Without a Song: The 9/11 Concert | ||||
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Live album by | ||||
Released | August 30, 2005 | |||
Recorded | September 15, 2001 | |||
Genre | Jazz | |||
Label | Milestone | |||
Producer | Sonny Rollins, Lucille Rollins | |||
Sonny Rollins chronology | ||||
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Without a Song: The 9/11 Concert is a 2005 live album by jazz saxophonist Sonny Rollins, recorded in Boston on September 15, 2001. [1]
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz Recordings | [2] |
Writing for Allmusic, Scott Yanow praised the album, saying it was "arguably Sonny Rollins' best recording of the past decade, and is a highly recommended set", and that "[w]hile many of his detractors feel that his studio recordings since the 1970s have not had the excitement of his live concerts, they should find much to enjoy on this passionate if not flawless set". He concluded that "[h]is playing sounds a bit like a purging of bad memories, while at the same time seeming hopeful about the future."
Walter Theodore "Sonny" Rollins is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus".
Saxophone Colossus is the sixth studio album by American jazz saxophonist Sonny Rollins. Perhaps Rollins's best-known album, it is often considered his breakthrough record. It was recorded on June 22, 1956, with producers Bob Weinstock and Rudy Van Gelder at the latter's studio in Hackensack, New Jersey. Rollins led a quartet on the album that included pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach. Saxophone Colossus was released by Prestige Records to critical success and helped establish Rollins as a prominent jazz artist.
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Way Out West is a 1957 album by Sonny Rollins with bassist Ray Brown and drummer Shelly Manne, neither of whom had played or recorded with Rollins before. The music employs a technique called "strolling", used here by Rollins for the first time, in which he would solo over only bass and drums with no pianist playing chords. The recent reissue of the CD has additional takes of three of the songs, including the title track. These additional takes are all about twice as long, containing much longer solos from all three of the members of the band.
A Night at the Village Vanguard is a live album by tenor saxophonist Sonny Rollins released on Blue Note Records in 1958. It was recorded at the Village Vanguard in New York City in November 1957 from three sets, two in the evening and one in the afternoon with different sidemen. For the afternoon set, Rollins played with Donald Bailey on bass and Pete LaRoca on drums; in the evening they were replaced respectively by Wilbur Ware and Elvin Jones.
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Sonny Rollins + 3 is an album by jazz saxophonist Sonny Rollins, released on the Milestone label in 1995, featuring performances by Rollins with Bob Cranshaw, Stephen Scott, Jack DeJohnette, Tommy Flanagan and Al Foster.
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The Solo Album is a live album featuring a solo performance by jazz saxophonist Sonny Rollins recorded at the Sculpture Garden of the Museum Of Modern Art in New York City and released on the Milestone label in 1985.
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The Cutting Edge is a live album by jazz saxophonist Sonny Rollins, recorded at the Montreux Jazz Festival and released on the Milestone label in 1974, featuring performances by Rollins with Stanley Cowell, Yoshiaki Masuo, Bob Cranshaw, David Lee and Mtume with Rufus Harley joining on one track.
What's New? is an album by jazz saxophonist Sonny Rollins, his second for RCA Victor featuring performances by Rollins with Jim Hall, Bob Cranshaw, Ben Riley, Dennis Charles, Frank Charles, Willie Rodriguez and Candido. The cover illustration was by Mike Ludlow.
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