We Are the People We've Been Waiting For | |
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Directed by | Daryl Goodrich |
Produced by | Caroline Rowland |
Starring |
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Cinematography | Lee Pulbrook |
Edited by | Chris Barwell, Angela Trabucco |
Music by | Sacha Puttnam |
Production company | New Moon Television |
Release date |
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Running time | 90 minutes |
Country | United Kingdom |
Language | English |
We Are the People We've Been Waiting For is a 2009 documentary film directed by Daryl Goodrich and produced by Caroline Rowland. It explores the education system in the UK and asks whether the current system provides young people with the opportunity to develop their talents.
We Are the People We've Been Waiting For was inspired and guided by producer Lord Puttnam, and focuses on the educational experiences of five young people in Swindon, England. [1] The film examines three pillars on which the current education system globally is built: curriculum, testing, and teaching. It observed how millions of young people are essentially being failed by the system and explores alternative ways of tapping into the talent that exist in the rising generation. [2]
Werner Herzog is a German filmmaker, actor, opera director, and author. Regarded as a pioneer of New German Cinema, his films often feature ambitious protagonists with impossible dreams, people with unusual talents in obscure fields, or individuals in conflict with nature. His style involves avoiding storyboards, emphasizing improvisation, and placing his cast and crew into real situations mirroring those in the film they are working on.
The Academy Award for Best Documentary Feature Film is an award for documentary films. In 1941, the first awards for feature-length documentaries were bestowed as Special Awards to Kukan and Target for Tonight. They have since been bestowed competitively each year, with the exception of 1946. Copies of every winning film are held by the Academy Film Archive.
A mockumentary is one type of film or television show depicting fictional events, but presented as a documentary which in itself is a subset of a faux-documentary style of film-making.
David Terence Puttnam, Baron Puttnam, CBE, HonFRSA, HonFRPS, MRIA is a British-Irish film producer, educator, environmentalist and former member of the House of Lords. His productions include Chariots of Fire, which won the Academy Award for Best Picture, The Mission, The Killing Fields, Local Hero, Midnight Express and Memphis Belle. In 1982, he received the BAFTA for Outstanding British Contribution to Cinema, and in 2006 he was awarded the BAFTA Fellowship for lifetime achievement from the British Academy of Film and Television Arts.
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Philip Davis Guggenheim is an American screenwriter, director and producer,.
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Raising Malawi is a charity non-profit organization that was founded by Madonna and Michael Berg in 2006. It is dedicated to helping with the extreme poverty and hardship endured by Malawi's one million orphans, primarily through health and education programming. Initially, the "Raising Malawi Academy for Girls" was to be constructed but following an audit by the Global Philanthropy Group, which questioned expenditure on salaries and benefits as well as the management capacity and culture, the charity's school headmistress resigned in October 2010 and the project was scrapped.
Waiting for "Superman" is a 2010 American documentary film written and directed by Davis Guggenheim and produced by Lesley Chilcott. The film criticizes the American public education system by following several students as they strive to be accepted into competitive charter schools such as KIPP LA Schools, Harlem Success Academy and Summit Preparatory Charter High School.
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Zeinabu irene Davis is an American filmmaker and professor in the Department of Communication at the University of California, San Diego. In 1985, she received her M.A in African studies at UCLA and went on to earn her M.F.A in Film and Television production in 1989. Davis is known as one of the graduates and filmmakers of the L.A. Rebellion. The L.A. Rebellion refers to the first African-American students who studied film at UCLA. Through their collective efforts, they sought to put an end to the prejudices of Hollywood by creating experimental and unconventional films. The main goal of these films was to create original Black stories and bring them to the main screens. Her works in film include short narratives, documentaries and experimental films that focus heavily on the African American female perspective.
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Jill Heinerth is a Canadian cave diver, underwater explorer, writer, photographer and film-maker. She has made TV series for PBS, National Geographic Channel and the BBC, consulted on movies for directors including James Cameron, written several books and produced documentaries including We Are Water and Ben's Vortex, about the disappearance of Ben McDaniel.
Creative UK is a not-for-profit organisation that supports the creative industries in the United Kingdom. The business promotes the development of creative companies, which in turn support business across games, film, creative and digital media as well as production services. The company works in partnership with the British Film Institute, has offices in Bristol and Salford, and operates predominantly outside of the city of London.
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Cinema in Qatar is a relatively young industry that evolved as part of the country’s plans to develop different local sectors with the aim of accumulating international recognition and status. Many major steps were taken to implement a long-term plan to develop the infrastructure as well as giving opportunities to local talents to have a platform that establishes their presence within the film industry with the support of the Doha Film Institute, and their various grants, workshops and festivals. The Qatar National Vision 2030 has three major pillars to development: human, social economic and environmental; this vision provides frameworks that enable the development of different elements within Qatar and its society; one of which is the high importance put on developing and cultivating artistic talents to represent and define Qatar on a global scale. Another important element in developing the movie industry is the influence and vision of Sheikha Al Mayassa who founded Doha Film Institution; the establishment of film as a mode of storytelling was imperative because it serves the purpose of granting Qatar a global presence through the talents that are supported and cultivated because of her initiative. The film industry plays a role in amplifying the Qatari national identity alongside the identity of the Arab world as a whole.