The Mummy is a 1911 American short silent film produced by the Thanhouser Company. The film details the story of Jack Thornton, a businessman, who is in love with Professor Dix's daughter. Jack purchases a mummy and plans to win his respect as an Egyptologist, but the mummy is reanimated in Jack's room by a live electrical wire. The mummy takes immediate interest in Jack, but is rejected and mummifies him. Before Professor Dix can cut up the now-mummified Jack, she returns and saves him. Jack explains everything and the film concludes with Professor Dix marrying the mummy.
Adrift is a 1911 American silent short drama film produced by the Thanhouser Company and directed by Lucius J. Henderson. The film depicts a story of a young artist whose lack of success leads him to attempt suicide. Before he can carry out the act, his daughter follows and stops him. He confesses to his wife and she thanks her child, providing the inspiration for the artist to complete a great painting. It brings him success and he grows distant from his wife and becomes interested in another woman whom he was commissioned by. Once again saved by his daughter's actions, whose crying moves the woman to break off the relationship with the artist. The artist destroys the painting and learns a moral lesson.
Adrift in a Great City is a 1914 American silent short drama produced by the Thanhouser Film Corporation that stars Florence LaBadie. The film begins with Pat Moran who pays for the passage of his wife and daughter to join him in America, but he is seriously injured on the way to greeting them. Left by themselves, the daughter works in a sweatshop and goes blind, forcing her and her mother to become beggars. By pure happenstance, the blind girl wanders to the hospital where her father is recovering and tells her story to a doctor. The father recognizes the girl as his daughter and the family is reunited, and the doctor confirms her blindness can be cured. The film was reviewed negatively by critics for its poor scenario, settings and technical execution. The film is presumed lost.
The Best Man Wins is a 1910 American silent short drama produced by the Thanhouser Company. The film features Thanhouser's leading players Anna Rosemond, Martin Faust, Frank H. Crane and Marie Eline in a drama about morality. Two suitors are vying for the hand of Julia Seaton and propose to her on the same day, but she asks for a month to decide between them. In the time, the caliber of both men are tested when asked by a young girl, named May, to help her dying mother. The doctor refuses to help, and the lawyer offers his assistance, but her mother soon dies. The orphan is taken in by the Seaton family and personally attests to the character of both men when Julia Seaton has to choose between her suitors.
Thelma is a 1910 American silent short drama film produced by the Thanhouser Company. The story was based on Marie Corelli's 1887 novel of the same name, it focuses on a Norwegian maiden who meets Sir Phillip and the two are wed. Lady Clara conspires to ruin the marriage and tricks Thelma with a letter purported to be from her husband. Thelma returns to Norway and to the death of her father. Thelma, alone in the world, prays at her mother's grave for strength. Sir Phillip searches for Thelma, ultimately finding her, uncovers the tricks which have been played on them and they fall back in love. Released on June 21, 1910, the film was met with praise in The Moving Picture World. An incomplete print of the film survives in the Library of Congress archives.
The Restoration is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Hugh Logan, a single father who leaves his little girl, May, at home when he goes on a business trip. On the way to the city he is attacked by robbers and left in the road. He is found and taken in, but he suffers from amnesia. He falls in love with Maud Neals and proposes to her. Due to the prolonged absence of her father, May is taken to an orphan asylum, but she escapes. May goes to the city and ends up stopping to sleep on the doorstep of the Neals' home. Maud finds her and takes her in, where Logan recognizes his daughter and his memory comes back. Little is known of the production credits, but the film does feature Marie Eline as the little girl. It was released on August 5, 1910 and was met with mixed reviews. The film is presumed lost.
The Mad Hermit is a 1910 American silent short drama film produced by the Thanhouser Company. The story focuses on Harry Willard, who becomes a hermit after his wife and daughter leave him. He spends a quarter of a century in isolation, but he stumbles across a runaway carriage and the woman tosses her baby to him. He runs into the wilderness and prepares to kill it, but he stays his hand when he sees the baby's locket. The parents survive the carriage crash and seek out the hermit, and it is revealed that the baby's mother is the daughter of Harry Willard. Created by a staff of twenty, it was the first film to be produced by the Thanhouser Company. The film was released on August 9, 1910, after the success of the company was ensured, and met with positive reception by critics. The film is presumed lost.
The Doctor's Carriage is a 1910 American silent short drama produced by the Thanhouser Company. The plot is a melodrama that features Marie Eline in the starring role. The film begins with Max, an old musician who has two daughters, one of whom is blind. Max becomes ill and dies and without a mother to raise them, the younger daughter cares for her older sister, but they are homeless and poor. The little girl begs a doctor to restore her sister's vision and he proposes to her. The film was released on September 9, 1910, and was met with praise from reviewers. The film saw a wide national release and was also shown in Canada, Britain and Australia. The film is presumed lost.
Tangled Lives is a 1910 American silent short drama produced by the Thanhouser Company. The plot focuses on, John Hill, a bank cashier who decides to fakes his death after the manager finds his accounts are short. Before he can go through with the plan, a reporter interviews the wife, May, and decides to suppress the story because he has become infatuated with her. Five years pass, May and the reporter decide to marry, but John returns on the day of the wedding. Upon sneaking into the house, he sees their love and decides to disappear. As he attempts to leave he accidentally falls to his death and the reporter removes his body before he leads May to the altar. The film was described as a variant of Enoch Arden by one reviewer, but it differs in its execution. The cast and credits of the film are unknown, but a surviving film still shows the principal characters. The film was released on September 13, 1910, to positive reviews. The film is presumed lost.
Ten Nights in a Bar Room is a 1910 American silent short drama produced by the Thanhouser Company. Adapted from the novel Ten Nights in a Bar-Room and What I Saw There by Timothy Shay Arthur, the production focuses on Joe Morgan after he has become a hopeless drunkard. Often Morgan's young daughter, Mary, comes to beg her father to return home. One day, she appears during a fight between the two men and is fatally struck by a bottle thrown by the saloon-keeper. Before Mary dies she asks her father to promise to swear off alcohol and he accepts. He is reformed and becomes successful, while the saloon-keeper is killed in a fight in an irony of fate. The film was released on November 4, 1910 and met with mixed reviews. The film is presumed lost.
The American and the Queen is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Maud, the fictional queen of Rumania, who is overthrown by her cousin, Rupert. Maud is thrown into prison after refusing the romantic advances of Rupert. She escapes with the aid of her lady-in-waiting and a priest. A wealthy American named Jack Walton, foils an assassination attempt on Maud and he falls in love with her. Maud is recaptured and set to be executed when the priest comes up with a plan to save her, by marrying Jack and Maud. The ceremony takes place through her cell window, and soon the United States military arrives to save the now wife of an American. Rupert is killed in the ensuing conflict. No known cast or production credits for the film is known. The film was released on November 11, 1910 and was met with neutral to negative reviews by critics. The patriotic element of the film was cited as likely being comical for European audiences and the film was also used as an example of an inappropriate example of American flag-waving. The film is presumed lost.
Paul and Virginia is a 1910 American silent short drama produced by the Thanhouser Company. The film was adapted from Jacques-Henri Bernardin de Saint-Pierre' novel Paul et Virginie and features Frank H. Crane and Violet Heming as the title characters. The film follows two young lovers who grew up living on an island in the Indies. When Virginia is 16, her wealthy aunt in Paris offers to make Virginia her heir and educate her. With her mother's pleading, Virginia accepts and goes to France. Her aunt insists that she marry a rich nobleman, but Virginia refuses, is disowned and sent back home. The ship returns home in a hurricane and she drowns, with Paul nearly dying in a vain attempt to save her. Released on November 15, 1910, the film received mixed reviews in trade publications. The film was advertised with Pierre Auguste Cot's The Storm painting, said to have been inspired by the original novel. The title characters' costumes also appear to be based on Cot's painting. The film is presumed lost.
The City of Her Dreams is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Ella Brown, who is sent to live with her aunt who living in a boarding house when her father heads to Alaska to prospect for gold. Ella's life at her aunt's home is miserable and she dreams of going to New York City. She dreams that she is in the city and has all money to buy anything which she fancies. Then she receives word that her father has returned from Alaska with a fortune and wants to give her everything she wants. The cast and staff credits are unknown, but the film includes scenes of New York City. The film was released on November 18, 1910 and saw a wide national release. The film is presumed lost.
The Girls He Left Behind Him and The Iron Clad Lover are two 1910 American silent short comedies produced by the Thanhouser Company. Both films were originally released together on a single reel and are two distinct and separate subjects. The Girls He Left Behind Him focuses on a young man, Jack Redfern, who receives a letter from an old sweetheart of his. This prompts him to reminiscence about all the girls he has had affections for on the eve of his wedding. All the old sweethearts of his life then appear at his wedding to wish him well. The Iron Clad Lover concerns two suitors who are vying for the affections of Bessie. Tom, who plays a game of chess with her father, ends up quarreling with him and he is thrown out of the house. The next day, Tom attempts to bring flowers and candy for Bessie's birthday, but is dismissed by the angry father. Tom decides to dress up in a suit of armor and ends up breaking a vase when trying to announce himself. The suit of armor is thrown out and Bessie and the other suitor chase down the junk dealer to free Tom from the suit of armor. Both films were released on December 9, 1910 and were met with positive reviews by The Moving Picture World and the New York Dramatic Mirror. Both films are presumed lost.
The Wild Flower and the Rose is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Frank Wilson, the son of an inventor who has constructed a new airplane model. After failing to secure financing, his father suggests that he marry Rose, the daughter of his wealthy employer, to get the money they need. Jack rejects this idea because he is engaged to another woman, but he soon learns she does not love him. He heads out West to seek a fortune and is quickly successful. He returns to the aviation field and meets Rose again, after a successful flight she confesses to loving him. The cast and staff credits are unknown, but the film may have included scenes from the 1910 International Aviation Meet at Belmont Park. One reviewer claimed that a Wright brothers flyer was also shown in full flight. The film was released on November 25, 1910, but is now presumed lost.
Value—Beyond Price is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on a family beset by tragedy when the father is presumed dead after his ship is lost at sea. The mother struggles to support her child and sells her possessions to a pawnbroker. When she has nothing left, save her wedding ring, the pawnbroker asks to take care of the child and the mother consents. The pawn broker gives her a pawn ticket for the girl stating "a precious jewel, a value beyond price" and tells her she can redeem it at any time. Before her death, she entrusts the ticket to a friend. Ten years pass, the shipwrecked father has discovered a great fortune on the island and is rescued by a passing steamship. The father soon realizes his wife is dead and his child is missing, but he receives the pawn ticket and decides to claim this jewel his wife had left for him. He redeems it at the pawn shop and finds it is his lost daughter. The film was released on November 29, 1910 and it was met with positive reviews. The film survives in the Library of Congress archives.
The Millionaire Milkman is a 1910 American silent short drama produced by the Thanhouser Company. The film focus on Jack Cass, a young millionaire, who has affections for a society girl named Clara Moore. Jack receives a letter of warning about Clara's real interest, his money. Jack decides to decides to test his suspicions and the character of Clara, by having newspapers announce the ruin of his mind and his fortune. Clara calls Jack to confirm the story and breaks off the engagement. May Dustin, the orphan girl who Clara's family treats as a servant, expresses sympathy for Jack. Jack becomes infatuated with May and becomes the milkman to see her every day. The two are married and May learns that Jack had never lost his fortune. The cast and production credits are unknown. The film was released on December 16, 1910, and met with mixed reviews. The film is presumed lost.
The Childhood Of Jack Harkaway is a 1910 American silent short drama produced by the Thanhouser Company. Adapted from Bracebridge Hemyng's Jack Harkaway story series by Lloyd Lonergan, the film depicts the life of the title character. Given to the care of strangers after his birth, Jack grows up and is sent to a school at age 12. After being severely and unjustly punished by the schoolmaster, Jack runs away and comes across two thieves plotting a robbery. Jack hurries to the house and warns the mistress of the planned robbery. The robbery is foiled and the lady of the house is very grateful, but Jack's schoolmaster and his guardian arrive to take him back. She recognizes the guardian as the man who forced her to turn over Jack and turns them out of the house. The film's cast and production credits are unknown. The film was released on December 23, 1910, it was met with favorable reviews and saw a wide national release. In 1988, a severely deteriorated nitrate print of the film was known to exist and it was likely transferred to the Library of Congress archives in 1997.
The Vicar Of Wakefield is a 1910 American silent short drama produced by the Thanhouser Company. The film was adapted from Oliver Goldsmith's 1766 novel The Vicar of Wakefield, but covers only part of the plot and deviates significantly from the book to allow the story to be told within the confines of a single reel of film.
Only in the Way is a 1911 American silent short drama film produced by the Thanhouser Company. The film focuses on a grandmother who seeks the support of her only son and makes herself comfortable in his house. The grandmother is welcomed and befriended by Marie, her crippled granddaughter. The son's wife cannot bear to live with her mother-in-law and delivers an ultimatum to her husband: "Either your mother or I must leave this house!" The husband decides to put his mother in an old folks' home and the wife informs her she is to leave immediately. Little Marie is upset that her grandmother has to leave because she was "only in the way" and decides that as a cripple, so was she. Marie pens a letter to this effect and runs away to the old people's home. The parents frantically search for Marie and discover the note. They rush to the home and are relieved to find Marie safe and the family departs together with her grandmother.
