| "United" | ||||
|---|---|---|---|---|
 | ||||
| Single by Throbbing Gristle | ||||
| A-side | "United" | |||
| B-side | "Zyklon B Zombie" | |||
| Released | May 1978 | |||
| Recorded | 1977 | |||
| Genre | ||||
| Label | Industrial | |||
| Producer(s) | Throbbing Gristle | |||
| Throbbing Gristle singles chronology | ||||
| ||||
| Additional covers | ||||
 Back cover | ||||
| Alternative cover | ||||
 Camouflage packaging bag | ||||
"United/Zyklon B Zombie" is the debut single by industrial band Throbbing Gristle. It was released in 7" vinyl format in May 1978,through the band's own Industrial Records.
The single's A-side,"United",was called "one of the first electropop singles" by Jon Savage., [3] while the B-side,"Zyklon B Zombie",has been seen as a parody of punk rock music. [4] "United" featured a minimal drum loop and synthesizer pattern with uncharacteristically positive lyrics,while "Zyklon B Zombie" featured little more than growling,distorted vocals and bass guitar with a frenetic guitar solo. Both tracks were later released in the CD version of The Second Annual Report .
The original pressing by Industrial Records had its own unique Label and Logo. After approximately 20,000 sales,re-pressing was taken over by Rough Trade and the single was re-cut with different messages ('Salon Kitty' on side B and '437 666 OTO' 'RE-CUT 4 Nov 79' and '20,000 DOWN' on side A). This version's "Zyklon B Zombie" with Cosey Fanni Tutti's guitar was much louder compared to the original version,being an improvement over the original. This version still had the same Label as the original pressing,bearing no difference in that regard.
A third pressing was in white vinyl (1,000 copies) and clear vinyl (1,000 copies) and features around two minutes of rain and train sounds at the end of side two.
"United" made an appearance in Throbbing Gristle's second studio album D.o.A:The Third and Final Report of Throbbing Gristle as a 16-second sped-up version.
| No. | Title | Length |
|---|---|---|
| 1. | "United" | 4:03 |
| No. | Title | Length |
|---|---|---|
| 1. | "Zyklon B Zombie" | 3:43 |
| Chart (1980) | Peak position |
|---|---|
| UK Indie Chart [5] | 39 |
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre.
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition Prostitution, and released their debut single "United/Zyklon B Zombie" and debut album The Second Annual Report the following year. Lyrical themes mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language.
COUM Transmissions was a music and performance art collective who operated in the United Kingdom from 1969 through to 1976. The collective was influenced by the Dada and surrealism artistic movements, the writers of the Beat Generation, and underground music. COUM were openly confrontational and subversive, challenging aspects of conventional British society. Founded in Hull, Yorkshire by Genesis P-Orridge, other prominent early members included Cosey Fanni Tutti and Spydeee Gasmantell. Part-time members included Tim Poston, "Brook" Menzies, Haydn Robb, Les Maull, Ray Harvey, John Smith, Foxtrot Echo, Fizzy Paet and John Gunni Busck. Later members included Peter "Sleazy" Christopherson and Chris Carter, who together with P-Orridge and Fanni Tutti went on to found the pioneering industrial band Throbbing Gristle in 1976.
Cosey Fanni Tutti is an English performance artist, musician and writer, best known for her time in the avant-garde groups Throbbing Gristle and Chris & Cosey.
Paula P-Orridge, also known as Alaura O'Dell, is an English musician, writer, and entrepreneur.
Chris Carter is an English musician, best known for being a member of Throbbing Gristle and the duo Chris & Cosey, both with his longtime partner Cosey Fanni Tutti.
Chris & Cosey, sometimes known as Carter Tutti, are a musical duo formed in 1981, consisting of couple Chris Carter (electronics) and Cosey Fanni Tutti, both previously members of industrial music pioneers Throbbing Gristle. Since the release of their 1981 debut album Heartbeat, the group have expanded on the rhythmic ideas of Throbbing Gristle while adding synthesized pop elements to their sound.
Part Two is an album by English industrial band Throbbing Gristle, released in 2007 through record label Mute Records.
20 Jazz Funk Greats is the third studio album by British industrial music group Throbbing Gristle, released in December 1979 by the band's label Industrial Records. It is known for its tongue-in-cheek title and artwork, and has been hailed as the band's best work, with UK magazine Fact naming it the best album of the 1970s, and Pitchfork naming it the best industrial album of all time.
Heathen Earth is a live album by the English industrial band Throbbing Gristle, released in 1980 through Industrial Records.
TG+ is a box set by Throbbing Gristle. The 10-CD set contains Throbbing Gristle live performances, all digitally remastered by Chris Carter. The set is a follow up to TG24. These recordings represent the final ten live TG recordings that were not included in the TG24 release. Other than CDs, the set contains an inlay with five laser cut metal plates that are about the size of a business card. Each plate is a variation of the TG logo.
TG Now is an album by English industrial band Throbbing Gristle. It was released in 2004 through the band's own record label Industrial Records and was their first album of original material since 1982's Journey Through a Body.
The Second Annual Report is the debut album by English industrial music group Throbbing Gristle, released in November 1977 through Industrial Records. It is a combination of live and studio recordings made from October 1976 to September 1977. The Second Annual Report is considered to be influential within electronic music, being one of the first industrial music albums.
D.o.A: The Third and Final Report is the second studio album by industrial music pioneers Throbbing Gristle, released in December 1978 by record label Industrial.
The First Annual Report is a bootleg album of music recorded by industrial music pioneers Throbbing Gristle in 1975. The recording originally went unreleased, and the band instead decided to release The Second Annual Report in 1977. This recording was first released unofficially in 1987 as Very Friendly through Spurt Records, before being issued prominently as The First Annual Report in 2001.
Mutant Throbbing Gristle is a remix album of material originally by Throbbing Gristle.
In the Shadow of the Sun is an improvised musical score by Throbbing Gristle for the 1981 Derek Jarman film of the same name.
"Discipline" is a song by the English electronic group Throbbing Gristle.
Other, Like Me: The Oral History of COUM Transmissions and Throbbing Gristle, also shorter titled Other, Like Me, is a 2020 American-British documentary film on the music and art groups Throbbing Gristle and COUM Transmissions, which covers the history of both projects in archival film footage and photos and interviews with their members.
