MPEG-2

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MPEG-2 is used in Digital Video Broadcast and DVDs. The MPEG transport stream, TS, and MPEG program stream, PS, are container formats. MPEG.svg
MPEG-2 is used in Digital Video Broadcast and DVDs. The MPEG transport stream, TS, and MPEG program stream, PS, are container formats.

MPEG-2 (a.k.a. H.222/H.262 as was defined by the ITU) is a standard for "the generic coding of moving pictures and associated audio information". [1] It describes a combination of lossy video compression and lossy audio data compression methods, which permit storage and transmission of movies using currently available storage media and transmission bandwidth. While MPEG-2 is not as efficient as newer standards such as H.264/AVC and H.265/HEVC, backwards compatibility with existing hardware and software means it is still widely used, for example in over-the-air digital television broadcasting and in the DVD-Video standard.

Contents

Main characteristics

MPEG-2 is widely used as the format of digital television signals that are broadcast by terrestrial (over-the-air), cable, and direct broadcast satellite TV systems. It also specifies the format of movies and other programs that are distributed on DVD and similar discs. TV stations, TV receivers, DVD players, and other equipment are often designed to this standard. MPEG-2 was the second of several standards developed by the Moving Pictures Expert Group (MPEG) and is an international standard ( ISO/IEC 13818, titled Information technology — Generic coding of moving pictures and associated audio information). Parts 1 and 2 of MPEG-2 were developed in a collaboration with ITU-T, and they have a respective catalog number in the ITU-T Recommendation Series.

While MPEG-2 is the core of most digital television and DVD formats, it does not completely specify them. Regional institutions can adapt it to their needs by restricting and augmenting aspects of the standard. See Video profiles and levels.

Systems

MPEG-2 Part 1 (ISO/IEC 13818-1 and ITU-T Rec. H.222.0 [2] [3] ), titled Systems, defines two distinct, but related, container formats. One is the transport stream, a data packet format designed to transmit one data packet in four ATM data packets for streaming digital video and audio over fixed or mobile transmission mediums, where the beginning and the end of the stream may not be identified, such as radio frequency, cable and linear recording mediums, examples of which include ATSC/DVB/ISDB/SBTVD broadcasting, and HDV recording on tape. The other is the program stream, an extended version of the MPEG-1 container format with less overhead than transport stream. Program stream is designed for random access storage mediums such as hard disk drives, optical discs and flash memory.

Transport stream file formats include M2TS, which is used on Blu-ray discs, AVCHD on re-writable DVDs and HDV on compact flash cards. Program stream files include VOB on DVDs and Enhanced VOB on the short lived HD DVD. The standard MPEG-2 transport stream contains packets of 188 bytes. M2TS prepends each packet with 4 bytes containing a 2-bit copy permission indicator and 30-bit timestamp.

ISO authorized the "SMPTE Registration Authority, LLC" as the registration authority for MPEG-2 format identifiers. The registration descriptor of MPEG-2 transport is provided by ISO/IEC 13818-1 in order to enable users of the standard to unambiguously carry data when its format is not necessarily a recognized international standard. This provision will permit the MPEG-2 transport standard to carry all types of data while providing for a method of unambiguous identification of the characteristics of the underlying private data. [4]

Video

MPEG-2 Part 2 (ISO/IEC 13818-2 and ITU-T Rec. H.262), titled Video, is similar to the previous MPEG-1 Part 2 standard, but adds support for interlaced video, the format used by analog broadcast TV systems. MPEG-2 video is not optimized for low bit rates, especially less than 1 Mbit/s at standard-definition resolutions. All standards-compliant MPEG-2 Video decoders are fully capable of playing back MPEG-1 Video streams conforming to the constrained parameters bitstream (CPB) limits.

With some enhancements, MPEG-2 Video and Systems are also used in some HDTV transmission systems, and is the standard format for over-the-air ATSC digital television. [5]

Audio

MPEG-2 introduces new audio encoding methods compared to MPEG-1: [6]

MPEG-2 Part 3

MPEG-2 Part 3 (ISO/IEC 13818-3), titled Audio, enhances MPEG-1's audio by allowing the coding of audio programs with more than two channels, up to 5.1 multichannel. This method is backwards-compatible with MPEG-1, allowing MPEG-1 audio decoders to decode the two main stereo components of the presentation. [7] This extension is called MPEG Multichannel or MPEG-2 BC (backwards-compatible). [8] [9] [10] [11]

MPEG-2 Part 3 also defines additional bit rates and sampling rates for MPEG-1 Audio Layers I, II, and III. [12] This extension is known as MPEG-2 LSF (low sampling frequencies), since the new sampling rates are one-half multiples (16, 22.05 and 24 kHz) of the sampling rates defined in MPEG-1 (32, 44.1 and 48 kHz).

MPEG-2 Part 7

MPEG-2 Part 7 (ISO/IEC 13818-7), titled Advanced Audio Coding (AAC) specifies a rather different, non-backwards-compatible audio format. [10] This format is most commonly called Advanced Audio Coding (AAC), but was originally called MPEG-2 NBC (non-backwards-compatible). [8] [9] [13]

AAC is more efficient than the previous MPEG audio standards, and is in some ways less complicated than its predecessor, MPEG-1 Part 3 Audio Layer 3, in that it does not have the hybrid filter bank. It supports from 1 to 48 channels at sampling rates of 8 to 96 kHz, with multichannel, multilingual, and multiprogram capabilities. [6]

AAC is also defined in MPEG-4 Part 3.[ citation needed ]

MPEG-2 Parts

MPEG-2 standards are published as "Parts". Each part covers a certain aspect of the whole specification.

MPEG-2 Parts [14] [15]
PartNumberFirst public release date (first edition)Latest public release date (last edition)Latest amendmentIdentical ITU-T Rec.TitleDescription
Part 1 ISO/IEC 13818-1 199620152016 [16] H.222.0 SystemsSynchronization and multiplexing of video and audio. See MPEG transport stream and MPEG program stream.
Part 2 ISO/IEC 13818-2 19962013 H.262 Video Video coding format for interlaced and non-interlaced video signals
Part 3 ISO/IEC 13818-3 19951998Audio Audio coding format for perceptual coding of audio signals. A multichannel-enabled extension and extension of bit rates and sample rates for MPEG-1 Audio Layer I, II and III. Backwards-compatible (BC) audio (backwards-compatible with MPEG-1).
Part 4 ISO/IEC 13818-4 199820042009 [17] Conformance testing
Part 5 ISO/IEC TR 13818-5 19972005Software simulation
Part 6 ISO/IEC 13818-6 199819982001 [18] Extensions for DSM-CC DSM-CC (digital storage media command and control) [19] [20]
Part 7 ISO/IEC 13818-7 199720062007 [21] Advanced Audio Coding (AAC) Advanced Audio Coding (AAC). Non-backwards-compatible (NBC) audio (not backwards-compatible with MPEG-1).
Part 8Withdrawn10-bit video extension. Primary application was studio video, allowing artifact-free processing without giving up compression. Work began in 1995, but was terminated in 2007 because of insufficient industry interest. [22] [23]
Part 9 ISO/IEC 13818-9 19961996Extension for real time interface for systems decoders
Part 10 ISO/IEC 13818-10 19991999Conformance extensions for Digital Storage Media Command and Control (DSM-CC)
Part 11 ISO/IEC 13818-11 20042004IPMP on MPEG-2 systemsIntellectual Property Management and Protection (IPMP). [24] [25] XML IPMP messages are also defined in ISO/IEC 23001-3. [26]

History

MPEG-2 evolved out of the shortcomings of MPEG-1.

MPEG-1's known weaknesses:

Sakae Okubo of NTT was the ITU-T coordinator for developing the H.262/MPEG-2 Part 2 video coding standard and the requirements chairman in MPEG for the MPEG-2 set of standards. [27] The majority of patents underlying MPEG-2 technology are owned by three companies: Sony (311 patents), Thomson (198 patents) and Mitsubishi Electric (119 patents). [28] Hyundai Electronics (now SK Hynix) developed the first MPEG-2 SAVI (System/Audio/Video) decoder in 1995. [29]

Filename extensions

.mpg, .mpeg, .m2v, .mp2, .mp3 are some of a number of filename extensions used for MPEG-1 or MPEG-2 audio and video file formats.

File extension MP3 (formally MPEG-1 Audio Layer III or MPEG-2 Audio Layer III) is a coding format for digital audio developed largely by the Fraunhofer Society in Germany, with support from other digital scientists in the United States and elsewhere.

Applications

DVD-Video

The DVD-Video standard uses MPEG-2 video, but imposes some restrictions:

  1. ↑ 1.85:1 and 2.35:1, among others, are often listed as valid DVD aspect ratios, but are wider film aspects with letterbox style padding to create a 16:9 image
  1. ↑ By using a pattern of REPEAT_FIRST_FIELD flags on the headers of encoded pictures, pictures can be displayed for either two or three fields and almost any picture display rate (minimum ⅔ of the frame rate) can be achieved. This is most often used to display 23.976 (approximately film rate) video on NTSC. See telecine for more information on how this works.

HDV

HDV is a format for recording and playback of high-definition MPEG-2 video on a DV cassette tape.

MOD and TOD

MOD and TOD are recording formats for use in consumer digital file-based camcorders.

XDCAM

XDCAM is a professional file-based video recording format.

DVB

Application-specific restrictions on MPEG-2 video in the DVB standard:

Allowed resolutions for SDTV:

For HDTV:

ATSC

The ATSC A/53 standard used in the United States, uses MPEG-2 video at the Main Profile @ High Level (MP@HL), with additional restrictions such as the maximum bitrate of 19.39 Mbit/s for broadcast television and 38.8 Mbit/s for cable television, 4:2:0 chroma subsampling format, and mandatory colorimetry information.

ATSC allows the following video resolutions, aspect ratios, and frame/field rates:

ATSC standard A/63 defines additional resolutions and aspect rates for 50 Hz (PAL) signal.

The ATSC specification and MPEG-2 allow the use of progressive frames, even within an interlaced video sequence. For example, a station that transmits 1080i60 video sequence can use a coding method where those 60 fields are coded with 24 progressive frames and metadata instructs the decoder to interlace them and perform 3:2 pulldown before display. This allows broadcasters to switch between 60 Hz interlaced (news, soap operas) and 24 Hz progressive (prime-time) content without ending the MPEG-2 sequence and introducing several seconds of delay as the TV switches formats. This is the reason why 1080p30 and 1080p24 sequences allowed by the ATSC specification are not used in practice.

The 1080-line formats are encoded with 1920 × 1088 pixel luma matrices and 960 × 540 chroma matrices, but the last 8 lines are discarded by the MPEG-2 decoding and display process.

ATSC A/72 is the newest revision of ATSC standards for digital television, which allows the use of H.264/AVC video coding format and 1080p60 signal.

MPEG-2 audio was a contender for the ATSC standard during the DTV "Grand Alliance" shootout, but lost out to Dolby AC-3.

ISDB-T

Technical features of MPEG-2 in ATSC are also valid for ISDB-T, except that in the main TS has aggregated a second program for mobile devices compressed in MPEG-4 H.264 AVC for video and AAC-LC for audio, mainly known as 1seg.

Blu-ray

MPEG-2 is one of the three supported video coding formats supported by Blu-ray Disc. Early Blu-ray releases typically used MPEG-2 video, but recent releases are almost always in H.264 or occasionally VC-1. Only MPEG-2 video (MPEG-2 part 2) is supported, Blu-ray does not support MPEG-2 audio (parts 3 and 7). Additionally, the container format used on Blu-ray discs is an MPEG-2 transport stream, regardless of which audio and video codecs are used.

Patent pool

As of January 3, 2024, MPEG-2 patents have expired worldwide, with the exception of only Malaysia, where the last patent is expected to expire in 2035. [30] The last US patent expired on February 23, 2018. [31] [32]

MPEG LA, a private patent licensing organization, had acquired rights from over 20 corporations and one university to license a patent pool of approximately 640 worldwide patents, which it claimed were "essential" to use of MPEG-2 technology. The patent holders included Sony, Mitsubishi Electric, Fujitsu, Panasonic, Scientific Atlanta, Columbia University, Philips, General Instrument, Canon, Hitachi, JVC Kenwood, LG Electronics, NTT, Samsung, Sanyo, Sharp and Toshiba. [33] [34] Where Software patentability is upheld and patents have not expired (only Malaysia), the use of MPEG-2 requires the payment of licensing fees to the patent holders. Other patents were licensed by Audio MPEG, Inc. [35] The development of the standard itself took less time than the patent negotiations. [36] Patent pooling between essential and peripheral patent holders in the MPEG-2 pool was the subject of a study by the University of Wisconsin. [37]

According to the MPEG-2 licensing agreement any use of MPEG-2 technology in countries with active patents (Malaysia) is subject to royalties. [38] MPEG-2 encoders and decoders are subject to $0.35 per unit. [38] Also, any packaged medium (DVDs/Data Streams) is subject to licence fees according to length of recording/broadcast. The royalties were previously priced higher but were lowered at several points, most recently on January 1, 2018. [38] An earlier criticism of the MPEG-2 patent pool was that even though the number of patents had decreased from 1,048 to 416 by June 2013 the license fee had not decreased with the expiration rate of MPEG-2 patents. [39] [40] [41]

Patent holders

The following organizations have held patents for MPEG-2, as listed at MPEG LA. See also List of United States MPEG-2 patents.

OrganizationPatents [28]
Sony Corporation 311
Thomson Licensing198
Mitsubishi Electric 119
Philips 99
GE Technology Development, Inc.75
Panasonic Corporation 55
CIF Licensing, LLC44
JVC Kenwood 39
Samsung Electronics 38
Alcatel Lucent (including Multimedia Patent Trust)33
Cisco Technology, Inc.13
Toshiba Corporation 9
Columbia University 9
LG Electronics 8
Hitachi 7
Orange S.A. 7
Fujitsu 6
Robert Bosch GmbH 5
General Instrument 4
British Telecommunications 3
Canon Inc. 2
KDDI Corporation 2
Nippon Telegraph and Telephone (NTT)2
ARRIS Technology, Inc.2
Sanyo Electric 1
Sharp Corporation 1
Hewlett-Packard Enterprise Company1

See also

Related Research Articles

<span class="mw-page-title-main">MP3</span> Digital audio format

MP3 is a coding format for digital audio developed largely by the Fraunhofer Society in Germany under the lead of Karlheinz Brandenburg. It was designed to greatly reduce the amount of data required to represent audio, yet still sound like a faithful reproduction of the original uncompressed audio to most listeners; for example, compared to CD-quality digital audio, MP3 compression can commonly achieve a 75–95% reduction in size, depending on the bit rate. In popular usage, MP3 often refers to files of sound or music recordings stored in the MP3 file format (.mp3) on consumer electronic devices.

<span class="mw-page-title-main">Moving Picture Experts Group</span> Alliance of working groups to set standards for multimedia coding

The Moving Picture Experts Group (MPEG) is an alliance of working groups established jointly by ISO and IEC that sets standards for media coding, including compression coding of audio, video, graphics, and genomic data; and transmission and file formats for various applications. Together with JPEG, MPEG is organized under ISO/IEC JTC 1/SC 29 – Coding of audio, picture, multimedia and hypermedia information.

MPEG-1 is a standard for lossy compression of video and audio. It is designed to compress VHS-quality raw digital video and CD audio down to about 1.5 Mbit/s without excessive quality loss, making video CDs, digital cable/satellite TV and digital audio broadcasting (DAB) practical.

<span class="mw-page-title-main">Video</span> Electronic moving image

Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems, which, in turn, were replaced by flat-panel displays of several types.

MPEG-1 Audio Layer II or MPEG-2 Audio Layer II is a lossy audio compression format defined by ISO/IEC 11172-3 alongside MPEG-1 Audio Layer I and MPEG-1 Audio Layer III (MP3). While MP3 is much more popular for PC and Internet applications, MP2 remains a dominant standard for audio broadcasting.

Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. It was designed to be the successor of the MP3 format and generally achieves higher sound quality than MP3 at the same bit rate.

<span class="mw-page-title-main">Advanced Video Coding</span> Most widely used standard for video compression

Advanced Video Coding (AVC), also referred to as H.264 or MPEG-4 Part 10, is a video compression standard based on block-oriented, motion-compensated coding. It is by far the most commonly used format for the recording, compression, and distribution of video content, used by 91% of video industry developers as of September 2019. It supports a maximum resolution of 8K UHD.

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<span class="mw-page-title-main">ATSC standards</span> Standards for digital television in the US

Advanced Television Systems Committee (ATSC) standards are an international set of standards for broadcast and digital television transmission over terrestrial, cable and satellite networks. It is largely a replacement for the analog NTSC standard and, like that standard, is used mostly in the United States, Mexico, Canada, South Korea and Trinidad & Tobago. Several former NTSC users, such as Japan, have not used ATSC during their digital television transition, because they adopted other systems such as ISDB developed by Japan, and DVB developed in Europe, for example.

<span class="mw-page-title-main">576i</span> Standard-definition video mode

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H.262 or MPEG-2 Part 2 is a video coding format standardised and jointly maintained by ITU-T Study Group 16 Video Coding Experts Group (VCEG) and ISO/IEC Moving Picture Experts Group (MPEG), and developed with the involvement of many companies. It is the second part of the ISO/IEC MPEG-2 standard. The ITU-T Recommendation H.262 and ISO/IEC 13818-2 documents are identical.

MPEG transport stream or simply transport stream (TS) is a standard digital container format for transmission and storage of audio, video, and Program and System Information Protocol (PSIP) data. It is used in broadcast systems such as DVB, ATSC and IPTV.

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MPEG Multichannel, also known as MPEG-2 Backwards Compatible, or MPEG-2 BC, is an extension to the MPEG-1 Layer II audio compression specification, as defined in the MPEG-2 Audio standard which allows it provide up to 5.1-channels of audio. To maintain backwards compatibility with the older 2-channel (stereo) audio specification, it uses a channel matrixing scheme, where the additional channels are mixed into the two backwards compatible channels. Extra information in the data stream contains signals to process extra channels from the matrix.

Packetized Elementary Stream (PES) is a specification in the MPEG-2 Part 1 (Systems) and ITU-T H.222.0 that defines carrying of elementary streams in packets within MPEG program streams and MPEG transport streams. The elementary stream is packetized by encapsulating sequential data bytes from the elementary stream inside PES packet headers.

Program stream is a container format for multiplexing digital audio, video and more. The PS format is specified in MPEG-1 Part 1 and MPEG-2 Part 1, Systems. The MPEG-2 Program Stream is analogous and similar to ISO/IEC 11172 Systems layer and it is forward compatible.

MPEG-1 Audio Layer I, commonly abbreviated to MP1, is one of three audio formats included in the MPEG-1 standard. It is a deliberately simplified version of MPEG-1 Audio Layer II (MP2), created for applications where lower compression efficiency could be tolerated in return for a less complex algorithm that could be executed with simpler hardware requirements. While supported by most media players, the codec is considered largely obsolete, and replaced by MP2 or MP3.

High-definition television (HDTV) describes a television or video system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since at least 1933; in more recent times, it refers to the generation following standard-definition television (SDTV). It is the standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television.

Part 3 of the MPEG-2 standard defines audio coding:

References

  1. ↑ "ISO/IEC 13818-1:2000 - Information technology -- Generic coding of moving pictures and associated audio information: Systems". www.iso.org. Archived from the original on 20 May 2007. Retrieved 4 May 2018.
  2. ↑ ITU-T. "H.222.0 : Information technology - Generic coding of moving pictures and associated audio information: Systems". Archived from the original on 2012-09-03. Retrieved 2010-06-03.
  3. ↑ ITU-T (May 2006). "H.222.0 Summary". Archived from the original on 2011-05-19. Retrieved 2010-06-03.
  4. ↑ SMPTE Registration Authority, LLC - registration authority for MPEG-2 format identifiers Archived 2010-01-28 at the Wayback Machine Retrieved on 2009-07-06
  5. ↑ "MPEG Standards- Know what video format to choose". 2022-07-21. Retrieved 2024-06-28.
  6. 1 2 D. Thom, H. Purnhagen, and the MPEG Audio Subgroup (October 1998). "MPEG Audio FAQ Version 9 - MPEG Audio". Archived from the original on 2011-08-07. Retrieved 2009-10-31.{{cite web}}: CS1 maint: multiple names: authors list (link)
  7. ↑ Werner Oomen; Leon van de Kerkhof. "MPEG-2 Audio Layer I/II". chiariglione.org. Archived from the original on 2010-04-30. Retrieved 2009-12-29.
  8. 1 2 ISO (October 1998). "MPEG Audio FAQ Version 9 - MPEG-1 and MPEG-2 BC". ISO. Archived from the original on 2010-02-18. Retrieved 2009-10-28.
  9. 1 2 MPEG.ORG. "AAC". Archived from the original on 2007-08-31. Retrieved 2009-10-28.
  10. 1 2 ISO (2006-01-15), ISO/IEC 13818-7, Fourth edition, Part 7 - Advanced Audio Coding (AAC) (PDF), archived (PDF) from the original on 2009-03-06, retrieved 2009-10-28
  11. ↑ ISO (2004-10-15), ISO/IEC 13818-7, Third edition, Part 7 - Advanced Audio Coding (AAC) (PDF), archived from the original (PDF) on 2011-07-13, retrieved 2009-10-19
  12. ↑ Predrag Supurovic, MPEG Audio Frame Header, Retrieved on 2009-07-11
  13. ↑ ISO (March 1996). "Florence Press Release". ISO. Archived from the original on 2010-04-08. Retrieved 2009-10-28.
  14. ↑ MPEG. "MPEG standards". chiariglione.org. Archived from the original on 2014-07-21. Retrieved 2014-07-24.
  15. ↑ ISO. "ISO/IEC JTC 1/SC 29 - Coding of audio, picture, multimedia and hypermedia information". Archived from the original on 2017-08-30. Retrieved 2017-08-30.
  16. ↑ ISO. "ISO/IEC 13818-1:2015/Amd 6:2016, Carriage of Quality Metadata in MPEG-2 Systems". Archived from the original on 2017-08-30. Retrieved 2017-08-30.
  17. ↑ ISO. "ISO/IEC 13818-4:2004/Amd 3:2009, Level for 1080@50p/60p conformance testing". Archived from the original on 2017-08-30. Retrieved 2017-08-30.
  18. ↑ ISO. "ISO/IEC 13818-6:1998/Amd 3:2001, Transport buffer model in support of synchronized user-to-network download protocol". Archived from the original on 2017-08-30. Retrieved 2017-08-30.
  19. ↑ MPEG (1997-02-21). "DSM-CC FAQ Version 1.0". MPEG. Archived from the original on 2010-05-11. Retrieved 2010-08-01.
  20. ↑ IEEE (1996). "An Introduction to Digital Storage Media - Command and Control (DSM-CC)". MPEG. Archived from the original on 2010-05-20. Retrieved 2010-08-01.
  21. ↑ ISO. "ISO/IEC 13818-7:2006/Amd 1:2007, Transport of MPEG Surround in AAC". Archived from the original on 2017-08-30. Retrieved 2017-08-30.
  22. ↑ chiariglione.org (2010-02-04). "Riding the Media Bits, The development of MPEG-2 - Part A". Archived from the original on 2011-11-01. Retrieved 2010-02-09.
  23. ↑ Van der Meer, Jan (2014). Fundamentals and Evolution of MPEG-2 Systems: Paving the MPEG Road. John Wiley & Sons. ISBN   9781118875940.
  24. ↑ "MPEG Intellectual Property Management and Protection". MPEG. April 2009. Archived from the original on 2010-04-30. Retrieved 2010-08-01.
  25. ↑ IPMP in MPEG – W3C DRM workshop 22/23 January 2001 (PPT), archived from the original on 16 July 2012, retrieved 2010-08-01
  26. ↑ ISO. "ISO/IEC 23001-3:2008, Information technology -- MPEG systems technologies -- Part 3: XML IPMP messages". Archived from the original on 2017-08-30. Retrieved 2009-10-29.
  27. ↑ "Sakae Okubo". ITU. Archived from the original on 2005-03-02. Retrieved 2017-01-27.
  28. 1 2 "MPEG-2 Patent List" (PDF). MPEG LA . Retrieved 7 July 2019.
  29. ↑ "History: 1990s". SK Hynix . Archived from the original on 5 February 2021. Retrieved 6 July 2019.
  30. ↑ "3 Malaysia MPEG-2 Patents left". Bryan Quigley. 2024-01-03.
  31. ↑ "MPEG-2 Attachment 1" (PDF). MPEG LA. Archived (PDF) from the original on 29 May 2019. Retrieved 29 May 2019.
  32. ↑ Richard Chirgwin (15 February 2018). "Waddawewant? Free video codecs! When dowe .. oh, look, the last MPEG-2 patent expired!". The Register. Archived from the original on 15 February 2018.
  33. ↑ "MPEG-2 Patent Portfolio License Program". MPEG LA. Archived from the original on 29 May 2019. Retrieved 29 May 2019.
  34. ↑ "audioMPEG.com - - - US Patents". 18 March 2004. Archived from the original on 18 March 2004. Retrieved 4 May 2018.
  35. ↑ "Sisvel - We protect ideas - Home". Archived from the original on 2013-01-02.
  36. ↑ "Audio/Video - GNU Project - Free-Software Foundation". Archived from the original on 2012-12-24.
  37. ↑ Quint, Dan; Amit Gandhi. "Economics of Patent Pools When Some (but not all) Patents are Essential". Working Paper. Archived from the original on 2010-07-10. Retrieved 2009-10-11.
  38. 1 2 3 "MPEG-2 License Agreement". MPEG LA. Archived from the original on 29 May 2019. Retrieved 29 May 2019.
  39. ↑ "Patent Pools May Create Anticompetitive Effects, New Report Finds". Business Wire. 2013-05-09. Archived from the original on 2014-08-20. Retrieved 2013-06-06.
  40. ↑ Bret Swanson (2013-04-30). "MPEG-LA Shows Need to Rebuild IP Foundations". Forbes . Archived from the original on 2013-04-30. Retrieved 2013-05-19.
  41. ↑ Steve Forbes (2013-03-18). "America's patent system is all wrong for today's high-tech world". Fox News Channel. Archived from the original on 2013-06-16. Retrieved 2013-06-05.
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