Censoring the Body

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Censoring the Body is a 2007 book by Edward Lucie-Smith published by Seagull Books.

Edward Lucie-Smith British art critic, writer and curator

John Edward McKenzie Lucie-Smith, known as Edward Lucie-Smith, is an English writer, poet, art critic, curator and broadcaster.

Seagull Books is a publishing venture begun in Kolkata in 1982 by Naveen Kishore, a theater practitioner. It began primarily as a response to the growing need for an Indian publishing house for theater and the other arts and since then it has expanded its operations to include translations of world literature as well as twentieth- and twenty-first-century critical theory and non-fiction. At present, the company has registered divisions in London and New York City alongside its initial establishment in Kolkata.

Content

Lucie-Smith's work explores the representation of the human body in art history and the way in which those representations show us changing attitudes to nakedness and sexuality. In the earliest extant artworks of humanity (works from the Paleolithic era) the focus is chiefly upon fertility—a focus that mutates at various points in history, particularly with the rise of Christianity and its associated ideas of Original Sin and the Fall of mankind. [1] He also explores techniques that have been used to limit the depiction of the human body on the one hand (such as the depiction of naked men hidden behind objects such as large taps) or, alternatively, to delight in it (such as the tradition of using classical mythology as a mechanism to create representations of naked femininity). [2]

Paleolithic Prehistoric period, first part of the Stone Age

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Christianity is a religion based on the life and teachings of Jesus of Nazareth, as described in the New Testament. Its adherents, known as Christians, believe that Jesus Christ is the Son of God and savior of all people, whose coming as the Messiah was prophesied in the Old Testament.

Lucie-Smith also explores the contemporary world of aesthetics and related ethics, discussing the way that photography has altered our perceptions of artworks relating to the body, and led to a general anxiety over photographs of juvenile bodies in ways that similar painted portraits would not have struck people in the Renaissance as being problematic. His final conclusion in the book is that contemporary political correctness is in reality a euphemism for de facto censorship. [3]

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References

  1. Lucie-Smith, Edward. "Censoring the Body". Google Books. Retrieved 14 July 2014.
  2. Poole, Steven. "Censoring the Body". The Guardian. Retrieved 14 July 2014.
  3. Harris, Roy. "Censoring the Body". Times Higher Education. Retrieved 14 July 2014.