Variations for Orchestra may refer to:
Aaron Copland was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores.
The cor anglais, or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F.
Sergei Alexandrovich Koussevitzky was a Russian-born conductor, composer and double-bassist, known for his long tenure as music director of the Boston Symphony Orchestra from 1924 to 1949.
Esa-Pekka Salonen is a Finnish orchestral conductor and composer. He is principal conductor and artistic advisor of the Philharmonia Orchestra in London, conductor laureate of the Los Angeles Philharmonic, and music director of the San Francisco Symphony.
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these.
Sir Lennox Randal Francis Berkeley was an English composer.
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music.
Appalachian Spring is a musical composition by Aaron Copland that was premiered in 1944 and has achieved widespread and enduring popularity as an orchestral suite. The music, scored for a thirteen-member chamber orchestra, was created upon commission of the choreographer and dancer Martha Graham with funds from the Coolidge Foundation. It was premiered on Monday, October 30, 1944, at the Library of Congress in Washington D.C., with Martha Graham dancing the lead role. The set was designed by the American sculptor Isamu Noguchi. Copland was awarded the 1945 Pulitzer Prize for Music for his achievement.
William Steinberg was a German-American conductor.
Arnold Atkinson Cooke was a British composer.
Sir Eugene Aynsley Goossens was an English conductor and composer.
Nikolay Alexandrovich Sokolov was a Russian composer of classical music and a member of the circle that grew around the publisher Mitrofan Belyayev.
The Piano Variations of American composer Aaron Copland were written for piano solo from January to October 1930. They were dedicated to American writer and literary critic Gerald Sykes, and were originally published in 1932 by Cos Cob Press, which merged with Arrow Music Press in 1938 and was taken over by Boosey & Hawkes in 1956. The approximate performance time is 11 minutes.
This is a complete list of recordings by the Los Angeles Philharmonic, shown alphabetically by conductor, and then by recording label.
Ross Pople is a New Zealand-born British conductor. He is the principal conductor of the London Festival Orchestra. He has worked with Yehudi Menuhin, Clifford Curzon, David Oistrakh, Kentner, George Malcolm, Sir Adrian Boult, Rudolf Kempe, Benjamin Britten, Witold Lutosławski, Krzysztof Penderecki, Michael Tippett, Georg Solti, Leonard Bernstein, George Benjamin, John Casken, Edwin Roxburgh, Luciano Berio, John Taverner, Malcolm Arnold, Pierre Boulez as well as many other major orchestras, choirs and soloists.
In classical music, it is relatively rare for a work to be written in collaboration by multiple composers. This contrasts with popular music, where it is common for more than one person to contribute to the music for a song. Nevertheless, there are instances of collaborative classical music compositions.
Variations on a Theme may refer to:
The Short Symphony, or Symphony No. 2, is a symphony written by the American composer Aaron Copland from 1931 to 1933. The name derives from its short length of only 15 minutes. The work is dedicated to Copland's friend, the Mexican composer and conductor Carlos Chávez. The symphony's first movement is in sonata-allegro form, and its slow second movement follows an adapted ternary form. The third movement resembles the sonata-allegro but has indications of cyclic form. The composition contains complex rhythms and polyharmonies, and it incorporates the composer's emerging interest in serialism as well as influences from Mexican music and German cinema. The symphony includes scoring for a heckelphone and a piano while omitting trombones and a percussion section. Copland later arranged the symphony as a sextet.