Clear-Vision is a Japanese EDTV (Extended Definition TV) [1] [2] television system introduced in the 1990s, that improves audio and video quality while remaining compatible with the existing broadcast standard. [1] [3] Developed to improve analog NTSC, [4] it adds features like progressive scan, ghost cancellation and widescreen image format. A similar system named PALPlus was developed in Europe with the goal of improving analog PAL broadcasts. [5]
The initial version of the system was called IDTV [5] (Improved Definition Television, [6] or SuperNTSC [7] ) and was based on advanced signal processing on TV receivers. This allowed improvements such as progressive scan, ghost cancellation (reducing the effects of multipath propagation) and NTSC luminance and chroma crosstalk reduction (by way of filtering), [6] without requiring any extra information being broadcast. These early studies were done by NTV, [8] under the direction of the MPT (Ministry of Post and Telecommunications) and the BTA (Broadcasting Technology Association). [1] [5]
This early standard was published as ITU-R recommendation BT.797 - "CLEARVISION". [9] Public broadcasting began on NTV in August 1989, under the name of EDTV-I or "Clear-Vision", [8] [1] [5] ending on July 24, 2011.
Tests for an updated system known as EDTV-II [10] [11] or "Wide-aspect Clear-vision" [1] [3] started in 1994. [12] EDTV-II supported 480p [13] progressive scan, [14] wide-screen [15] and digital audio. Public broadcasting began in July 1995 by NTV. [8] [16] [17] [5] [2] The standard was published as ARIB STD-B9 - "Direct Coding for EDTV-II Television Signal" in 1997 [18] and as ITU BT.1298 - "Enhanced wide-screen NTSC TV transmission system". [9]
EDTV-II broadcasts are displayed in letterbox format (with black bands on the top and bottom of the screen) [14] on regular 4:3 NTSC receivers with no decoding ability. Information to reconstruct the original image signal is transmitted as helper signals - HH (horizontal high), VH (vertical high) and VT (vertical-temporal) - placed on the black bars. [19] [9] This solution is similar to the one used on PALplus, [20] a comparable system to improve analog PAL broadcasts. On compatible TV sets, broadcasts are seen in 16:9 wide-screen retaining the full original 480 line resolution. [9]
When introduced, EDTV-II was used on many shows by NTV such as Friday Road Show. [21] [ circular reference ] At the time of TOKYO MX [22] start in 1995, more than half of its broadcasts were in widescreen using EDTV-II, such as Tokyo NEWS. [21] Interest was predicted to be high, with manufacturers such as Sony and Mitsubishi having 16 to 32'' widescreen EDTV-II compatible TVs available that same year. [23] [24] Yet, due to lack consumer interest, broadcasts returned to regular 4:3 over the years. NHK used the system occasionally, as it was more interested in promoting its own analog high-definition MUSE system. [21] Widescreen EDTV-II broadcasts gradually disappeared, with World Heritage, broadcast by Sony, being the last show shown using the format. [25]
Other than widescreen broadcasts, the system gave a limited improvement in image quality, mostly noticeable on larger TV sets. Yet these TVs benefited more from true HDTV broadcasts using the MUSE system, also available at the time. [5] [26] The system was replaced by ISDB digital broadcasts after 2012.
The EDTV-II "Clear-Vision" transmission system is based on the following elements: [9] [27]
Some elements are optional, but the standard requires that at least one helper and the wide-screen signaling are used. [9]
Aspect Ratio | 16:9 letterbox |
Active area | 360 lines |
Black area | 120 lines |
Horizonal Resolution | 0 - 4.2 MHz |
Vertical Resolution | 0 - 360 lines/height |
Vertical High Resolution Helper (VH) | 360 - 480 lines/height |
Vertical-Temporal Helper (VT) | 180 - 360 lines/height |
Horizontal Helper (HH) | 4.2 - 6.0 MHz |
Scanning | 576 lines progressive / interlaced |
Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, phase and frequency of an analog signal.
Standard-definition television is a television system that uses a resolution that is not considered to be either high or enhanced definition. Standard refers to offering a similar resolution to the analog broadcast systems used when it was introduced.
SECAM, also written SÉCAM, is an analog color television system that was used in France, Russia and some other countries or territories of Europe and Africa. It was one of three major analog color television standards, the others being PAL and NTSC. Like PAL, a SECAM picture is also made up of 625 interlaced lines and is displayed at a rate of 25 frames per second. However, due to the way SECAM processes color information, it is not compatible with the PAL video format standard. SECAM video is composite video because the luminance and chrominance are transmitted together as one signal.
Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems, which, in turn, were replaced by flat-panel displays of several types.
Widescreen images are displayed within a set of aspect ratios used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1).
SMPTE color bars are a television test pattern used where the NTSC video standard is utilized, including countries in North America. The Society of Motion Picture and Television Engineers (SMPTE) refers to the pattern as Engineering Guideline (EG) 1-1990. Its components are a known standard, and created by test pattern generators. Comparing it as received to the known standard gives video engineers an indication of how an NTSC video signal has been altered by recording or transmission and what adjustments must be made to bring it back to specification. It is also used for setting a television monitor or receiver to reproduce NTSC chrominance and luminance information correctly.
Broadcasttelevision systems are the encoding or formatting systems for the transmission and reception of terrestrial television signals.
Enhanced-definition television, or extended-definition television (EDTV) is a Consumer Electronics Association (CEA) marketing shorthand term for certain digital television (DTV) formats and devices. Specifically, this term defines an extension of the standard-definition television (SDTV) format that enables a clearer picture during high-motion scenes compared to previous iterations of SDTV, but not producing images as detailed as high-definition television (HDTV).
Anamorphic widescreen is a process by which a comparatively wide widescreen image is horizontally compressed to fit into a storage medium with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution. Compatible play-back equipment can then expand the horizontal dimension to show the original widescreen image. This is typically used to allow one to store widescreen images on a medium that was originally intended for a narrower ratio, while using as much of the frame – and therefore recording as much detail – as possible.
16:9 is a widescreen aspect ratio with a width of 16 units and height of 9 units.
PALplus is an analogue television broadcasting system aimed to improve and enhance the PAL format by allowing 16:9 aspect ratio broadcasts, while remaining compatible with existing television receivers, defined by International Telecommunication Union (ITU) recommendation BT.1197-1. Introduced in 1993, it followed experiences with the HD-MAC and D2-MAC, hybrid analogue-digital widescreen formats that were incompatible with PAL receivers. It was developed at the University of Dortmund in Germany, in cooperation with German terrestrial broadcasters and European and Japanese manufacturers. The system had some adoption across Europe during the late 1990s and helped introduce widescreen TVs in the market, but never became mainstream.
In television technology, Wide Screen Signaling (WSS) is digital metadata embedded in invisible part of the analog TV signal describing qualities of the broadcast, in particular the intended aspect ratio of the image. This allows television broadcasters to enable both 4:3 and 16:9 television sets to optimally present pictures transmitted in either format, by displaying them in full screen, letterbox, widescreen, pillar-box, zoomed letterbox, etc.
Progressive segmented Frame is a scheme designed to acquire, store, modify, and distribute progressive scan video using interlaced equipment.
Dot crawl is a visual defect of color analog video standards when signals are transmitted as composite video, as in terrestrial broadcast television. It consists of moving checkerboard patterns which appear along horizontal color transitions. It results from intermodulation or crosstalk between chrominance and luminance components of the signal, which are imperfectly multiplexed in the frequency domain.
Multiplexed Analogue Components (MAC) was an analog television standard where luminance and chrominance components were transmitted separately. This was an evolution from older color TV systems where there was interference between chrominance and luminance.
Nominal analogue blanking is the outermost part of the overscan of a standard definition digital television image. It consists of a gap of black pixels at the left and right sides, which correspond to the end and start of the horizontal blanking interval: the front porch at the right side, and the back porch at the left side. Digital television ordinarily contains 720 pixels per line, but only 702 (PAL) to 704 (NTSC) of them contain picture content. The location is variable, since analogue equipment may shift the picture sideways in an unexpected amount or direction.
MUSE, commercially known as Hi-Vision was a Japanese analog high-definition television system, with design efforts going back to 1979.
The technology of television has evolved since its early days using a mechanical system invented by Paul Gottlieb Nipkow in 1884. Every television system works on the scanning principle first implemented in the rotating disk scanner of Nipkow. This turns a two-dimensional image into a time series of signals that represent the brightness and color of each resolvable element of the picture. By repeating a two-dimensional image quickly enough, the impression of motion can be transmitted as well. For the receiving apparatus to reconstruct the image, synchronization information is included in the signal to allow proper placement of each line within the image and to identify when a complete image has been transmitted and a new image is to follow.
CCIR System M, sometimes called 525–line, NTSC, NTSC-M, or CCIR-M, is the analog broadcast television system approved by the FCC for use in the United States since July 1, 1941, replacing the 441-line TV system introduced in 1938. It is also known as EIA standard 170. System M comprises a total of 525 interlaced lines of video, of which 486 contain the image information, at 30 frames per second. Video is amplitude modulated and audio is frequency modulated, with a total bandwidth of 6 MHz for each channel, including a guard band.
The EBU colour bars are a television test card used to check if a video signal has been altered by recording or transmission, and what adjustments must be made to bring it back to specification. It is also used for setting a television monitor or receiver to reproduce chrominance and luminance information correctly. The EBU bars are most commonly shown arranged side-by-side in a vertical manner, though some broadcasters – such as TVP in Poland, and Gabon Télévision in Gabon – were known to have aired a horizontal version of the EBU bars.