| "When You're Smiling" | |
|---|---|
 Sheet music, 1928 | |
| Song | |
| Published | 1928 by Mills Music |
| Songwriter(s) | Larry Shay, Mark Fisher, Joe Goodwin |
"When You're Smiling" is a popular song written by Larry Shay, Mark Fisher and Joe Goodwin. First published in 1928, popular recordings were made by Seger Ellis (1928), Louis Armstrong (1929), and Ted Wallace & His Campus Boys (1930). [1]
The lyrics and music of the song entered the public domain in the United States in 2024. [2]
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
"Let's Do It, Let's Fall in Love" (also known as "Let's Do It (Let's Fall in Love)" or simply "Let's Do It") is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni, for whom Porter had written the musical as a starring vehicle.
"Who's Sorry Now?" is a popular song with music written by Ted Snyder and lyrics by Bert Kalmar and Harry Ruby. It was published in 1923, when Isham Jones had a major hit with it. Other popular versions in 1923 were by Marion Harris, Original Memphis Five, Lewis James, and Irving Kaufman.
"Just a Gigolo" is a popular song, adapted by Irving Caesar into English in 1929 from the Austrian tango "Schöner Gigolo, armer Gigolo", composed in 1928 in Vienna by Leonello Casucci to lyrics written in 1924 by Julius Brammer.
"You're the Cream in My Coffee" is a popular song published in 1928. Hit recordings were by Annette Hanshaw, Ben Selvin, Ted Weems and Ruth Etting.
"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show Kid Boots. The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson.
"Autumn in New York" is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up! The play opened on December 27, 1934, where the song was performed by singer J. Harold Murray.
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular song, written in 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard.
"Isn't This a Lovely Day?" is a popular song written by Irving Berlin for the 1935 film Top Hat, where it was introduced by Fred Astaire in the scene where his and Ginger Rogers' characters are caught in a gazebo during a rainstorm. The lyric is an example of a song which turns a bad situation into a love song, a common style for Irving Berlin, as in I've Got My Love to Keep Me Warm and Let's Have Another Cup of Coffee.
"If I Could Be with You (One Hour Tonight)" is a popular song, with music by James P. Johnson and lyrics by Henry Creamer. Published in 1926, the song was first recorded by Clarence Williams' Blue Five with vocalist Eva Taylor in 1927. It was popularized by the 1930 recording by McKinney's Cotton Pickers, who used it as their theme song and by Louis Armstrong's record for Okeh Records (catalogue No.41448), both of which featured in the charts of 1930. Armstrong's recording of "If I Could Be with You" is defined by his sparse vocal style and ornamental virtuosic trumpet-playing.
"Just Squeeze Me " is a 1941 popular song composed by Duke Ellington, with lyrics by Lee Gaines. The song has been recorded numerous times by a number of artists in the years since, having become a jazz standard. Hit recordings have been by Paul Weston & His Orchestra and by The Four Aces.
"What's New?" is a 1939 popular song composed by Bob Haggart, with lyrics by Johnny Burke. It was originally an instrumental tune titled "I'm Free" by Haggart in 1938, when Haggart was a member of Bob Crosby and His Orchestra. The tune was written with a trumpet solo, meant to showcase the talents of band-mate Billy Butterfield. Crosby's orchestra recorded "I'm Free" the same day it was written.
"Ramona" is a 1928 song with lyrics by L. Wolfe Gilbert and music by Mabel Wayne. Composed for the 1928 feature film Ramona, it was the first theme song written for the movies.
"Rockin' Chair is a 1929 popular song with lyrics and music composed by Hoagy Carmichael. Musically it is unconventional, as after the B section when most popular songs return to A, this song has an A-B-C-A1 structure. Carmichael recorded the song in 1929, 1930, and 1956. Mildred Bailey made it famous by using it as her theme song. Like other 1920s standards, "Rockin' Chair" relied on the stereotypes of minstrelsy, citing "Aunt Harriet" from the anti-Uncle Tom song "Aunt Harriet Becha Stowe" (1853).
"The Lonesome Road" is a 1927 song with music by Nathaniel Shilkret and lyrics by Gene Austin, alternately titled "Lonesome Road", "Look Down that Lonesome Road" and "Lonesome Road Blues." It was written in the style of an African American folk song.
"How Come You Do Me Like You Do?" is a song written by vaudeville comedy duo Gene Austin and Roy Bergere in 1924. It has later been covered by many artists, and is considered a jazz standard.
"Tin Roof Blues" is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions.
"There's a Rainbow 'Round My Shoulder" is a 1928 song sung by Al Jolson in the early Warner Bros. talking picture The Singing Fool the same year. The song, along with "Sonny Boy" and "I'm Sitting on Top of the World", which were also in The Singing Fool, were big hits for Jolson. The song was written by Al Jolson, Billy Rose and Dave Dreyer.
"Swingin' Down the Lane" is a 1923 song composed by Isham Jones with lyrics by Gus Kahn. Jones' instrumental version was second to "March of the Wooden Soldiers" in the list of top songs for 1923. Other popular versions in 1923 were by Ben Bernie, and The Columbians.
"Dippermouth Blues" is a song first recorded by King Oliver's Creole Jazz Band for Gennett Records in April 1923 and for Okeh Records in June of that same year. It is most often attributed to Joe "King" Oliver, though some have argued that Louis Armstrong was in fact the composer. This is partly because "Dippermouth", in the song's title, was a nickname of Armstrong's. Also, the phonograph recordings from 1922 gave credit to Armstrong and Oliver jointly. The song is a strong example of the influence of the blues on early jazz. There is a twelve-bar blues harmonic progression, with frequent bent notes and slides into notes.
