NTSC is the first American standard for analog television, published in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170.
Phase Alternating Line (PAL) is a colour encoding system for analog television. It was one of three major analogue colour television standards, the others being NTSC and SECAM. In most countries it was broadcast at 625 lines, 50 fields per second, and associated with CCIR analogue broadcast television systems B, D, G, H, I or K. The articles on analog broadcast television systems further describe frame rates, image resolution, and audio modulation.
Standard-definition television is a television system that uses a resolution that is not considered to be either high or enhanced definition. Standard refers to offering a similar resolution to the analog broadcast systems used when it was introduced.
SECAM, also written SÉCAM, is an analog color television system that was used in France, Russia and some other countries or territories of Europe and Africa. It was one of three major analog color television standards, the others being PAL and NTSC. Like PAL, a SECAM picture is also made up of 625 interlaced lines and is displayed at a rate of 25 frames per second. However, due to the way SECAM processes color information, it is not compatible with the German PAL video format standard. This page primarily discusses the SECAM colour encoding system. The articles on broadcast television systems and analog television further describe frame rates, image resolution, and audio modulation. SECAM video is composite video because the luminance and chrominance are transmitted together as one signal.
Interlaced video is a technique for doubling the perceived frame rate of a video display without consuming extra bandwidth. The interlaced signal contains two fields of a video frame captured consecutively. This enhances motion perception to the viewer, and reduces flicker by taking advantage of the phi phenomenon.
ITU-R Recommendation BT.601, more commonly known by the abbreviations Rec. 601 or BT.601, is a standard originally issued in 1982 by the CCIR for encoding interlaced analog video signals in digital video form. It includes methods of encoding 525-line 60 Hz and 625-line 50 Hz signals, both with an active region covering 720 luminance samples and 360 chrominance samples per line. The color encoding system is known as YCbCr 4:2:2.
Broadcasttelevision systems are the encoding or formatting systems for the transmission and reception of terrestrial television signals.
YPbPr or Y'PbPr, also written as YPBPR, is a color space used in video electronics, in particular in reference to component video cables. Like YCbCr, it is based on gamma corrected RGB primaries; the two are numerically equivalent but YPBPR is designed for use in analog systems while YCBCR is intended for digital video. The EOTF may be different from common sRGB EOTF and BT.1886 EOTF. Sync is carried on the Y channel and is a bi-level sync signal, but in HD formats a tri-level sync is used and is typically carried on all channels.
480i is the video mode used for standard-definition digital video in the Caribbean, Japan, South Korea, Taiwan, Philippines, Myanmar, Western Sahara, and most of the Americas. The other common standard definition digital standard, used in the rest of the world, is 576i.
576i is a standard-definition digital video mode, originally used for digitizing analogue television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the legacy colour encoding systems, it is often referred to as PAL, PAL/SECAM or SECAM when compared to its 60 Hz NTSC-colour-encoded counterpart, 480i.
576p is the shorthand name for a video display resolution. The p stands for progressive scan, i.e. non-interlaced, the 576 for a vertical resolution of 576 pixels. Usually it corresponds to a digital video mode with a 4:3 anamorphic resolution of 720x576 and a frame rate of 25 frames per second (576p25), and thus using the same bandwidth and carrying the same amount of pixel data as 576i, but other resolutions and frame rates are possible.
Analog high-definition television has referred to a variety of analog video broadcast television systems with various display resolutions throughout history.
MUSE, commercially known as Hi-Vision was a Japanese analog high-definition television system, with design efforts going back to 1979.
Television standards conversion is the process of changing a television transmission or recording from one video system to another. Converting video between different numbers of lines, frame rates, and color models in video pictures is a complex technical problem. However, the international exchange of television programming makes standards conversion necessary so that video may be viewed in another nation with a differing standard. Typically video is fed into video standards converter which produces a copy according to a different video standard. One of the most common conversions is between the NTSC and PAL standards.
Broadcast-safe video is a term used in the broadcast industry to define video and audio compliant with the technical or regulatory broadcast requirements of the target area or region the feed might be broadcasting to. In the United States, the Federal Communications Commission (FCC) is the regulatory authority; in most of Europe, standards are set by the European Broadcasting Union (EBU).
High-definition television (HDTV) describes a television or video system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since at least 1933; in more recent times, it refers to the generation following standard-definition television (SDTV). It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television.
CCIR System M, sometimes called 525–line, monochrome NTSC, NTSC-M, or CCIR-M, is the analog broadcast television system approved by the FCC for use in the United States since July 1, 1941, replacing the 441-line TV system introduced in 1938. System M comprises a total of 525 interlaced lines of video, of which 486 contain the image information, at 30 frames per second. Video is amplitude modulated and audio is frequency modulated, with a total bandwidth of 6 MHz for each channel, including a guard band.
CCIR System B was the 625-line VHF analog broadcast television system which at its peak was adopted by more than one hundred countries, either with PAL or SECAM colour. It is usually associated with CCIR System G for UHF broadcasts.
625-line is a late 1940s European analog standard-definition television resolution standard. It consists of a 625-line raster, with 576 lines carrying the visible image at 25 interlaced frames per second. It was eventually adopted by countries using 50 Hz utility frequency as regular TV broadcasts resumed after World War II. With the introduction of color television in the 1960s, it became associated with the PAL and SECAM analog color systems.
CCIR System L is an analog broadcast television system used in France, Luxembourg, Monaco and Chausey. It was the last system to use positive video modulation and AM sound.
