Clear-Vision is a Japanese EDTV (Extended Definition TV) [1] [2] television system introduced in the 1990s, that improves audio and video quality while remaining compatible with the existing broadcast standard. [1] [3] Developed to improve analog NTSC, [4] it adds features like progressive scan, ghost cancellation and widescreen image format. A similar system named PALPlus was developed in Europe with the goal of improving analog PAL broadcasts. [5]
The initial version of the system was called IDTV [5] (Improved Definition Television, [6] or SuperNTSC [7] ) and was based on advanced signal processing on TV receivers. This allowed improvements such as progressive scan, ghost cancellation (reducing the effects of multipath propagation) and NTSC luminance and chroma crosstalk reduction (by way of filtering), [6] without requiring any extra information being broadcast. These early studies were done by NTV, [8] under the direction of the MPT (Ministry of Post and Telecommunications) and the BTA (Broadcasting Technology Association). [1] [5]
This early standard was published as ITU-R recommendation BT.797 - "CLEARVISION". [9] Public broadcasting began on NTV in August 1989, under the name of EDTV-I or "Clear-Vision", [8] [1] [5] ending on July 24, 2011.
Tests for an updated system known as EDTV-II [10] [11] or "Wide-aspect Clear-vision" [1] [3] started in 1994. [12] EDTV-II supported 480p [13] progressive scan, [14] wide-screen [15] and digital audio. Public broadcasting began in July 1995 by NTV. [8] [16] [17] [5] [2] The standard was published as ARIB STD-B9 - "Direct Coding for EDTV-II Television Signal" in 1997 [18] and as ITU BT.1298 - "Enhanced wide-screen NTSC TV transmission system". [9]
EDTV-II broadcasts are displayed in letterbox format (with black bands on the top and bottom of the screen) [14] on regular 4:3 NTSC receivers with no decoding ability. Information to reconstruct the original image signal is transmitted as helper signals - HH (horizontal high), VH (vertical high) and VT (vertical-temporal) - placed on the black bars. [19] [9] This solution is similar to the one used on PALplus, [20] a comparable system to improve analog PAL broadcasts. On compatible TV sets, broadcasts are seen in 16:9 wide-screen retaining the full original 480 line resolution. [9]
When introduced, EDTV-II was used on many shows by NTV such as Friday Road Show. [21] [ circular reference ] At the time of TOKYO MX [22] start in 1995, more than half of its broadcasts were in widescreen using EDTV-II, such as Tokyo NEWS. [21] Interest was predicted to be high, with manufacturers such as Sony and Mitsubishi having 16 to 32'' widescreen EDTV-II compatible TVs available that same year. [23] [24] Yet, due to lack consumer interest, broadcasts returned to regular 4:3 over the years. NHK used the system occasionally, as it was more interested in promoting its own analog high-definition MUSE system. [21] Widescreen EDTV-II broadcasts gradually disappeared, with World Heritage, broadcast by Sony, being the last show shown using the format. [25]
Other than widescreen broadcasts, the system gave a limited improvement in image quality, mostly noticeable on larger TV sets. Yet these TVs benefited more from true HDTV broadcasts using the MUSE system, also available at the time. [5] [26] The system was replaced by ISDB digital broadcasts after 2012.
The EDTV-II "Clear-Vision" transmission system is based on the following elements: [9] [27]
Some elements are optional, but the standard requires that at least one helper and the wide-screen signaling are used. [9]
Aspect Ratio | 16:9 letterbox |
Active area | 360 lines |
Black area | 120 lines |
Horizonal Resolution | 0 - 4.2 MHz |
Vertical Resolution | 0 - 360 lines/height |
Vertical High Resolution Helper (VH) | 360 - 480 lines/height |
Vertical-Temporal Helper (VT) | 180 - 360 lines/height |
Horizontal Helper (HH) | 4.2 - 6.0 MHz |
Scanning | 576 lines progressive / interlaced |
Letter-boxing is the practice of transferring film shot in a widescreen aspect ratio to standard-width video formats while preserving the film's original aspect ratio. The resulting video-graphic image has mattes of empty space above and below it; these mattes are part of each frame of the video signal.
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PALplus is an analogue television broadcasting system aimed to improve and enhance the PAL format by allowing 16:9 aspect ratio broadcasts, while remaining compatible with existing television receivers, defined by International Telecommunication Union (ITU) recommendation BT.1197-1. Introduced in 1993, it followed experiences with the HD-MAC and D2-MAC, hybrid analogue-digital widescreen formats that were incompatible with PAL receivers. It was developed at the University of Dortmund in Germany, in cooperation with German terrestrial broadcasters and European and Japanese manufacturers. The system had some adoption across Europe during the late 1990s and helped introduce widescreen TVs in the market, but never became mainstream.
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