Essential Video Coding | |
Status | Draft |
---|---|
Year started | 2018 (Initial Requirements Document) |
Organization | ISO |
Committee | MPEG |
Domain | Video compression |
Website | mpeg |
MPEG-5 Essential Video Coding (EVC), standardized as ISO/IEC 23094-1, is a video compression standard that has been completed in April 2020 by decision of MPEG Working Group 11 at its 130th meeting. [1] [2] [3] [4]
The standard consists of a royalty-free subset and individually switchable enhancements. [2] [3] [5]
The publicly available requirements document [5] outlines a development process that is defensive against patent threats: Two sets of coding tools, base and enhanced, are defined:
Each of the 21 payable tools can have separately acquired and separately negotiated and separately Traded License agreements. [7] Each can be individually turned off and, when necessary, replaced by a corresponding cost free baseline profile tool. This structure makes it easy to fall back to a smaller set of tools in the future, if, for example, licensing complications occur around a specific tool, without breaking compatibility with already deployed decoders. [7]
A proposal by Samsung, Huawei and Qualcomm forms the basis of EVC. [8]
MPAI aims to significantly enhance the performance of EVC by improving or replacing traditional tools with AI-based tools, with the goal of reaching at least 25% improvement over the baseline profile of EVC. [13] [14] [15]
MPEG-2 is a standard for "the generic coding of moving pictures and associated audio information". It describes a combination of lossy video compression and lossy audio data compression methods, which permit storage and transmission of movies using currently available storage media and transmission bandwidth. While MPEG-2 is not as efficient as newer standards such as H.264/AVC and H.265/HEVC, backwards compatibility with existing hardware and software means it is still widely used, for example in over-the-air digital television broadcasting and in the DVD-Video standard.
Dirac is an open and royalty-free video compression format, specification and software video codec developed by BBC Research & Development. Dirac aimed to provide high-quality video compression for Ultra HDTV and competed with existing formats such as H.264.
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. It was designed to be the successor of the MP3 format and generally achieves higher sound quality than MP3 at the same bit rate.
Advanced Video Coding (AVC), also referred to as H.264 or MPEG-4 Part 10, is a video compression standard based on block-oriented, motion-compensated coding. It is by far the most commonly used format for the recording, compression, and distribution of video content, used by 91% of video industry developers as of September 2019. It supports a maximum resolution of 8K UHD.
Audio Video Coding Standard (AVS) refers to the digital audio and digital video series compression standard formulated by the Audio and Video coding standard workgroup of China. Work began in 2002, and three generations of standards were published.
SMPTE 421, informally known as VC-1, is a video coding format. Most of it was initially developed as Microsoft's proprietary video format Windows Media Video 9 in 2003. With some enhancements including the development of a new Advanced Profile, it was officially approved as a SMPTE standard on April 3, 2006. It was primarily marketed as a lower-complexity competitor to the H.264/MPEG-4 AVC standard. After its development, several companies other than Microsoft asserted that they held patents that applied to the technology, including Panasonic, LG Electronics and Samsung Electronics.
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FAAC is a software project which includes the AAC encoder FAAC and decoder FAAD2. It supports MPEG-2 AAC as well as MPEG-4 AAC. It supports several MPEG-4 Audio object types, file formats, multichannel and gapless encoding/decoding and MP4 metadata tags. The encoder and decoder is compatible with standard-compliant audio applications using one or more of these object types and facilities. It also supports Digital Radio Mondiale.
MPEG-4 Audio Lossless Coding, also known as MPEG-4 ALS, is an extension to the MPEG-4 Part 3 audio standard to allow lossless audio compression. The extension was finalized in December 2005 and published as ISO/IEC 14496-3:2005/Amd 2:2006 in 2006. The latest description of MPEG-4 ALS was published as subpart 11 of the MPEG-4 Audio standard in December 2019.
VP8 is an open and royalty-free video compression format released by On2 Technologies in 2008.
CineForm Intermediate is an open source video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System.
libvpx is a free software video codec library from Google and the Alliance for Open Media (AOMedia). It serves as the reference software implementation for the VP8 and VP9 video coding formats, and for AV1 a special fork named libaom that was stripped of backwards compatibility.
Unified Speech and Audio Coding (USAC) is an audio compression format and codec for both music and speech or any mix of speech and audio using very low bit rates between 12 and 64 kbit/s. It was developed by Moving Picture Experts Group (MPEG) and was published as an international standard ISO/IEC 23003-3 and also as an MPEG-4 Audio Object Type in ISO/IEC 14496-3:2009/Amd 3 in 2012.
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VP9 is an open and royalty-free video coding format developed by Google.
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Low Complexity Enhancement Video Coding (LCEVC) is a ISO/IEC video coding standard developed by the Moving Picture Experts Group (MPEG) under the project name MPEG-5 Part 2 LCEVC.
I saw the danger coming and designed a strategy for it. This would create two tracks in MPEG: one track producing royalty free standards (Option 1, in ISO language) and the other the traditional Fair Reasonable and Non Discriminatory (FRAND) standards (Option 2, in ISO language).
Though the EVC Main profile uses royalty-bearing "tools," these can be switched on and off with "limited loss of performance." This was the model deployed by Divideon and their xvc codec, and, in theory, it allows those deploying the technology to pick and choose both the performance and the associated royalty cost. (…) Two proposals were submitted in response to MPEG's call for proposals for MPEG-5 Part 1, and MPEG selected the proposal from Samsung, Huawei, and Qualcomm