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Action Stroke Dance Notation (ASDN) is a dance notation system that was invented by Iver Cooper. Designed for fast writing, the notations primarily consist of "action strokes" that represent one of three basic actions:
A dance score has five sections:
Scores are read from bottom to top. The horizontal dimension represents body symmetry and the vertical dimension represents time. ASDN employs abstract symbols and is visually similar to Motif description, a subset of Labanotation that is also designed for speed of writing.
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In some types of partner dance, lead and follow are designations for the two dancers comprising a dance pairing. The Lead is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The Lead communicates choices to the Follow, and directs the Follow by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols, including notation for durations of absence of sound such as rests.
Sutton SignWriting, or simply, SignWriting, is a system of writing sign languages. It is highly featural and visually iconic, both in the shapes of the characters, which are abstract pictures of the hands, face, and body, and in their spatial arrangement on the page, which does not follow a sequential order like the letters that make up written English words. It was developed in 1974 by Valerie Sutton, a dancer who had, two years earlier, developed DanceWriting. Some newer standardized forms are known as the International Sign Writing Alphabet (ISWA).
The time signature is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat.
In Western musical notation, the staff (US) or stave (UK) is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, different percussion instruments. Appropriate music symbols, depending on the intended effect, are placed on the staff according to their corresponding pitch or function. Musical notes are placed by pitch, percussion notes are placed by instrument, and rests and other symbols are placed by convention.
In dance, choreography is the act of designing dance. Choreography may also refer to the design itself, which is sometimes expressed by means of dance notation. A choreographer is one who creates dances. Dance choreography is sometimes called dance composition.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
Labanotation or Kinetography Laban is a notation system for recording and analyzing human movement that was derived from the work of Rudolf Laban who described it in Schrifttanz in 1928. His initial work has been further developed by Ann Hutchinson Guest and others, and is used as a type of dance notation in other applications including Laban Movement Analysis, robotics and human movement simulation.
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A dance score is recorded dance notation that describes a particular dance.
In cricket, batting is the act or skill of hitting the ball with a bat to score runs or prevent the loss of one's wicket. Any player who is currently batting is denoted as a batsman, batswoman, or batter, regardless of whether batting is their particular area of expertise. Batting players have to adapt to various conditions when playing on different cricket pitches, especially in different countries - therefore, as well as having outstanding physical batting skills, top-level batters will have lightning reflexes, excellent decision-making and be good strategists.
Benesh Movement Notation (BMN), also known as Benesh notation or choreology, is a dance notation system used to document dance and other types of human movement. Invented by Joan and Rudolf Benesh in the late 1940s, the system uses abstract symbols based on figurative representations of the human body. It is used in choreography and physical therapy, and by the Royal Academy of Dance to teach ballet.
Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban, which was developed and extended by Lisa Ullmann, Irmgard Bartenieff, Warren Lamb and others. LMA draws from multiple fields including anatomy, kinesiology and psychology. It is used by dancers, actors, musicians and athletes; by health professionals such as physical and occupational therapists and psychotherapists; and in anthropology, business consulting and leadership development.
The Cha Cha Cha, is a dance of Cuban origin. It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance.
Stokoe notation is the first phonemic script used for sign languages. It was created by William Stokoe for American Sign Language (ASL), with Latin letters and numerals used for the shapes they have in fingerspelling, and iconic glyphs to transcribe the position, movement, and orientation of the hands. It was first published as the organizing principle of Sign Language Structure: An Outline of the Visual Communication Systems of the American Deaf (1960), and later also used in A Dictionary of American Sign Language on Linguistic Principles, by Stokoe et al. (1965). In the 1965 dictionary, signs are themselves arranged alphabetically, according to their Stokoe transcription, rather than being ordered by their English glosses as in other sign-language dictionaries. This made it the only ASL dictionary where the reader could look up a sign without first knowing how to translate it into English. The Stokoe notation was later adapted to British Sign Language (BSL) in Kyle et al. (1985) and to Australian Aboriginal sign languages in Kendon (1988). In each case the researchers modified the alphabet to accommodate phonemes not found in ASL.
The International Movement Writing Alphabet (IMWA) is a set of symbols that can be used to describe and record movement. Its creator, Valerie Sutton, also invented MovementWriting, which employs IMWA in four general application areas: SignWriting for sign language, DanceWriting as a form of dance notation, MimeWriting for classic mime, and SportsWriting for ice skating and gymnastics.
Eshkol-Wachman movement notation is a notation system for recording movement on paper or computer screen. The system was created in Israel by dance theorist Noa Eshkol and Avraham Wachman, a professor of architecture at the Technion. The system is used in many fields, including dance, physical therapy, animal behavior and early diagnosis of autism.
Valerie Sutton is an American developer of movement notation and a former dancer.
Abbreviations in music are of two kinds, namely, abbreviations of terms related to musical expression, and the true musical abbreviations by the help of which certain passages, chords, etc., may be notated in a shortened form, to the greater convenience of both composer and performer. Abbreviations of the first kind are like most abbreviations in language; they consist for the most part of the initial letter or first syllable of the word employed—as for instance, p or f for the dynamic markings piano and forte, cresc. for crescendo, Ob. for oboe, Fag. for bassoon. This article is about abbreviations used in music notation. For abbreviations of terms related to musical expression and music in general, see Glossary of musical terminology.
Kahnotation is a tap dance notation.