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Microsoft Video 1 or MS-CRAM [1] is an early lossy video compression and decompression algorithm (codec) that was released with version 1.0 of Microsoft's Video for Windows in November 1992. It is based on MotiVE, a vector quantization codec which Microsoft licensed from Media Vision. In 1993, Media Vision marketed the Pro Movie Spectrum, an ISA board that captured video in both raw and MSV1 formats (the MSV1 processing was done in hardware on the board).
Microsoft Video 1 operates either in an 8-bit palettized color space or in a 15-bit RGB color space. [2] Each frame is split into 4×4 pixel blocks. [2] Each 4×4 pixel block can be coded in one of three modes: skip, 2-color or 8-color. [2] In skip mode, the content from the previous frame is copied to the current frame in a conditional replenishment fashion. [2] In 2-color mode, two colors per 4×4 block are transmitted, and 1 bit per pixel is used to select between the two colors. [2] In 8-color mode, the same scheme applies with 2 colors per 2×2 block. [2] This can be interpreted as a 2-color palette which is locally adapted on either a 4×4 block basis or a 2×2 block basis. Interpreted as vector quantization, vectors with components red, green, and blue are quantized using a forward adaptive codebook with two entries.
The codec was available in Microsoft NetShow Encoder, [3] which was later renamed Windows Media Encoder, and made available via the SDK. The NetShow encoder allowed the user to select a 2 pass option, where in the first pass the video was analyzed to create a color palette, and in the second pass converted to the palettized color space and encoded. Before encoding, the video could be scaled. Later versions of Windows Media Encoder dropped support for Microsoft Video 1 and only supported Windows Media Video.
The Graphics Interchange Format is a bitmap image format that was developed by a team at the online services provider CompuServe led by American computer scientist Steve Wilhite and released on June 15, 1987.
MPEG-1 is a standard for lossy compression of video and audio. It is designed to compress VHS-quality raw digital video and CD audio down to about 1.5 Mbit/s without excessive quality loss, making video CDs, digital cable/satellite TV and digital audio broadcasting (DAB) practical.
Windows Media Audio (WMA) is a series of audio codecs and their corresponding audio coding formats developed by Microsoft. It is a proprietary technology that forms part of the Windows Media framework. WMA consists of four distinct codecs. The original WMA codec, known simply as WMA, was conceived as a competitor to the popular MP3 and RealAudio codecs. WMA Pro, a newer and more advanced codec, supports multichannel and high-resolution audio. A lossless codec, WMA Lossless, compresses audio data without loss of audio fidelity. WMA Voice, targeted at voice content, applies compression using a range of low bit rates. Microsoft has also developed a digital container format called Advanced Systems Format to store audio encoded by WMA.
H.261 is an ITU-T video compression standard, first ratified in November 1988. It is the first member of the H.26x family of video coding standards in the domain of the ITU-T Study Group 16 Video Coding Experts Group. It was the first video coding standard that was useful in practical terms.
Audio Video Coding Standard (AVS) refers to the digital audio and digital video series compression standard formulated by the Audio and Video coding standard workgroup of China. Work began in 2002, and three generations of standards were published.
Smacker video is a video file format developed by Epic Games Tools, and primarily used for full-motion video in video games. Smacker uses an adaptive 8-bit RGB palette. RAD's format for video at higher color depths is Bink Video. The Smacker format specifies a container format, a video compression format, and an audio compression format. Since its release in 1994, Smacker has been used in over 2300 games. Blizzard used this format for the cinematic videos seen in its games Warcraft II, StarCraft and Diablo I.
Cinepak is a lossy video codec developed by Peter Barrett at SuperMac Technologies, and released in 1991 with the Video Spigot, and then in 1992 as part of Apple Computer's QuickTime video suite. One of the first video compression tools to achieve full motion video on CD-ROM, it was designed to encode 320×240 resolution video at 1× CD-ROM transfer rates. The original name of this codec was Compact Video, which is why its FourCC identifier is CVID. The codec was ported to Microsoft Windows in 1993. It was also used on fourth- and fifth-generation game consoles, such as the Atari Jaguar CD, Sega CD, Sega Saturn, and 3DO. libavcodec includes a Cinepak decoder and an encoder, both licensed under the terms of the LGPL.
QuickTime Animation format is a video compression format and codec created by Apple Computer to enable playback of RGB video in real time without expensive hardware. It is generally found in the QuickTime container with the FourCC 'rle '. It can perform either lossless or lossy compression and is one of the few video codecs that supports an alpha channel. Supported color depths are 1-bit (monochrome), 15-bit RGB, 24-bit RGB, 32-bit ARGB, as well as palettized RGB. As a result of reverse-engineering of the format, a decoder is implemented in XAnim as well as an encoder and decoder in libavcodec.
SMPTE 421, informally known as VC-1, is a video coding format. Most of it was initially developed as Microsoft's proprietary video format Windows Media Video 9 in 2003. With some enhancements including the development of a new Advanced Profile, it was officially approved as a SMPTE standard on April 3, 2006. It was primarily marketed as a lower-complexity competitor to the H.264/MPEG-4 AVC standard. After its development, several companies other than Microsoft asserted that they held patents that applied to the technology, including Panasonic, LG Electronics and Samsung Electronics.
H.262 or MPEG-2 Part 2 is a video coding format standardised and jointly maintained by ITU-T Study Group 16 Video Coding Experts Group (VCEG) and ISO/IEC Moving Picture Experts Group (MPEG), and developed with the involvement of many companies. It is the second part of the ISO/IEC MPEG-2 standard. The ITU-T Recommendation H.262 and ISO/IEC 13818-2 documents are identical.
Indeo Video is a family of audio and video formats and codecs first released in 1992, and designed for real-time video playback on desktop CPUs. While its original version was related to Intel's DVI video stream format, a hardware-only codec for the compression of television-quality video onto compact discs, Indeo was distinguished by being one of the first codecs allowing full-speed video playback without using hardware acceleration. Also unlike Cinepak and TrueMotion S, the compression used the same Y'CbCr 4:2:0 colorspace as the ITU's H.261 and ISO's MPEG-1. Indeo use was free of charge to allow for broadest usage.
Avid DNxHD is a lossy high-definition video post-production codec developed by Avid for multi-generation compositing with reduced storage and bandwidth requirements. It is an implementation of SMPTE VC-3 standard.
JPEG XR is an image compression standard for continuous tone photographic images, based on the HD Photo specifications that Microsoft originally developed and patented. It supports both lossy and lossless compression, and is the preferred image format for Ecma-388 Open XML Paper Specification documents.
Sorenson Media was an American software company specializing in video encoding technology. Established in December 1995 as Sorenson Vision, the company developed technology which was licensed and ultimately acquired from Utah State University. The company first announced its codec at a developer’s preview at MacWorld Expo in January 1997.
VP9 is an open and royalty-free video coding format developed by Google.
Apple Video is a lossy video compression and decompression algorithm (codec) developed by Apple Inc. and first released as part of QuickTime 1.0 in 1991. The codec is also known as QuickTime Video, by its FourCC RPZA and the name Road Pizza. When used in the AVI container, the FourCC AZPR is also used.
QuickTime Graphics is a lossy video compression and decompression algorithm (codec) developed by Apple Inc. and first released as part of QuickTime 1.x in the early 1990s. The codec is also known by the name Apple Graphics and its FourCC SMC. The codec operates on 8-bit palettized RGB data. The bit-stream format of QuickTime Graphics has been reverse-engineered and a decoder has been implemented in the projects XAnim and libavcodec.
Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. Much like the H.26x and MPEG standards, the ProRes family of codecs use compression algorithms based on the discrete cosine transform (DCT). ProRes is widely used as a final format delivery method for HD broadcast files in commercials, features, Blu-ray and streaming.
Versatile Video Coding (VVC), also known as H.266, ISO/IEC 23090-3, and MPEG-I Part 3, is a video compression standard finalized on 6 July 2020, by the Joint Video Experts Team (JVET) of the VCEG working group of ITU-T Study Group 16 and the MPEG working group of ISO/IEC JTC 1/SC 29. It is the successor to High Efficiency Video Coding. It was developed with two primary goals – improved compression performance and support for a very broad range of applications.