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Analog television is the original television technology that uses analog signals to transmit video and audio. In an analog television broadcast, the brightness, colors and sound are represented by amplitude, phase and frequency of an analog signal.
Chrominance is the signal used in video systems to convey the color information of the picture, separately from the accompanying luma signal. Chrominance is usually represented as two color-difference components: U = B′ − Y′ (blue − luma) and V = R′ − Y′ (red − luma). Each of these different components may have scale factors and offsets applied to it, as specified by the applicable video standard.
NTSC is the first American standard for analog television, published in 1941. In 1961, it was assigned the designation System M. It is also known as EIA standard 170.
In telecommunications, orthogonal frequency-division multiplexing (OFDM) is a type of digital transmission used in digital modulation for encoding digital (binary) data on multiple carrier frequencies. OFDM has developed into a popular scheme for wideband digital communication, used in applications such as digital television and audio broadcasting, DSL internet access, wireless networks, power line networks, and 4G/5G mobile communications.
Phase Alternating Line (PAL) is a colour encoding system for analog television. It was one of three major analogue colour television standards, the others being NTSC and SECAM. In most countries it was broadcast at 625 lines, 50 fields per second, and associated with CCIR analogue broadcast television systems B, D, G, H, I or K. The articles on analog broadcast television systems further describe frame rates, image resolution, and audio modulation.
Vertical Interval Timecode is a form of SMPTE timecode encoded on one scan line in a video signal. These lines are typically inserted into the vertical blanking interval of the video signal.
Colorburst is an analog and composite video signal generated by a video-signal generator used to keep the chrominance subcarrier synchronized in a color television signal. By synchronizing an oscillator with the colorburst at the back porch (beginning) of each scan line, a television receiver is able to restore the suppressed carrier of the chrominance (color) signals, and in turn decode the color information. The most common use of colorburst is to genlock equipment together as a common reference with a vision mixer in a television studio using a multi-camera setup.
Composite video is an analog video format that typically carries a 525 or 625 line signal on a single channel, unlike the higher-quality S-Video and the even higher-quality component video.
Genlock is a common technique where the video output of one source is used to synchronize other picture sources together. The aim in video applications is to ensure the coincidence of signals in time at a combining or switching point. When video instruments are synchronized in this way, they are said to be generator-locked, or genlocked.
SMPTE timecode is a set of cooperating standards to label individual frames of video or film with a timecode. The system is defined by the Society of Motion Picture and Television Engineers in the SMPTE 12M specification. SMPTE revised the standard in 2008, turning it into a two-part document: SMPTE 12M-1 and SMPTE 12M-2, including new explanations and clarifications.
Radio Data System (RDS) is a communications protocol standard for embedding small amounts of digital information in conventional FM radio broadcasts. RDS standardizes several types of information transmitted, including time, station identification and program information.
A broadcast range is the service area that a broadcast station or other transmission covers via radio waves. It is generally the area in which a station's signal strength is sufficient for most receivers to decode it. However, this also depends on interference from other stations.
A subcarrier is a sideband of a radio frequency carrier wave, which is modulated to send additional information. Examples include the provision of colour in a black and white television system or the provision of stereo in a monophonic radio broadcast. There is no physical difference between a carrier and a subcarrier; the "sub" implies that it has been derived from a carrier, which has been amplitude modulated by a steady signal and has a constant frequency relation to it.
In telecommunications, a pilot signal is a signal, usually a single frequency, transmitted over a communications system for supervisory, control, equalization, continuity, synchronization, or reference purposes.
FM broadcasting is a method of radio broadcasting that uses frequency modulation (FM) of the radio broadcast carrier wave. Invented in 1933 by American engineer Edwin Armstrong, wide-band FM is used worldwide to transmit high-fidelity sound over broadcast radio. FM broadcasting offers higher fidelity—more accurate reproduction of the original program sound—than other broadcasting techniques, such as AM broadcasting. It is also less susceptible to common forms of interference, having less static and popping sounds than are often heard on AM. Therefore, FM is used for most broadcasts of music and general audio. FM radio stations use the very high frequency range of radio frequencies.
Subsidiary Communications Authorization (SCA) in the United States, and Subsidiary Communications Multiplex Operation (SCMO) in Canada, is a subcarrier on a radio station, allowing the station to broadcast additional services as part of its signal.
Multi-carrier code-division multiple access (MC-CDMA) is a multiple access scheme used in OFDM-based telecommunication systems, allowing the system to support multiple users at the same time over same frequency band.
In analogue TV technology, residual carrier is the ratio of carrier level which is modulated by the maximum video signal to the unmodulated carrier level.
VIMCAS, standing for Vertical Interval Multiple Channel Audio System, is a dual-channel Sound-in-Syncs mechanism for transmitting digitally encoded audio in a composite video analogue television signal.
Carrier frequency offset (CFO) is one of many non-ideal conditions that may affect in baseband receiver design. In designing a baseband receiver, we should notice not only the degradation invoked by non-ideal channel and noise, we should also regard RF and analog parts as the main consideration. Those non-idealities include sampling clock offset, IQ imbalance, power amplifier, phase noise and carrier frequency offset nonlinearity.
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