Children's book illustration

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Children's book illustration is a subfield of book illustration, and a genre of art associated with children's literature. Children's books with illustrations are often known as picture books.

Contents

Illustrations contribute to the children's development and provides them with aesthetic impressions.

History

With the development of printing, the first illustrated books for children began to appear. At first they were primarily religious texts, grammar books, and works about good behavior. [1]

Two pages including one illustration from Boreman's The Gigantic History of the Two Famous Giants (ca 1730-1750) The Gigantic History of the 2 Famous Giants.jpg
Two pages including one illustration from Boreman's The Gigantic History of the Two Famous Giants (ca 1730–1750)

According to Cynthia Burlingham. the first books with illustrations that could be read for children were collections of fairy tales, especially Aesop's Fables (first English edition in 1484 by William Caxton), which soon became one of the most popular illustrated books for children. Another early example of an illustrated book for children was Fabulae Centum (1564) by Gabriel Faerno, [1] William Feaver, however, named Orbis Pictus from 1658 by John Amos Comenius as the earliest illustrated book specifically for children. [2] :7

Writing in the 1970s, Feaver argued that outside occasional exceptions, the history of children's illustrations can be said to be about two centuries old. [2] :10 Initially, illustrations in children's books were almost no different from illustrations in adult editions and were not adapted to the perceptual needs of children. Illustrations in children's books became more popular from the mid-18th century. [1] In England, publisher Thomas Boreman released illustrated miniature books entitled Gigantick Histories (1740–1743). Notable English illustrated books for children from that period were published by John Newbery ( A Little Pretty Pocket-Book from 1744 and The History of Little Goody Two-Shoes from 1765). Other important English publishers of illustrated children books from that period included John Marshall and John Harris. The genres of illustrated children's literature at that time were dominated by the fairy tale and the moral tale; with the former on average having more illustrations. [1]

Illustration of Peter Rabbit eating radishes, from The Tale of Peter Rabbit (1901) by British author and illustrator, Beatrix Potter PeterRabbit8.jpg
Illustration of Peter Rabbit eating radishes, from The Tale of Peter Rabbit (1901) by British author and illustrator, Beatrix Potter

As the toy market grew, illustrated children's books began to be equipped with elements such as moving parts. Creators who specialized in such books included the German graphic artist Lothar Meggendorfer and British publisher Robert Sayer. Technical solutions available in the 20th century meant that illustrated books for children could be relatively cheap while maintaining good quality. The classic illustration drawing techniques were joined by photography, which was used both as a replacement for, for example, woodcuts, and was also used in the process of reproduction. Illustrated children's books gradually became more and more adapted to the needs of specific age groups, and the variety of genres of illustrated children's books almost equals those of books for adults. [1]

Feaver described the evolution of dominant traditions in children's illustration as follows: "chapbook to picture book, to Crane toybook, to Père Castor  [ fr ] picture albums". [2] :10

Function

Children's book illustrations can drive the plot or bring the plot to life. While some picture books are written and illustrated by the same person, others are collaborations between an author and an illustrator. Editors of picture books often look carefully for an illustrator that matches the style of the text, while still adding their own artistic value to the book. There must be mutual respect between an author and an illustrator in the creation of a successful picture book. [3]

Text and image in picture books usually form one whole, because a children's illustration should directly refer to the text. In some cases, it may also be the only component of a book for children, especially the youngest – such books may then take the form of an album without text or with a small amount of text. [4] :133–134

Children's illustrators

Example of a modern illustration from The Halloween Play (2013) written and illustrated by Felicia Bond The Halloween Play (12) written and illustrated Felicia Bond.JPG
Example of a modern illustration from The Halloween Play (2013) written and illustrated by Felicia Bond

The boundary between illustrations for children and adults can be blurry, and throughout their careers many illustrators have created works for children and adults and cannot be simply classified as children illustrators. William Feaver noted that some picture books "were produced as de luxe gift-objects for adults to browse through" (such as the works of Edmund Dulac, Arthur Rackham or Kay Nielsen); others have passed boundaries as genres and tastes changed. He also observed that "many of the illustrations most enjoyed by children ... were not specifically intended for them", citing examples of works by illustrators like W. Heath Robinson, Thomas Bewick or George Cruikshank. [2] :8 He further notes that in cases of Kate Greenaway, Randolph Caldecott or Robinson they "were all-purpose graphic artists who happened to hit on winning treatments of staple children's material ... success made them specialists". [2] :10

Among the most influential children's book illustrators is Maurice Sendak, who has been called "the leading children's book illustrator of our time". [5]

Awards

The field of children's book illustration has several awards for illustrators, such as:

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Gail E. Haley is an American writer and illustrator. She has won the annual awards for children's book illustration from both the American and British librarians, for two different picture books. She won the 1971 Caldecott Medal for A Story a Story, which she retold from an African folktale, and the 1976 Kate Greenaway Medal for The Post Office Cat, her own historical fiction about a London post office.

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Helen Gillian Oxenbury is an English illustrator and writer of children's picture books. She lives in North London. She has twice won the annual Kate Greenaway Medal, the British librarians' award for illustration and been runner-up four times. For the 50th anniversary of that Medal (1955–2005) her 1999 illustrated edition of Alice's Adventures in Wonderland was named one of the top ten winning works.

<span class="mw-page-title-main">Book illustration</span> Illustration which appears in books

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<span class="mw-page-title-main">Toy book</span>

Toy books were illustrated children's books that became popular in England's Victorian era. The earliest toy books were typically paperbound, with six illustrated pages and sold for sixpence; larger and more elaborate editions became popular later in the century. In the mid-19th century picture books began to be made for children, with illustrations dominating the text rather than supplementing the text.

<span class="mw-page-title-main">Jon Klassen</span> Canadian-born writer and illustrator

Jon Klassen is a Canadian writer and illustrator of children's books and an animator. He won both the American Caldecott Medal and the British Kate Greenaway Medal for children's book illustration, recognizing the 2012 picture book This Is Not My Hat, which he also wrote. He is the first person to win both awards for the same work.

<i>This is Not My Hat</i> Childrens picture book by Jon Klassen

This Is Not My Hat is a 2012 American children's picture book by the author and illustrator Jon Klassen. The story is told through the unreliable narration of a little fish, who has stolen a hat from a big fish and how the big fish reacts to the theft. It is a thematic follow-up to I Want My Hat Back (2011) and was meant to be a more literal sequel until Klassen took a suggestion to change which animals were in the story. The book was well received by critics who praised its dark or ironic humor which could only be understood by comparing the words of the little fish's narration against the events of the illustrations. In addition to several positive reviews, Klassen received the 2013 Caldecott Medal and the 2014 Kate Greenaway Medal becoming the first book to win both awards. This is Not My Hat was also a commercial success.

References

  1. 1 2 3 4 5 Burlingham, Cynthia (1997). "Picturing Childhood. The Evolution of the Illustrated Children's Book". Grunwald Center for the Graphic Arts, University of California, Los Angeles Library Department of Special Collections.
  2. 1 2 3 4 5 Feaver, William (1977). When We Were Young: Two Centuries of Children's Book Illustration. Holt, Rinehart and Winston. ISBN   978-0-03-020301-5.
  3. Hoppe, A. (2004). Half the Story- Text and Illustration in Picture Books. Horn Book Magazine, 41–50.
  4. Zborowski, Jan (1959). Początkowa nauka czytania (in Polish). Państwowe Zakłady Wydawnictw Szkolnych.
  5. Lanes, Selma G. (November 2006). Through the Looking Glass: Further Adventures and Misadventures in the Realm of Children's Literature. David R. Godine Publisher. p. 52. ISBN   978-1-56792-318-6.

Further reading