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Vincente Requena the Elder was a Spanish painter of the 16th century. He was born at Cocentaina. By 1590 he was practicing at Valencia. He painted the Immaculate Conception, and the Saints Jerome and Anne for the church of the monastery of San Miguel de los Reyes. He painted St. Michael for the convent of San Domingo.
Fra Angelico was an Italian painter of the Early Renaissance, described by Vasari in his Lives of the Artists as having "a rare and perfect talent". He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence.
Domenico di Tommaso Curradi di Doffo Bigordi, professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.
Giovanni Antonio Canal, commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
Luca Giordano was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Francesco Vanni was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.
Alessandro Tiarini was an Italian Baroque painter of the Bolognese School.
Bernardino Poccetti, also known as Barbatelli, was an Italian Mannerist painter and printmaker of etchings.
Girolamo Siciolante da Sermoneta began his career as an Italian Mannerist painter but later adopted the reformist naturalism of Girolamo Muziano in the 1560s and 70s. He was active in Rome in the mid 16th century.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
Francesco Trevisani was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto).
Francesco Vecellio was an Italian painter of the early Renaissance, best known as the elder brother of the painter Titian. In his youth, he was a soldier. As a painter, he was mainly active in 1520-1530s in Cadore. In 1524, he signed an altarpiece for San Vito in Cadore. In 1540s, he painted a polyptych at Candide. In late 1540s he painted the organ shutters of San Salvatore in Venice. He painted an Annunciation for San Nicola di Bari, now in the Gallerie dell'Accademia, along with Madonna and Child with Saint Jerome and Saint Dorothy (Glasgow).
Alessandro Turchi was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Orbetto. His style has been described as soft and Caravaggesque at the same time.
Giovanni Paolo Cavagna was an Italian painter of the late-Renaissance period, active mainly in Bergamo and Brescia.
Sante Peranda (1566–1638) was an Italian painter of the late-Renaissance period.
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