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Ted Shawn was a male pioneer of American modern dance. He created the Denishawn School together with his wife Ruth St. Denis. After their separation he created the all-male company Ted Shawn and His Men Dancers. With his innovative ideas of masculine movement, he was one of the most influential choreographers and dancers of his day. He was also the founder and creator of Jacob's Pillow Dance Festival in Massachusetts, and "was knighted by the King of Denmark for his efforts on behalf of the Royal Danish Ballet."
Lar Lubovitch Dance Company is a dance company based in New York City and founded by Lar Lubovitch in the late 1960s. They have performed at Carnegie Hall, and worldwide.
Mark William Morris is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences.
Dance Theatre of Harlem (DTH) is an American professional ballet company and school based in Harlem, New York City. It was founded in 1969 under the directorship of Arthur Mitchell and later partnered with Karel Shook. Milton Rosenstock served as the company's music director from 1981 to 1992. The artistic director has been Robert Garland since 2022. The DTH is renowned for being both "the first Black classical ballet company", and "the first major ballet company to prioritize Black dancers".
Jacob's Pillow is a dance center, school and performance space located in Becket, Massachusetts, in the Berkshires. The facility itself was listed as a National Historic Landmark District in 2003.
Trisha Brown was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement. Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international postmodern dance.
Aerial modern dance is a subgenre of modern dance first recognized in the United States in the 1970s. The choreography incorporates an apparatus that is often attached to the ceiling, allowing performers to explore space in three dimensions. The ability to incorporate vertical, as well as horizontal movement paths, allows for innovations in choreography and movement.
Cynthia Kathleen Gregory is an American former prima ballerina.
Miami City Ballet is an American ballet company based in Miami Beach, Florida, led by artistic director Lourdes Lopez.
Seán Curran is an American dancer and choreographer. Curran's dance company, the Seán Curran Company is based in New York City.
Basil Twist is a New York City-based puppeteer who is known for his underwater puppet show, "Symphonie Fantastique". He was named a MacArthur Fellowship recipient on September 29, 2015.
Hip-hop theater is a form of theater that presents contemporary stories through the use of one or more of the four elements of hip-hop culture—b-boying, graffiti writing, MCing (rapping), and DJing. Other cultural markers of hip-hop such as spoken word, beatboxing, and hip-hop dance can be included as well although they are not always present. What is most important is the language of the theatrical piece and the plot's relevance to the world. Danny Hoch, the founder of the Hip-Hop Theater Festival, further defines it as such: "Hip-hop theatre must fit into the realm of theatrical performance, and it must be by, about and for the hip-hop generation, participants in hip-hop culture, or both."
Jonah Bokaer is an American choreographer and media artist. He works on live performances in the United States and elsewhere, including choreography, digital media, cross-disciplinary collaborations, and social enterprise.
Aszure Barton is a Canadian-born choreographer.
Camille A. Brown is an American dancer, choreographer, director, and dance educator. Four-time Tony Awards nominees, she started her career working as professional dancer with Ronald K. Brown's company in the early 2000s. In 2006 she founded her own dance company, the Camille A. Brown & Dancers, producing severals dance productions, winning a Princess Grace Awards and a Bessie Award.
Kyle Abraham is an American choreographer and dancer. He founded his own company A.I.M by Kyle Abraham in 2006 in New York City and has produced many original works for A.I.M such as The Radio Show (2010), Absent Matter (2015), Pavement (2012), Dearest Home (2017), Drive (2017), INDY (2018), Studies on Farewell (2019), and An Untitled Love (2021). Kyle has also been commissioned to create new works for international dance companies such as Untitled America (2016) for the Alvin Ailey American Dance Theater, The Runaway (2018) for New York City Ballet, The Bystander (2019) for Hubbard Street Dance Chicago, Only The Lonely (2019) for Paul Taylor American Modern Dance and Ash (2019).
Trey McIntyre is an American dancer and choreographer, who has a body of work that includes around 100 original dance pieces. He founded and acts as president of Trey McIntyre Project, a dance company that was based in Boise, Idaho, where he lived in the historic Northend.
Larry Keigwin an American choreographer and the artistic director of KEIGWIN + COMPANY.
Big Dance Theater is a New York City-based dance theater company. It is led by Artistic Director Annie-B Parson, who founded Big Dance Theater in 1991 with Molly Hickok and Paul Lazar. Big Dance Theater has created over 20 dance/theater works and won 18 awards over the years. They have been commissioned by the Brooklyn Academy of Music, The National Theater of Paris, The Japan Society, and The Walker Art Center, and have performed in venues such as the Brooklyn Academy of Music, Dance Theater Workshop, The Kitchen, Classic Stage Company, Japan Society, Jacob's Pillow Dance Festival, the Chocolate Factory, the Museum of Contemporary Art in Chicago, Walker Art Center, Yerba Buena, On the Boards, New York Live Arts, UCLA Live, The Spoleto Festival USA, and at festivals in Europe and Brazil.
Amara Tabor-Smith is a San Francisco Bay Area-based choreographer and performer noted for significant contributions to dance that draw on, celebrate, and reconfigure African-American and women's history.
