PAL-M is the analog TV system used in Brazil since February 19, 1972. At that time, Brazil was the first South American country to broadcast in color. Color TV broadcast began on February 19, 1972, when the TV networks Globo and Bandeirantes transmitted the Caxias do Sul Grape Festival. Transition from black and white to colour was not complete until 1978. Two years later, in 1980, colour broadcast nationwide in Brazil was commonplace.
It is unique among analog TV systems in that it combines the 525-line 30 frames-per-second System M with the PAL colour encoding system (using very nearly the NTSC color subcarrier frequency), unlike all other countries which pair PAL with 625-line systems and NTSC with 525-line systems.
NTSC being the "natural" choice for countries with monochrome standard M, the choice of a different color system poses problems of incompatibility with available hardware and the need to develop new television sets and production hardware. Walter Bruch, inventor of PAL, explains Brazil's choice of PAL over NTSC against these odds by an advertising campaign Telefunken and Philips carried out across South America in 1972, which included colour test broadcasts of popular shows (done with TV Globo) and technical demonstrations with executives of television stations.
PAL-M signals are identical to North American NTSC signals, except for the encoding of the color carrier. Therefore, PAL-M will display in monochrome with sound on an NTSC set and vice versa.
PAL-M is incompatible with 625-line based versions of PAL, because its frame rate, scan line, color subcarrier and sound carrier specifications are different. It will therefore usually give a rolling and/or squashed monochrome picture with no sound on a native European PAL television, as do NTSC signals.
PAL-M being a standard unique to one country, the need to convert it to/from other standards often arises.
However some special VHS video recorders are available which can allow viewers the flexibility of enjoying PAL-M recordings using a standard PAL (625/50 Hz) colour TV, or even through multi-system TV sets. Video recorders like Panasonic NV-W1E (AG-W1 for the USA), AG-W2, AG-W3, NV-J700AM, Aiwa HV-MX100, HV-MX1U, Samsung SV-4000W and SV-7000W feature a digital TV system conversion circuitry. Some recorders support the other way around, being able to playback standard PAL (625/50 Hz) in 50 Hz-compatible PAL-M TV sets, such as the Panasonic NV-FJ605.
The PAL color system (either baseband or with any RF system, with the normal 4.43 MHz subcarrier unlike PAL-M) can also be applied to an NTSC-like 525-line (480i) picture to form what is often known as "PAL-60" (sometimes "PAL-60/525," "Pseudo-PAL," or "Quasi-PAL"). This non-standard signal is a method used in European domestic VCRs and DVD players for playback of NTSC material on PAL televisions. It's not identical to PAL-M and incompatible with it, because the colour subcarrier is at a different frequency; it will therefore display in monochrome on PAL-M and NTSC television sets.
Before SBTVD, from 1999 to 2000, the ABERT/SET group in Brazil did system comparison tests of DTV under the supervision of the CPqD foundation.
The comparison tests were done under the direction of a work group of SET and ABERT. Originally, Brazil including Argentina, Paraguay and Uruguay are planned to adopt the DVB-T system. However, the ABERT/SET group selected ISDB-T as the best system among ATSC, DVB-T and ISDB-T.
The outdoor coverage of field-tests result in "Brazilian digital television tests" show that ISDB-T is most robust system in Brazil.
The analog PAL-M was scheduled to be supplanted by a digital high-definition system named Sistema Brasileiro de Televisão Digital (SBTVD) by 2015, and finishing in 2018. However, SBTVD was later replaced by the Brazilian variant of the ISDB standard, ISDB-Tb, which features SBTVD's characteristics into the originally-Japanese digital norm.
Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, phase and frequency of an analog signal.
Chrominance is the signal used in video systems to convey the color information of the picture, separately from the accompanying luma signal. Chrominance is usually represented as two color-difference components: U = B′ − Y′ (blue − luma) and V = R′ − Y′ (red − luma). Each of these difference components may have scale factors and offsets applied to it, as specified by the applicable video standard.
NTSC, named after the National Television System Committee, is the analog television color system that was introduced in North America in 1954 and stayed in use until digital conversion. It was one of three major analog color television standards, the others being PAL and SECAM.
Phase Alternating Line (PAL) is a colour encoding system for analogue television used in broadcast television systems in most countries broadcasting at 625-line / 50 field per second (576i). It was one of three major analogue colour television standards, the others being NTSC and SECAM.
SECAM, also written SÉCAM, is an analog color television system first used in France. It was one of three major color television standards, the others being PAL and NTSC.
Interlaced video is a technique for doubling the perceived frame rate of a video display without consuming extra bandwidth. The interlaced signal contains two fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker by taking advantage of the phi phenomenon.
Color television is a television transmission technology that includes information on the color of the picture, so the video image can be displayed in color on the television set. It is considered an improvement on the earliest television technology, monochrome or black and white television, in which the image is displayed in shades of gray (grayscale). Television broadcasting stations and networks in most parts of the world upgraded from black and white to color transmission in the 1960s to the 1980s. The invention of color television standards is an important part of the history of television, and it is described in the technology of television article.
SMPTE timecode is a set of cooperating standards to label individual frames of video or film with a timecode. The system is defined by the Society of Motion Picture and Television Engineers in the SMPTE 12M specification. SMPTE revised the standard in 2008, turning it into a two-part document: SMPTE 12M-1 and SMPTE 12M-2, including new explanations and clarifications.
Broadcast television systems are the encoding or formatting standards for the transmission and reception of terrestrial television signals. There were three main analog television systems in use around the world until the late 2010s (expected): NTSC, PAL, and SECAM. Now in digital terrestrial television (DTT), there are four main systems in use around the world: ATSC, DVB, ISDB and DTMB.
576i is a standard-definition video mode originally used for terrestrial television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the colour encoding system, it is often referred to as simply PAL, PAL/SECAM or SECAM when compared to its 60 Hz NTSC-colour-encoded counterpart, 480i. In digital applications it is usually referred to as "576i"; in analogue contexts it is often called "625 lines", and the aspect ratio is usually 4:3 in analogue transmission and 16:9 in digital transmission.
The 405-line monochrome analogue television broadcasting system was the first fully electronic television system to be used in regular broadcasting.
ISDB-T International, or SBTVD, short for Sistema Brasileiro de Televisão Digital, is a technical standard for digital television broadcast used in Brazil, Argentina, Peru, Botswana, Chile, Honduras, Venezuela, Ecuador, Costa Rica, Paraguay, Philippines, Bolivia, Nicaragua, El Salvador and Uruguay, based on the Japanese ISDB-T standard. ISDB-T International launched into commercial operation on December 2, 2007, in São Paulo, Brazil, as SBTVD.
Analog high-definition television was an analog video broadcast television system developed in the 1930s to replace early experimental systems with as few as 12-lines. On 2 November 1936 the BBC began transmitting the world's first public regular analog high-definition television service from the Victorian Alexandra Palace in north London. It therefore claims to be the birthplace of television broadcasting as we know it today. John Logie Baird, Philo T. Farnsworth, and Vladimir Zworykin had each developed competing TV systems, but resolution was not the issue that separated their substantially different technologies, it was patent interference lawsuits and deployment issues given the tumultuous financial climate of the late 1920s and 1930s.
MUSE, was an analog high-definition television system, using dot-interlacing and digital video compression to deliver 1125-line high definition video signals to the home. Japan had the earliest working HDTV system, which was named Hi-Vision with design efforts going back to 1979. The country began broadcasting wideband analog HDTV signals in 1989 using 1035 active lines interlaced in the standard 2:1 ratio (1035i) with 1125 lines total. By the time of its commercial launch in 1991, digital HDTV was already under development in the United States. Hi-Vision continued broadcasting in analog until 2007.
Television standards conversion is the process of changing a television transmission or recording from one television system to another. The most common is from NTSC to PAL or the other way around. This is done so television programs in one nation may be viewed in a nation with a different standard. The video is fed through a video standards converter, which makes a copy in a different video system.
Broadcast-safe video is a term used in the broadcast industry to define video and audio compliant with the technical or regulatory broadcast requirements of the target area or region the feed might be broadcasting to. In the United States, the Federal Communications Commission (FCC) is the regulatory authority; in most of Europe, standards are set by the European Broadcasting Union (EBU).
High-definition television (HD) describes a television system providing an image resolution of substantially higher resolution than the previous generation of technologies. The term has been used since 1936, but in modern times refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television, Blu-ray Discs, and the only difference is the picture quality of SD and HD. Prior to this, respective SD versions of the channels transmitted in 4:3 video with letterbox on it, making the image appears smaller.
CCIR System M, sometimes called 525 line, is the analog broadcast television system used in the United States since July 1, 1941, and also in most of the Americas and Caribbean, South Korea, and Taiwan. Japan uses System J, which is nearly identical to System M. The systems were given their letter designations in the ITU identification scheme adopted in Stockholm in 1961. Both System M and System J display 525 lines of video at 30 frames per second using 6 MHz spacing between channel numbers, and is used for both VHF and UHF channels.
Multi-standard television sets were made for use in the television industry, so that one TV set or monitor could show video content from other television systems. Multistandard is only used with analogue television. In digital television, there are different standards, like DVB, ISDB, and ATSC. However digital multistandard tv set are not existing. Multistandard devices in digital TV may be PC extension card.
CCIR System I is an analog broadcast television system. It was first used in the Republic of Ireland starting in 1962 as the 625-line broadcasting standard to be used on VHF Band I and Band III, sharing Band III with 405-line System A signals radiated in the north and east of the country. The UK started its own 625-line television service in 1964 also using System I, but on UHF only – the UK has never used VHF for 625-line television except for some cable relay distribution systems.