Valorie Miller is a folk guitarist and singer-songwriter from Asheville, North Carolina.
Asheville is a city and the county seat of Buncombe County, North Carolina, United States. It is the largest city in Western North Carolina, and the 12th-most populous city in the U.S. state of North Carolina. The city's population was 89,121 according to 2016 estimates. It is the principal city in the four-county Asheville metropolitan area, with a population of 424,858 in 2010.
North Carolina is a state in the southeastern region of the United States. It borders South Carolina and Georgia to the south, Tennessee to the west, Virginia to the north, and the Atlantic Ocean to the east. North Carolina is the 28th-most extensive and the 9th-most populous of the U.S. states. The state is divided into 100 counties. The capital is Raleigh, which along with Durham and Chapel Hill is home to the largest research park in the United States. The most populous municipality is Charlotte, which is the second-largest banking center in the United States after New York City.
Miller was born in North Carolina, [1] and began her musical career after receiving an Emerging Artist grant from the North Carolina Arts Council in the late 1990s, which she used to make her first recording. [2] Before releasing her solo debut album, Analog, in 2000, Miller performed as a stand-up bassist for Malcolm Holcombe, during which time she toured across the country. [3] [4] She and Holcombe co-produced her third album, Sweeter than Salt, with help from sound engineer Richard McLauren. [5] Her sixth album, Turtle Shell, was recorded in eight hours. [6]
The North Carolina Arts Council is an organization in the U.S. state of North Carolina that provides grants to artists, musicians and arts organizations. The group's mission is "To Make North Carolina a Better State Through the Arts". It was founded by executive order in 1964 by Governor Terry Sanford, and it became a statutory state agency on April 11, 1967. It is an agency of the North Carolina Department of Natural and Cultural Resources, which is the United States' first cabinet-level state agency for the arts, history and libraries. It operates from headquarters in Raleigh.
Malcolm Holcombe is a singer, songwriter, and performer.
Grant Alden of No Depression wrote that Miller's song "Not My Daughter" was "A raw, blue, keening mountain song that had to have emerged from somewhere deep within" and described it as "spectacular." [7] Jerry Withrow, also of No Depression, wrote that the songs on her third album, Sweeter than Salt, were "the most fully realized of her career to date." He also wrote that on the album, "Her vocals -- pure Carolina, from whisper to wail -- reach that goal of a personal sound, with an assurance and control directly attributable to those grueling nights on the road [when she was on tour]." [5] PopMatters' Alan Brown gave Miller's fourth album, Folk Star, an 8 out of 10 rating, writing that it "serves as the perfect reminder that you can never underestimate the power of an original voice." [1] Robert Christgau gave her fifth album, Autumn Eyes, a "choice cut" rating, identifying "Fire Song" as the only good track on the album. [8] Stephen Judge of Blurt wrote that Turtle Shell was "a sparse, intimate affair, no doubt reflective of the kind of solo Miller show you might get if you wandered into a local pub or gallery where she was appearing." [9] Dan Armonaitis of the Spartanburg Herald-Journal compared her musical style to that of Lucinda Williams and Bobbie Gentry. [10]
No Depression is a quarterly roots music journal with a concurrent online publication at nodepression.com.
PopMatters is an international online magazine of cultural criticism that covers many aspects of popular culture. PopMatters publishes reviews, interviews, and detailed essays on most cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet.
Robert Thomas Christgau is an American essayist and music journalist. One of the earliest professional rock critics, he spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University.
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