorrain and was dedicated by Bréville to composer Vincent d'Indy.
L'incoronazione di Dario is an opera in three acts composed by Giacomo Antonio Perti to an Italian libretto by Adriano Morselli. It was first performed on 13 January 1686, at the Teatro Malvezzi in Bologna. Morselli originally wrote the libretto for Domenico Freschi's opera Dario which premiered at the Teatro San Angelo in Venice in 1685. Other later uses of the libretto include Giuseppe Aldrovandini's 1705 L'incoronazione di Dario and Vivaldi's 1717 L'incoronazione di Dario.
Friedrich Weidemann was a German baritone who was a leading singer at the Vienna Court Opera from 1903 until his death.
Carlo re d'Allemagna is a three-act dramma per musica by Italian composer Alessandro Scarlatti to a libretto by Giuseppe Papis, after Francesco Silvani, premiered at the Teatro San Bartolomeo of Naples on 26 or 30 January 1716. This is the composer's 79th opera out of 114 composed.