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The following outline is provided as an overview of and topical guide to theatre:
A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events.
Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
Alternative media are media sources that differ from established or dominant types of media in terms of their content, production, or distribution. Sometimes the term independent media is used as a synonym, indicating independence from large media corporations, but generally independent media is used to describe a different meaning around freedom of the press and independence from government control. Alternative media does not refer to a specific format and may be inclusive of print, audio, film/video, online/digital and street art, among others. Some examples include the counter-culture zines of the 1960s, ethnic and indigenous media such as the First People's television network in Canada, and more recently online open publishing journalism sites such as Indymedia.
The ZKM | Center for Art and Media Karlsruhe, a cultural institution, was founded in 1989 and, since 1997, is located in a former munitions factory in Karlsruhe, Germany. The ZKM organizes special exhibitions and thematic events, conducts research and produces works on the effects of media, digitization, and globalization, and offers public as well as individualized communications and educational programs.
Chicago Shakespeare Theater (CST) is a non-profit, professional theater company located at Navy Pier in Chicago, Illinois. Its more than six hundred annual performances performed 48 weeks of the year include its critically acclaimed Shakespeare series, its World's Stage touring productions, and youth education and family oriented programming. The theater had garnered 77 Joseph Jefferson awards and three Laurence Olivier Awards. In 2008, it was the winner of the Regional Theatre Tony Award.
Guillermo Gómez-Peña is a Mexican/Chicano performance artist, writer, activist, and educator. Gómez-Peña has created work in multiple media, including performance art, experimental radio, video, photography and installation art. His fifteen books include essays, experimental poetry, performance scripts, photographs and chronicles in both English, Spanish and Spanglish. He is a founding member of the pioneering art collective Border Arts Workshop/Taller de Arte Fronterizo (1985-1992) and artistic director of the performance art troupe La Pocha Nostra.
Pierre Lévy is a Tunisian-born French philosopher, cultural theorist and media scholar who specializes in the understanding of the cultural and cognitive implications of digital technologies and the phenomenon of human collective intelligence.
The Festival Internacional de Linguagem Eletrônica is a New media art festival that usually takes place in three cities of Brazil: São Paulo, Rio de Janeiro and Porto Alegre and it has also participated in other events around the world. It is the biggest art & technology festival in Brazil, and it serves as a lead indicator of the plurality of the work created in the interactive art field not only nationally but also internationally.
Golan Levin is an American new media artist, composer, performer and engineer interested in developing artifacts and events which explore supple new modes of reactive expression.
ZERO1: The Art and Technology Network is a 501(c)(3) non-profit organization dedicated to connecting creative explorers from art, science, and technology to provoke new ideas that serve to shape a more resilient future.
Micha Cárdenas, stylized as micha cárdenas, is an American visual and performance artist who is an assistant professor of art and design, specializing in game studies and playable media, at the University of California Santa Cruz. Cárdenas is an artist and theorist who works with the algorithms and poetics of trans people of color in digital media.
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts. New Media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged internationally. New media art may involve degrees of interaction between artwork and observer or between the artist and the public, as is the case in performance art. Yet, as several theorists and curators have noted, such forms of interaction, social exchange, participation, and transformation do not distinguish new media art but rather serve as a common ground that has parallels in other strands of contemporary art practice. Such insights emphasize the forms of cultural practice that arise concurrently with emerging technological platforms, and question the focus on technological media per se. New Media art involves complex curation and preservation practices that make collecting, installing, and exhibiting the works harder than most other mediums. Many cultural centers and museums have been established to cater to the advanced needs of new media art.
Digital Performance refers to the use of computers as an interface between a creator, consumer of images, and sounds in a wide range of artistic applications. It is performance that incorporates and integrates computer technologies and techniques. Performers can incorporate multimedia into any type of production whether it is live on a theatre stage, or in the street. Anything as small as video recordings or a visual image classifies the production as multimedia. When the key role in a performance is the technologies, it is considered a digital performance. This can be as simple as making projections on a screen for a live audience or as complex as planning and putting on a show online.
Angelo Vermeulen is a Belgian space systems researcher, biologist and artist. In 2009 he co-founded SEADS, an international transdisciplinary collective of artists, scientists, engineers, and activists Its goal is to reshape the future through critical inquiry and hands-on experimentation. Biomodd is one of their most well-known art projects and consists of a worldwide series of co-created interactive art installations in which computers coexist with internal living ecosystems. For the last ten years, he has been collaborating with the European Space Agency’s MELiSSA program on biological life support for space and in 2013 he was crew commander of one of the NASA-funded HI-SEAS Mars mission simulations in Hawai'i. Currently, he works at Delft University of Technology on advanced concepts for interstellar exploration. His work proposes a bio-inspired design approach to deal with the unpredictability inherent to interstellar travel. He is a Senior TED Fellow and was selected in 2017 as one of the Top 5 Tech Pioneers from Belgium by the newspaper De Tijd.
Lindsay Howard is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.
CREW is a Belgian performance group, founded in Brussels in 1991 by Eric Joris. CREW operates on the border between art and science, between performance art and new technology. Artist Eric Joris develops his live-art projects in close collaboration with scientists and other artists.
V2_, Lab for the Unstable Media, founded in 1981, is an interdisciplinary center for art and media technology in Rotterdam, the Netherlands.
Monika Fleischmann is a German research artist, digital media scientist, and curator of new media art working in art, science, and technology. Since the mid-1980s she has been working collaboratively with the architect Wolfgang Strauss. As part of their research in New Media Art, Architecture, Interface Design and Art Theory, they focus on the concept of Mixed Reality, which connects the physical with the virtual world.