Vitascan (sometimes alternately spelled VitaScan) was an early color television camera system developed by American television equipment manufacturer DuMont Laboratories. Development began in 1949 and the product was released on an experimental basis in 1956. Vitascan was fully compatible with the NTSC color system, and DuMont Labs hoped the system would catch on in the television industry.
Color television is a television transmission technology that includes information on the color of the picture, so the video image can be displayed in color on the television set. It is an improvement on the earliest television technology, monochrome or black and white television, in which the image is displayed in shades of gray (grayscale). Television broadcasting stations and networks in most parts of the world upgraded from black and white to color transmission in the 1970s and 1980s. The invention of color television standards is an important part of the history of television, and it is described in the technology of television article.
DuMont Laboratories was an American television equipment manufacturer. The company was founded in 1931, in Upper Montclair, New Jersey, by inventor Allen B. DuMont. Among the company's developments were durable cathode ray tubes that would be used for TV. Another product was a DuMont invention, the magic eye tube.
The year 1949 in television involved some significant events. Below is a list of television-related events during 1949.
However, Vitascan cameras only worked indoors, due to Vitascan being in essence a flying-spot scanner based system. The system's camera basically worked in reverse by projecting a light through the camera's lens onto the subject from a cathode ray tube, or CRT, mounted behind the lens (instead of a pickup tube like conventional television cameras), providing the "flying spot". Four photomultiplier tubes (two for red, one for green, and one for blue) mounted inside special "scoops" placed in the studio and pointed at the subject would pick up the light from the camera's CRT and produce the final image to be televised.
A flying-spot scanner (FSS) uses a scanning source of a spot of light, such as a high-resolution, high-light-output, low-persistence cathode ray tube (CRT), to scan an image. Usually the image to be scanned is on photographic film, such as motion picture film, or a slide or photographic plate. The output of the scanner is usually a television signal.
Normally, with any flying-spot scanned system, the area between the flying-spot CRT and photomultiplier tubes (the whole studio in Vitascan's case) would have to be completely darkened, in order to prevent any other light, besides the light for the flying spot from the CRT, from interfering with the photomultiplier tubes. Darkening the whole room would make things quite inconvenient for any talent present in a Vitascan studio, but to get around this, strobe lighting was used in the studio for the aid of the talent. The strobe light, referred to as a "sync-lite" by DuMont, would light up only when the photomultiplier scoops were in the vertical blanking intervals of the video they would generate, to prevent any light interference to the photomultiplier tubes. Due to this, the system could not be used outdoors because sunlight would interfere during the scanning phase.
In a raster graphics display, the vertical blanking interval (VBI), also known as the vertical interval or VBLANK, is the time between the end of the final line of a frame or field and the beginning of the first line of the next frame. It is present in analog television, VGA, DVI and other signals. During the VBI, the incoming data stream is not displayed on the screen. In raster cathode ray tube displays, the beam is blanked to avoid displaying the retrace line; see raster scan for details. The signal source, such as a television broadcast, does not supply image information during the blanking period.
From 1956 to 1959, Vitascan cameras were in use at independent television station WITI in Milwaukee, Wisconsin, for its local TV news programs. However, the limitations of the cameras caused WITI to eventually return to monochrome cameras. The television industry never adopted Vitascan, and television stations continued to operate mostly in black-and-white for many more years. Vitascan, like earlier DuMont technologies such as the Electronicam, failed to catch on.
WITI, virtual channel 6, is a Fox-affiliated television station licensed to Milwaukee, Wisconsin, United States. Its second digital subchannel serves as an owned-and-operated station of the classic TV network Antenna TV. The station is owned by the Tribune Broadcasting subsidiary of the Tribune Media Company. WITI's studios are located on North Green Bay Road in Brown Deer, and its transmitter is located on East Capitol Drive in Shorewood.
A monochromic image is composed of one color. The term monochrome comes from the Ancient Greek: μονόχρωμος, translit. monochromos, lit. 'having one color'.
Electronicam was a television recording system that shot an image on film and television at the same time through a common lens. It was developed by James L. Caddigan for the DuMont Television Network in the 1950s, before electronic recording on videotape was available. Since the film directly captured the live scene, its quality was much higher than the commonly used kinescope films, which were shot from a TV screen.
Analog television or analogue television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by rapid variations of either the amplitude, frequency or phase of the signal.
The cathode-ray tube (CRT) is a vacuum tube that contains one or more electron guns and a phosphorescent screen, and is used to display images. It modulates, accelerates, and deflects electron beam(s) onto the screen to create the images. The images may represent electrical waveforms (oscilloscope), pictures, radar targets, or other phenomena. CRTs have also been used as memory devices, in which case the visible light emitted from the fluorescent material is not intended to have significant meaning to a visual observer.
The RGB color model is an additive color model in which red, green and blue light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors, red, green, and blue.
Telecine is the process of transferring motion picture film into video and is performed in a color suite. The term is also used to refer to the equipment used in the post-production process.
Telecine enables a motion picture, captured originally on film stock, to be viewed with standard video equipment, such as television sets, video cassette recorders (VCR), DVD, Blu-ray Disc or computers. Initially, this allowed television broadcasters to produce programmes using film, usually 16mm stock, but transmit them in the same format, and quality, as other forms of television production. Furthermore, telecine allows film producers, television producers and film distributors working in the film industry to release their products on video and allows producers to use video production equipment to complete their filmmaking projects. Within the film industry, it is also referred to as a TK, because TC is already used to designate timecode.
Allen Balcom DuMont, also spelled Du Mont, was an American electronics engineer, scientist and inventor best known for improvements to the cathode ray tube in 1931 for use in television receivers. Seven years later he manufactured and sold the first commercially practical television set to the public. In June 1938, his Model 180 television receiver was the first all-electronic television set ever sold to the public, a few months prior to RCA's first set in April 1939. In 1946, DuMont founded the first television network to be licensed, the DuMont Television Network, initially by linking station WABD in New York City to station W3XWT, which later became WTTG, in Washington, D.C. DuMont's successes in television picture tubes, TV sets and components and his involvement in commercial TV broadcasting made him the first millionaire in the business.
Underwater photography is the process of taking photographs while under water. It is usually done while scuba diving, but can be done while diving on surface supply, snorkeling, swimming, from a submersible or remotely operated underwater vehicle, or from automated cameras lowered from the surface.
Color grading is the process of improving the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, saturation, detail, black level, and white point may be enhanced whether for motion pictures, videos, or still images. Color grading and color correction are often used synonymously as terms for this process and can include the generation of artistic color effects through creative blending and composting of different images. Color grading is generally now performed in a digital process either in a controlled environment such as a color suite, or in any location where a computer can be used in dim lighting.
A professional video camera is a high-end device for creating electronic moving images. Originally developed for use in television studios, they are now also used for music videos, direct-to-video movies, corporate and educational videos, marriage videos etc. Since the 2010s, most of the professional video cameras are digital professional video cameras.
In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens.
The refresh rate is the number of times in a second that a display hardware updates its buffer. This is distinct from the measure of frame rate. The refresh rate includes the repeated drawing of identical frames, while frame rate measures how often a video source can feed an entire frame of new data to a display.
Mechanical television or mechanical scan television is a television system that relies on a mechanical scanning device, such as a rotating disk with holes in it or a rotating mirror, to scan the scene and generate the video signal, and a similar mechanical device at the receiver to display the picture. This contrasts with modern television technology, which uses electronic scanning methods, for example electron beams in cathode ray tube (CRT) televisions, and liquid-crystal displays (LCD), to create and display the picture.
The intermediate film system was a television process in which motion picture film was processed almost immediately after it was exposed in a camera, then scanned by a television scanner, and transmitted over the air. This system was used principally in Britain and Germany where television cameras were not sensitive enough to use reflected light, but could transmit a suitable image when a bright light was shown through motion picture film directly into the camera lens. John Logie Baird began developing the process in 1932, borrowing the idea of Georg Oskar Schubert from his licensees in Germany, where it was demonstrated by Fernseh AG in 1932 and used for broadcasting in 1934. The BBC used Baird's version of the process during the first three months of its then-"high-definition" television service from November 1936 through January 1937, and German television used it during broadcasts of the 1936 Summer Olympics. In both cases, intermediate film cameras alternated with newly introduced direct television cameras.
A motion picture film scanner is a device used in digital filmmaking to scan original film for storage as high-resolution digital intermediate files.
The Apollo program used several television cameras in its space missions in the late 1960s and 1970s; some of these Apollo TV cameras were also used on the later Skylab and Apollo–Soyuz Test Project missions. These cameras varied in design, with image quality improving significantly with each successive model. Two companies made these various camera systems: RCA and Westinghouse. Originally, these slow-scan television (SSTV) cameras, running at 10 frames per second (fps), produced only black-and-white pictures and first flew on the Apollo 7 mission in October 1968. A color camera – using a field-sequential color system – flew on the Apollo 10 mission in May 1969, and every mission after that. The Color Camera ran at the North American standard 30 fps. The cameras all used image pickup tubes that were initially fragile, as one was irreparably damaged during the live broadcast of the Apollo 12 mission's first moonwalk. Starting with the Apollo 15 mission, a more robust, damage-resistant camera was used on the lunar surface. All of these cameras required signal processing back on Earth to make the frame rate and color encoding compatible with analog broadcast television standards.
Cintel was a British digital cinema company founded in 1927 by John Logie Baird and based in Ware, Hertfordshire. The early company was called Cinema Television Ltd. Cinema Television was sold to J Arthur Rank Organization renamed Rank Cintel in 1958. It specialized in the design and manufacture of professional post-production equipment, for transcribing film into video or data formats. It was formerly part of the Rank Organisation. Along with a line of telecines, Rank Cintel made 3 tube RGB color video projectors in the 1960s.
The beam-index tube is a color television cathode ray tube (CRT) design, using phosphor stripes and active-feedback timing, rather than phosphor dots and a beam-shadowing mask as developed by RCA. Beam indexing offered much brighter pictures than shadow-mask CRTs, reducing power consumption, and as they used a single a electron gun rather than three, they were easier to build and keep in alignment.
Articles related to the field of motion pictures include: