Alistair Beaton (born 1947) is a playwright and satirist, journalist, radio presenter, novelist and television writer. At one point in his career he was also a speechwriter for Gordon Brown.
Born in Glasgow, Scotland, Beaton was educated at the universities of Edinburgh, Moscow and Bochum and graduated from the University of Edinburgh with First-Class Honours in Russian and German. He lives in London.
| International | |
|---|---|
| National | |
| Artists | |
The Resistible Rise of Arturo Ui, subtitled "A parable play", is a 1941 play by the German playwright Bertolt Brecht. It chronicles the rise of Arturo Ui, a fictional 1930s Chicago mobster, and his attempts to control the cauliflower racket by ruthlessly disposing of the opposition. The play is a satirical allegory of the rise of Adolf Hitler and the Nazi Party in Germany prior to World War II.
The Threepenny Opera is a German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, contribution Hauptmann might have made to the text, Brecht is usually listed as sole author.
Alistair Charles McGowan is an English impressionist, comic, actor, singer and writer best known to British audiences for The Big Impression, which was, for four years, one of BBC1's top-rating comedy programmes – winning numerous awards, including a BAFTA in 2003. He has also worked extensively in theatre and appeared in the West End in Art, Cabaret, The Mikado and Little Shop of Horrors. As a television actor, he played the lead role in BBC1's Mayo. He wrote the play Timing and the book A Matter of Life and Death or How to Wean Your Man off Football with former comedy partner Ronni Ancona. He also provided voices for Spitting Image.
Life of Galileo, also known as Galileo, is a play by the 20th century German dramatist Bertolt Brecht and collaborator Margarete Steffin with incidental music by Hanns Eisler. The play was written in 1938 and received its first theatrical production at the Zurich Schauspielhaus, opening on the 9th of September 1943. This production was directed by Leonard Steckel, with set-design by Teo Otto. The cast included Steckel himself, Karl Paryla and Wolfgang Langhoff.
The Government Inspector, also known as The Inspector General, is a satirical play by Russian dramatist and novelist, Nikolai Gogol. Originally published in 1836, the play was revised for an 1842 edition. Based upon an anecdote allegedly recounted to Gogol by Pushkin, the play is a comedy of errors, satirizing human greed, stupidity, and the political corruption of contemporary Russia.
Lee Hall is an English writer and lyricist. He is best known for writing the screenplay for the film Billy Elliot (2000) and the book and lyrics for its adaptation as a stage musical of the same name. In addition, he wrote the play The Pitmen Painters (2007), and the screenplays for the films War Horse and Rocketman (2019).
Mother Courage and Her Children is a play written in 1939 by the German dramatist and poet Bertolt Brecht (1898–1956), with significant contributions from Margarete Steffin. Four theatrical productions were produced in Switzerland and Germany from 1941 to 1952, the last three supervised and/or directed by Brecht, who had returned to East Germany from the United States.
Edward George Sherrin was an English broadcaster, author and stage director. He qualified as a barrister and then worked in independent television before joining the BBC. He appeared in a variety of radio and television satirical shows and theatre shows, some of which he also directed.
Higham Ronald Hayman was a British critic, dramatist, and writer who was best known as a biographer.
Laurance Rudic is a British theatre artist best known for his long association as a leading member of the Glasgow Citizens Theatre company - 1972-1996.
Peter Dews was an English stage director.
John William Mills Willett, MBE was a British translator and a scholar who is remembered for translating the work of Bertolt Brecht into English.
Stephen Howard Davies, was a British theatre and television director.
Edward Hall is an English theatre and film director who founded the all-male Propeller Shakespeare company of which he is Artistic Director, in 1997. He also became Artistic Director of Hampstead Theatre in 2010. He is known for directing Shakespeare productions, musicals such as Sunny Afternoon and multiple screen productions, including William Boyd's TV adaptation of Restless.
Turandot or the Whitewashers' Congress is an epic comedy by the German modernist playwright Bertolt Brecht. It was written during the summer of 1953 in Buckow and substantially revised in light of a brief period of rehearsals in 1954, though it was still incomplete at the time of Brecht's death in 1956 and did not receive its first production until several years later. It premièred on 5 February 1969 at the Zürich Schauspielhaus, in a production directed by Benno Besson and Horst Sagert, with music by Yehoshua Lakner.
Chichester Festival Theatre, located in Chichester, England, is one of the United Kingdom's flagship theatres with an international reputation for quality and innovation. The following is a chronological list of the Chichester Festival production history of productions that have been staged since its inception.
Michael Rudman was an American theatre director.
Eugen Berthold Friedrich Brecht, known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic Lehrstücke and became a leading theoretician of epic theatre and the Verfremdungseffekt.
Yılmaz Onay was a Turkish author, theatre director and translator.
John Arden was an English playwright who at his death was lauded as "one of the most significant British playwrights of the late 1950s and early 60s".
