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In a raster scan display, the vertical blanking interval (VBI), also known as the vertical interval or VBLANK, is the time between the end of the final visible line of a frame or field [1] [2] and the beginning of the first visible line of the next frame or field. It is present in analog television, VGA, DVI and other signals. Here the term field is used in interlaced video, and the term frame is used in progressive video and there can be a VBI after each frame or field. [3] [4] In interlaced video a frame is made up of 2 fields. [5] Sometimes in interlaced video a field is called a frame which can lead to confusion. [6]
In raster cathode-ray tube (CRT) displays, the blank level is usually supplied during this period to avoid painting the retrace line—see raster scan for details; signal sources such as television broadcasts do not supply image information during the blanking period. Digital displays usually will not display incoming data stream during the blanking interval even if present.
The VBI was originally needed because of the inductive inertia of the magnetic coils which deflect the electron beam vertically in a CRT; the magnetic field, and hence the position being drawn, cannot change instantly. Additionally, the speed of older circuits was limited. For horizontal deflection, there is also a pause between successive lines, to allow the beam to return from right to left, called the horizontal blanking interval. Modern CRT circuitry does not require such a long blanking interval, and thin panel displays require none, but the standards were established when the delay was needed (and to allow the continued use of older equipment). Blanking of a CRT may not be perfect due to equipment faults or brightness set very high; in this case a white retrace line shows on the screen, often alternating between fairly steep diagonals from right to left and less-steep diagonals back from left to right, starting in the lower right of the display.
In analog television systems the vertical blanking interval can be used for datacasting (to carry digital data), since nothing sent during the VBI is displayed on the screen; various test signals, VITC timecode, closed captioning, teletext, CGMS-A copy-protection indicators, and various data encoded by the XDS protocol (e.g., the content ratings for V-chip use) and other digital data can be sent during this time period.
In U.S. analog broadcast television, line 19 was reserved for a Ghost-canceling reference and line 21 was reserved for NABTS captioning data. The obsolete Teletext service contemplated the use of line 22 for data transmission.
The pause between sending video data is sometimes used in real time computer graphics to modify the frame buffer, or to provide a time reference for when switching the source buffer for video output can happen without causing a visible tear. This is especially true in video game systems, where the fixed frequency of the blanking period might also be used to derive in-game timing.
On many consoles there is an extended blanking period, as the console opts to paint graphics on fewer lines than the television would natively allow, permitting its output to be surrounded by a border. On some very early machines such as the Atari 2600, the programmer is in full control of video output and therefore may select their own blanking period, allowing arbitrarily few painted lines. On others such as the Nintendo Entertainment System, a predefined blanking period could be extended.
Most consumer VCRs use the known black level of the vertical blanking pulse to set their recording levels. The Macrovision copy protection scheme inserts pulses in the VBI, where the recorder expects a constant level, to disrupt recording to videotapes.
While digital video interconnects (such as DVI and HDMI) generally do have a "vertical blanking" part of the datastream, they are unable to carry closed caption text or most of the other items that, in analog TV interconnects, are transmitted during the "vertical blanking interval". This can lead to closed captioning § Digital television interoperability issues.
Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, phase and frequency of an analog signal.
NTSC is the first American standard for analog television, published and adopted in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170.
Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems, which, in turn, were replaced by flat-panel displays of several types.
Interlaced video is a technique for doubling the perceived frame rate of a video display without consuming extra bandwidth. The interlaced signal contains two fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker by taking advantage of the characteristics of the human visual system.
Composite video is an baseband analog video format that typically carries a 405, 525 or 625 line interlaced black and white or color signal, on a single channel, unlike the higher-quality S-Video and the even higher-quality YPbPr.
A waveform monitor is a special type of oscilloscope used in television production applications. It is typically used to measure and display the level, or voltage, of a video signal with respect to time.
Broadcasttelevision systems are the encoding or formatting systems for the transmission and reception of terrestrial television signals.
The refresh rate, also known as vertical refresh rate or vertical scan rate in reference to terminology originating with the cathode-ray tubes (CRTs), is the number of times per second that a raster-based display device displays a new image. This is independent from frame rate, which describes how many images are stored or generated every second by the device driving the display. On CRT displays, higher refresh rates produce less flickering, thereby reducing eye strain. In other technologies such as liquid-crystal displays, the refresh rate affects only how often the image can potentially be updated.
The display resolution or display modes of a digital television, computer monitor, or other display device is the number of distinct pixels in each dimension that can be displayed. It can be an ambiguous term especially as the displayed resolution is controlled by different factors in cathode-ray tube (CRT) displays, flat-panel displays and projection displays using fixed picture-element (pixel) arrays.
576i is a standard-definition digital video mode, originally used for digitizing 625 line analogue television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the legacy colour encoding systems, it is often referred to as PAL, PAL/SECAM or SECAM when compared to its 60 Hz NTSC-colour-encoded counterpart, 480i.
MovieBeam was a video on demand service started by The Walt Disney Company, specifically its subsidiary Buena Vista Datacasting, LLC. Movies were sent wirelessly into the subscriber's home by embedding digital data (datacasting) within local Public Broadcasting Service (PBS) stations' analog TV (NTSC) broadcast to deliver the movies to a set-top box. The data was embedded using dNTSC technology licensed from Dotcast, and distributed to TV stations via National Datacast through the vertical blanking interval, the same method used to provide closed captioning. Up to ten new movies were delivered to the player each week. The player also contained free movie trailers, previews, and other extras.
Overscan is a behaviour in certain television sets in which part of the input picture is cut off by the visible bounds of the screen. It exists because cathode-ray tube (CRT) television sets from the 1930s to the early 2000s were highly variable in how the video image was positioned within the borders of the screen. It then became common practice to have video signals with black edges around the picture, which the television was meant to discard in this way.
NABTS, the North American Broadcast Teletext Specification, is a protocol used for encoding NAPLPS-encoded teletext pages, as well as other types of digital data, within the vertical blanking interval (VBI) of an analog video signal. It is standardized under standard EIA-516, and has a rate of 15.6 kbit/s per line of video. It was adopted into the international standard CCIR 653 of 1986 as CCIR Teletext System C.
Teletext, or broadcast teletext, is a standard for displaying text and rudimentary graphics on suitably equipped television sets. Teletext sends data in the broadcast signal, hidden in the invisible vertical blanking interval area at the top and bottom of the screen. The teletext decoder in the television buffers this information as a series of "pages", each given a number. The user can display chosen pages using their remote control. In broad terms, it can be considered as Videotex, a system for the delivery of information to a user in a computer-like format, typically displayed on a television or a dumb terminal, but that designation is usually reserved for systems that provide bi-directional communication, such as Prestel or Minitel.
Horizontal scan rate, or horizontal frequency, usually expressed in kilohertz, is the number of times per second that a raster-scan video system transmits or displays a complete horizontal line, as opposed to vertical scan rate, the number of times per second that an entire screenful of image data is transmitted or displayed.
Guide Plus+, TV Guide On Screen, TV Guide Daily, TV Guide Plus+ and Guide Plus+ Gold or G-Guide are brand names for an interactive electronic program guide (EPG) system that is used in consumer electronics products, such as television sets, DVD recorders, personal video recorders, and other digital television devices. It offers interactive on-screen program listings that enable viewers to navigate, sort, select and schedule television programming for viewing and recording. The differing names are only used for marketing purposes – the entire system is owned by Rovi Corporation, the successor to Gemstar-TV Guide International. In 2016, Rovi acquired digital video recorder maker TiVo Inc., and renamed itself TiVo Corporation.
The Analog Protection System (APS), also known as Analog Copy Protection (ACP), Copyguard or Macrovision, is a VHS and DVD copy protection system originally developed by the Macrovision Corporation. Video tapes copied from DVDs encoded with APS become garbled and unwatchable. The process works by adding pulses to analog video signals to negatively impact the AGC circuit of a recording device. In digital devices, changes to the analog video signal are created by a chip that converts the digital video to analog within the device. In DVD players, trigger bits are created during DVD authoring to inform the APS that it should be applied to DVD players' analog outputs or analog video outputs on a PC while playing back a protected DVD-Video disc. In set top boxes trigger bits are incorporated into Conditional Access Entitlement Control Messages (ECM) in the stream delivered to the STB.
A raster scan, or raster scanning, is the rectangular pattern of image capture and reconstruction in television. By analogy, the term is used for raster graphics, the pattern of image storage and transmission used in most computer bitmap image systems. The word raster comes from the Latin word rastrum, which is derived from radere ; see also rastrum, an instrument for drawing musical staff lines. The pattern left by the lines of a rake, when drawn straight, resembles the parallel lines of a raster: this line-by-line scanning is what creates a raster. It is a systematic process of covering the area progressively, one line at a time. Although often a great deal faster, it is similar in the most general sense to how one's gaze travels when one reads lines of text.
In analog video, blanking occurs between horizontal lines and between frames. In raster scan equipment, an image is built up by scanning an electron beam from left to right across a screen to produce a visible trace of one scan line, reducing the brightness of the beam to zero, moving it back as fast as possible to the left of the screen at a slightly lower position, restoring the brightness, and continuing until all the lines have been displayed and the beam is at the bottom right of the screen. Its intensity is then reduced to zero again, and it is rapidly moved to the top left to start again, creating the next frame.
JTES, the Japanese Teletext Specification, is a protocol used for encoding teletext pages, as well as other types of digital data, within the vertical blanking interval (VBI) of an analog video signal in Japan. It was adopted into the international standard CCIR 653 of 1986 as CCIR Teletext System D.