You Baby (disambiguation)

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You Baby may refer to:

<i>You Baby</i> album by The Turtles

You Baby is the second studio album by the American rock band the Turtles. It was released in 1966 on the White Whale Records label. For the album, the group composed much more original material.

You Baby (song)

"You Baby" is a song released by The Turtles in 1966. The song spent 12 weeks on the Billboard Hot 100 chart, peaking at No. 20, while reaching No. 15 on the Record World 100 Top Pops, No. 17 on the Cash Box Top 100, and No. 11 on Canada's "RPM Play Sheet".

<i>You, Baby</i> album by Nat Adderley

You, Baby is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Grady Tate and an orchestra arranged and conducted by Bill Fischer.

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The Turtles American rock band led by vocalists Howard Kaylan and Mark Volman

The Turtles were an American rock band led by vocalists Howard Kaylan and Mark Volman, later known as Flo & Eddie. The band had several Top 40 hits beginning with their cover version of Bob Dylan's "It Ain't Me Babe" in 1965. They scored their biggest and best-known hit in 1967 with the song "Happy Together".

John Barbata American musician

John Barbata is an American drummer, born in Passaic, New Jersey, and raised in San Luis Obispo, California, active especially in pop and rock bands in the 1960s and 1970s, both as a band member and as a session drummer. Barbata has served as the drummer for The Turtles, Crosby, Stills, Nash & Young, Jefferson Airplane, Jefferson Starship, and Sammy & the Holly Rebs with guitarist Sam DeLuca. Already an established session drummer when he joined The Turtles, Barbata was one of the pioneering drummers who converted pop music rhythms from the down-beat rhythms of the 1950s to the off-beat rhythms that have dominated ever since.

Babys in Black original song written and composed by Lennon-Mccartney

"Baby's in Black" is a song by the Beatles, co-written by John Lennon and Paul McCartney. The song appears on the United Kingdom album Beatles for Sale and in North America on Beatles '65.

Douglas Farthing Hatlelid, better known as Chip Douglas, is a songwriter, musician, and record producer, whose most famous work was during the 1960s. He was the producer of some of the Monkees biggest hits, including "Daydream Believer" and "Pleasant Valley Sunday".

I Cant Quit You Baby Otis Rush song

"I Can't Quit You Baby" is a blues standard written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. It was Rush's first recording and became a record chart hit. The song, a slow twelve-bar blues, has been recorded by various artists, including Led Zeppelin, who included it on their debut album.

"Baby, Let Me Follow You Down" is a traditional folk song popularised in the late 1950s by blues guitarist Eric Von Schmidt. The song is best known from its appearance on Bob Dylan's debut album Bob Dylan.

Bang Bang (My Baby Shot Me Down) song by Cher

"Bang Bang " is the second single by American singer-actress Cher from her second album, The Sonny Side of Chér. Written by her then-husband Sonny Bono and released in 1966, the song reached No. 3 in the UK Singles Chart and No. 2 on the Billboard Hot 100 for a single week, eventually becoming one of Cher's biggest-selling singles of the 1960s.

Baby Im Yours (Barbara Lewis song) 1965 single by Barbara Lewis

"Baby I'm Yours" is a song written by Van McCoy which was a hit in 1965 for Barbara Lewis, the original recording artist. The song was featured in the 1995 film The Bridges of Madison County and was included on the soundtrack album. It was also featured in the TV movies The Midnight Hour (1985) and An American Crime (2007), as well as briefly featured in Baby Driver.

"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965 by Columbia Records. The song was recorded on January 15, 1965 with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue." There has been much speculation about the real life identity of "Baby Blue", with possibilites including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.

Have You Seen Your Mother, Baby, Standing in the Shadow? song of The Rolling Stones

"Have You Seen Your Mother, Baby, Standing in the Shadow?" is a song by English Rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it was recorded in the late summer of 1966 during early sessions for what would become their Between the Buttons album. It was the first Stones' single to be released simultaneously in both the UK and the US, and reached number five and number nine on those countries' charts, respectively.

Sonny & Cher discography

The discography of American Pop rock duo Sonny & Cher consists of five studio albums, four compilation albums, one soundtrack album, two live albums and twenty-one singles. Sonny and Cher had released three albums and one single which achieved Gold status in the United States: Look At Us, Sonny & Cher Live, All I Ever Need Is You and I Got You babe. In the decade they spent together, Sonny and Cher sold over 40 million records worldwide.

"Would You Hold It Against Me" is a song co-written and recorded by American country music singer Dottie West. It was released in March 1966 as the second single from the album Suffer Time. West wrote the song with her then-husband Bill.

"Merry Christmas Baby" is an R&B Christmas standard credited to Lou Baxter and Johnny Moore and originally recorded in 1947 by Johnny Moore's Three Blazers, featuring the singer and pianist Charles Brown.

<i>The History of Flo & Eddie and the Turtles</i> 1983 compilation album by Flo & Eddie

The History of Flo & Eddie and the Turtles was a three-LP box set album from Flo & Eddie, issued in 1983 by Rhino Records. The first LP contained songs from their 1963 debut album Out of Control, under the band name The Crossfires, and songs from their first post-Turtles album, The Phlorescent Leech & Eddie, from 1972. The second LP contained songs from their next 3 albums: Flo & Eddie (1973), Illegal, Immoral and Fattening (1975), and Moving Targets (1976). The final LP in the set was a special one, containing excerpts from The Flo & Eddie Radio Show. This box set has never been reissued on CD.

You Showed Me 1968 single by The Turtles

"You Showed Me" is a song written by Jim McGuinn and Gene Clark of the Byrds in 1964. It was recorded by the Turtles and released as a single at the end of 1968, becoming the group's last big hit in the U.S. The song has also been covered by a number of other bands and artists over the years, including the Lightning Seeds, Salt-n-Pepa, and Lutricia McNeal.

"Can't Get Enough of You Baby" is a song written by Denny Randell and Sandy Linzer and recorded by various artists, for the first time by The Four Seasons in January 1966. The protopunk band? and the Mysterians did it in 1967 for their second album Action. Their version reached No. 56 on the Billboard Hot 100 when it was released as a single.

<i>The Lost Tapes</i> (Big Brother and the Holding Company album) compilation album by Janis Joplin

The Lost Tapes is a two disc compilation album by the San Francisco psychedelic-acid rock band, Big Brother and the Holding Company with Janis Joplin as their lead singer. The material featured here contains twelve previously unreleased Big Brother tracks from 1966 when Joplin first joined Big Brother up until before she left.

T.C. Atlantic

T.C. Atlantic was an American garage rock/psychedelic rock band from Minneapolis, Minnesota who were active 1960s. They were one of the most popular groups in the Twin Cities, but failed to break nationally. In the intervening years since their breakup, their recordings have attracted the interest of 60s music collectors and enthusiasts, and they are particularly remembered for their 1966 fuzz-tinged song, "Faces", which has been mentioned as one of the earliest garage rock songs to display psychedelic characteristics.