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Rosenmontag is a 1924 German silent romance film directed by Rudolf Meinert and starring Gerd Briese, Helga Thomas and Maria Reisenhofer. It was based on a 1900 play of the same title by Otto Erich Hartleben.
Gerd Briese was a German stage and film actor.
Why Get a Divorce? is a 1926 German silent comedy film directed by Manfred Noa and starring André Mattoni, Vivian Gibson, and Colette Brettel. It premiered in Berlin on 4 March 1926. It was shot at the Terra Studios in Berlin. The film's art direction was by Julius von Borsody.
The Duty to Remain Silent is a 1928 German silent drama film directed by Carl Wilhelm and starring Marcella Albani, Vivian Gibson, Angelo Ferrari. It was based on a novel by Friedrich Werner van Oestéren. The film's art direction was by Max Heilbronner. It premiered on 8 February 1928.
Radio Magic is a 1927 German silent comedy film directed by Richard Oswald and starring Werner Krauss, Xenia Desni, and Fern Andra. The film's art direction was by Gustav A. Knauer and Willy Schiller. It premiered on 30 September 1927. The runtime is 60 minutes.
Countess Maritza is a 1925 German silent film directed by Hans Steinhoff and starring Vivian Gibson, Harry Liedtke and Colette Brettel. It is an adaptation of the operetta of the same title.
The Monk from Santarem is a 1924 German silent film, an adaption of the play of the same name by Almeida Garrett. It was directed by Lothar Mendes and stars Evi Eva, Walter Rilla and Vivian Gibson.
The Man with the Fake Banknote or The Man with the Counterfeit Money is a 1927 German silent crime film directed by Romano Mengon and starring Nils Asther, Vivian Gibson and Margarete Lanner.
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I Once Had a Beautiful Homeland is a 1928 German silent film directed by Max Mack and starring Leo Peukert, Grete Reinwald, and Ernst Rückert.
Reveille: The Great Awakening is a 1925 German silent war film directed by Fritz Kaufmann and starring Werner Krauss, Ruth Weyher and Gerd Briese. It is sometimes confused with the 1924 British film Reveille by George Pearson, but the two films apparently have no links other than their similar title.
The Sea Cadet is a 1926 German silent drama film directed by Carl Boese and starring Walter Slezak, Gerd Briese and Fritz Alberti. It was shot at the Terra Studios in Berlin. The film's sets were designed by the art director Karl Görge.
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The Customs Judge is a 1929 German silent film directed by Carl Heinz Wolff and starring Margarete Schlegel, Gerd Briese and Margarete Kupfer.
Roses Bloom on the Moorland is a 1929 German silent historical drama film directed by Kurt Blachy and starring Wolfgang von Schwind, Hertha Guthmar and Betty Astor. During the Napoleonic Wars a German inhabitant is sentenced to death for striking a French soldier who assaulted his wife.
Marriage in Name Only is a 1930 German drama film directed by Heinz Paul and starring Evelyn Holt, Erika Dannhoff, and Wolfgang Zilzer.
Forbidden Love is a 1927 German silent drama film directed by Friedrich Feher and starring Magda Sonja, Evi Eva, and Paul Otto.
I Stand in the Dark Midnight is a 1927 German silent film directed by Max Mack and starring Grete Reinwald, Gerd Briese, and Helene von Bolváry.
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U-9 Weddigen is a 1927 German silent war film directed by Heinz Paul and starring Carl de Vogt, Mathilde Sussin and Fritz Alberti. The film is based on the exploits of the submarine SM U-9 under the command of Otto Weddigen during the First World War. It is similar in theme to the previous year's Our Emden, which also depicted the Imperial German Navy in heroic terms.
References
- ↑ Grange p.254
