375-line corresponds to two different electronic television systems, both using 375 scan lines. One system (monochrome, 50 fields per second, interlaced) was used in Germany after 1936 along with the 180-line system, being replaced in a few years by the superior 441-line system. It was also tested in Italy around the same time.
In the United States a completely different system (field sequential color, 120 fields per second, interlaced) was used for early color television broadcasts
375-line (50 fps, interlaced) television was demonstrated in 1936 on the Berlin Funkausstellung. [1] The system used electronic cameras for live exterior broadcasts. [2]
The system was also used on experimental transmissions of the 1936 Summer Olympics (along with the 180-line system), using the Telefunken Iconoscope camera. [1] A transmitter was setup in Berlin-Witzleben, broadcasting at 42.9 MHz. The Reichspost distributed the signal to major cities across Germany using cables. [3]
After the Games transmissions continued to viewing rooms installed on post offices. [4] Philips presented a radio/TV combo receiver for the system at the 1937 Berlin Funkausstellung, and Loewe also had a receiver available. [5] [1] [6]
In the same year Telefunken demonstrated the 375-line system at the Paris Exposition Internationale des Arts et Techniques dans la Vie Moderne, displaying images taken from the exhibition's pavilion terrace. [7]
In Italy 375-line television transmissions were undertaken by Arturo Castellani [8] [9] [10] in 1937, [11] with daily broadcasts from Rome, between 6pm and 9:30pm on 6.9 meters (43.45 MHz) with a power of 2 kW.
In the spring of 1940, CBS staff engineer Peter Goldmark devised a system for color television, hoping to gain advantage regarding NBC and its black-and-white RCA system. [12] [13] The new system proposed by CBS was based on field sequential color and incompatible with existing sets [14] but "gave brilliant and stable colors", while NBC developed a black and white compatible color TV system that was "crude and unstable but compatible". [15]
After some tests with different line counts, on September 2, 1941, CBS announces a 375-line, 60 color frames per second system, requiring a horizontal scanning rate of 22,500 lines per second, and a vertical scanning rate of 120 fields per second (interlaced, giving a combined color picture frequency of 20 frames per second). [13] [16] [17] The system was tested from CBS station WCBW New York, on June 1, 1941. [18]
In 1945 CBS demonstrates color broadcast using test equipment and a 10 MHz bandwidth UHF channel. [13] Later developments use higher line counts (525-line with 144 fields/second using 10 MHz video bandwidth and 441-line with 144 fields/second using 4 MHz video bandwidth are proposed in 1946), but system operation (field sequential, using a high bandwidth UHF channel) remained similar the 375-line tests. [13]
Eventually it was shown to the general public on January 12, 1950 as the 405-line Field-Sequential Color System (FSC). [19] The vertical resolution was 77% of monochrome, and the horizontal resolution was 54% of monochrome. [20] The Federal Communications Commission adopted it on October 11, 1950, as the standard for color television in the United States, but it was later withdrawn. [21]
The concept was revived by NASA in the 1960 for the Apollo color TV cameras. [14]
Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, phase and frequency of an analog signal.
NTSC is the first American standard for analog television, published in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170.
Phase Alternating Line (PAL) is a colour encoding system for analog television. It was one of three major analogue colour television standards, the others being NTSC and SECAM. In most countries it was broadcast at 625 lines, 50 fields per second, and associated with CCIR analogue broadcast television systems B, D, G, H, I or K. The articles on analog broadcast television systems further describe frame rates, image resolution, and audio modulation.
SECAM, also written SÉCAM, is an analog color television system that was used in France, Russia and some other countries or territories of Europe and Africa. It was one of three major analog color television standards, the others being PAL and NTSC. Like PAL, a SECAM picture is also made up of 625 interlaced lines and is displayed at a rate of 25 frames per second. However, due to the way SECAM processes color information, it is not compatible with the German PAL video format standard. This page primarily discusses the SECAM colour encoding system. The articles on broadcast television systems and analog television further describe frame rates, image resolution, and audio modulation. SECAM video is composite video because the luminance and chrominance are transmitted together as one signal.
Interlaced video is a technique for doubling the perceived frame rate of a video display without consuming extra bandwidth. The interlaced signal contains two fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker by taking advantage of the phi phenomenon.
Color television or colour television is a television transmission technology that includes color information for the picture, so the video image can be displayed in color on the television set. It improves on the monochrome or black-and-white television technology, which displays the image in shades of gray (grayscale). Television broadcasting stations and networks in most parts of the world upgraded from black-and-white to color transmission between the 1960s and the 1980s. The invention of color television standards was an important part of the history and technology of television.
Broadcasttelevision systems are the encoding or formatting systems for the transmission and reception of terrestrial television signals.
Peter Carl Goldmark was a Hungarian-American engineer who, during his time with Columbia Records, was instrumental in developing the long-playing microgroove 331⁄3 rpm phonograph disc, the standard for incorporating multiple or lengthy recorded works on a single disc for two generations. The LP was introduced by Columbia's Goddard Lieberson in 1948. Lieberson was later president of Columbia Records from 1956–1971 and 1973–1975. According to György Marx, Goldmark was one of The Martians.
The 405-line monochrome analogue television broadcasting system was the first fully electronic television system to be used in regular broadcasting. The number of television lines influences the image resolution, or quality of the picture.
The concept of television is the work of many individuals in the late 19th and early 20th centuries. The first practical transmissions of moving images over a radio system used mechanical rotating perforated disks to scan a scene into a time-varying signal that could be reconstructed at a receiver back into an approximation of the original image. Development of television was interrupted by the Second World War. After the end of the war, all-electronic methods of scanning and displaying images became standard. Several different standards for addition of color to transmitted images were developed with different regions using technically incompatible signal standards. Television broadcasting expanded rapidly after World War II, becoming an important mass medium for advertising, propaganda, and entertainment.
The Apollo program used several television cameras in its space missions in the late 1960s and 1970s; some of these Apollo TV cameras were also used on the later Skylab and Apollo–Soyuz Test Project missions. These cameras varied in design, with image quality improving significantly with each successive model. Two companies made these various camera systems: RCA and Westinghouse. Originally, these slow-scan television (SSTV) cameras, running at 10 frames per second (fps), produced only black-and-white pictures and first flew on the Apollo 7 mission in October 1968. A color camera – using a field-sequential color system – flew on the Apollo 10 mission in May 1969, and every mission after that. The color camera ran at the North American standard 30 fps. The cameras all used image pickup tubes that were initially fragile, as one was irreparably damaged during the live broadcast of the Apollo 12 mission's first moonwalk. Starting with the Apollo 15 mission, a more robust, damage-resistant camera was used on the lunar surface. All of these cameras required signal processing back on Earth to make the frame rate and color encoding compatible with analog broadcast television standards.
A number of experimental and broadcast pre World War II television systems were tested. The first ones were mechanical based and of very low resolution, sometimes with no sound. Later TV systems were electronic.
CBS Laboratories or CBS Labs was the technology research and development organization of the CBS television network. Innovations developed at the labs included many groundbreaking broadcast, industrial, military, and consumer technologies.
A field-sequential color system (FSC) is a color television system in which the primary color information is transmitted in successive images and which relies on the human vision system to fuse the successive images into a color picture. One field-sequential system was developed by Peter Goldmark for CBS, which was its sole user in commercial broadcasting. It was first demonstrated to the press on September 4, 1940, and first shown to the general public on January 12, 1950. The Federal Communications Commission adopted it on October 11, 1950, as the standard for color television in the United States, but it was later withdrawn.
High-definition television (HDTV) describes a television or video system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since at least 1933; in more recent times, it refers to the generation following standard-definition television (SDTV). It is currently the standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television.
441-line is the number of scan lines in some early electronic monochrome analog television systems. Systems with this number of lines were used with 25 interlaced frames per second in France from 1937 to 1956, Germany from 1939 to 1943, Italy from 1939 to 1940, Japan in 1939, as well as by RCA in the United States with 30 interlaced frames per second from 1938 to 1941. Broadcasts were planned in Finland for 1940, but eventually cancelled due to World War II. Some experiments with a similar system were carried out on the USSR in the 1930s.
CCIR System M, sometimes called 525–line, monochrome NTSC, NTSC-M, or CCIR-M, is the analog broadcast television system approved by the FCC for use in the United States since July 1, 1941, replacing the 441-line TV system introduced in 1938. System M comprises a total of 525 interlaced lines of video, of which 486 contain the image information, at 30 frames per second. Video is amplitude modulated and audio is frequency modulated, with a total bandwidth of 6 MHz for each channel, including a guard band.
625-line is a late 1940s European analog standard-definition television resolution standard. It consists of a 625-line raster, with 576 lines carrying the visible image at 25 interlaced frames per second. It was eventually adopted by countries using 50 Hz utility frequency as regular TV broadcasts resumed after World War II. With the introduction of color television in the 1960s, it became associated with the PAL and SECAM analog color systems.
CCIR System A was the 405-line analog broadcast television system adopted in the UK and Ireland. System A service started in 1936 and was discontinued in 1985.
CCIR System E is an analog broadcast television system used in France and Monaco, associated with monochrome 819-line high resolution broadcasts. Transmissions started in 1949 and ended in 1985.