First published as Deathtripping: The Cinema of Transgression by Creation Books in 1995 and subsequently republished as Deathtripping: The Extreme Underground by Soft Skull Press, Deathtripping is a book by Jack Sargeant which examines the New York based, post-punk underground film movement known as the Cinema of Transgression that formed around the manifesto written by underground filmmaker Nick Zedd. The loose-knit group of underground filmmakers included Richard Kern, Tommy Turner, Lydia Lunch, Beth B, Cassandra Stark, Joe Coleman and David Wojnarowicz, amongst others.
The book examines the work of the Cinema of Transgression filmmakers through lengthy interviews with directors, collaborators, musicians and actors associated with the movement. Alongside these the book features analyses of films, an overview of the history of the movement and its influences. It features an appendix of scripts by some of the filmmakers.
Following the publication of the book Jack Sargeant co-produced a VHS tape with the British Film Institute showcasing a number of these films.
The films Kill Your Idols (2006) and Blank City (2010) both feature Jack talking about the films and the writing of Deathtripping.
The first and second editions were both published by Creation Books in 1995 and 1999. Both featured a pink cover depicting a photo by Richard Kern. The second edition was numbered as part of Creation Books' Film Collection series. In 2007 Soft Skull published a redesigned copy which featured various corrections, a new introduction and afterwards alongside numerous new illustrations.
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No wave was an avant-garde music and visual art scene which emerged in the late 1970s in downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic worldview.
Richard Kern is an American underground filmmaker, writer and photographer. He first came to prominence as part of the cultural explosion in the East Village of New York City in the 1980s, with erotic and experimental films like The Right Side of My Brain and Fingered, which featured personalities of the time such as Lydia Lunch, David Wojnarowicz, Sonic Youth, Kembra Pfahler, Karen Finley and Henry Rollins. Like many of the musicians around him, Kern had a deep interest in the aesthetics of extreme sex, violence and perversion and was involved in the Cinema of Transgression movement, a term coined by Nick Zedd.
Transgressive art is art that aims to outrage or violate basic morals and sensibilities. The term transgressive was first used in this sense by American filmmaker Nick Zedd and his Cinema of Transgression in 1985. Zedd used it to describe his legacy with underground film-makers like Paul Morrissey, John Waters, and Kenneth Anger, and the relationship they shared with Zedd and his New York City peers in the early 1980s.
Nick Zedd was an American filmmaker, author, and painter based in Mexico City. He coined the term Cinema of Transgression in 1985 to describe a loose-knit group of like-minded filmmakers and artists using shock value and black humor in their work. These filmmakers and artistic collaborators included Richard Kern, Tessa Hughes Freeland, Lung Leg, Kembra Pfahler, and Lydia Lunch. Under numerous pen names, Zedd edited and wrote the Underground Film Bulletin (1984–1990) which publicized the work of these filmmakers. The Cinema of Transgression was explored in Jack Sargeant's book Deathtripping.
An underground film is a film that is out of the mainstream either in its style, genre or financing.
Lung Leg is an American pin-up girl and actress perhaps best known for appearing on the cover of the Sonic Youth album EVOL. During the 1980s, she gained fame as a model and star of films made by the transgressive movement.
Jack Sargeant is a British writer specializing in cult film, underground film, and independent film, as well as subcultures, true crime, and other aspects of the unusual. In addition he is a film programmer, curator, academic and photographer. He has appeared in underground films and performances. He currently lives in Australia.
Remodernist film developed in the United States and the United Kingdom in the early 21st century with ideas related to those of the international art movement Stuckism and its manifesto, Remodernism. Key figures are Jesse Richards and Peter Rinaldi.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City–based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films. Key players in this movement were Zedd, Kembra Pfahler, Tessa Hughes-Freeland, Casandra Stark, Beth B, Tommy Turner, Jon Moritsugu, Manuel DeLanda, David Wojnarowicz, Richard Kern, and Lydia Lunch, who in the late 1970s and mid-1980s began to make very low-budget films using cheap 8 mm cameras.
Kembra Pfahler is an American filmmaker, performance artist, visual artist, adjunct professor, rock musician, and film actress.
Casandra Stark Mele was a principal director and actor in the No wave cinema movement referred to as Cinema of Transgression. She made all her films in the 1980s and early 1990s under the name Casandra Stark. Since then, she has added her real family name Mele to her professional name due to a deep connection she felt for her family roots. "Mele" is Italian for apples.
Revelation Perth International Film Festival began in 1997. Founded by Richard Sowada to showcase a large range of independent feature films, documentaries, short films, and experimental works, it runs every July in Perth, Western Australia and is regarded as one of the best independent film festivals in Australia.
The Hamilton Underground Film Festival was an annual film festival held in Hamilton, New Zealand between 2006 and 2013. Run on the basis of a DIY ethos the festival was open to all and had no admission fee for film entries. Each entrant received a DVD which contains all the entered films. The festival was the longest running festival of its kind in Australasia until recent usurped by the Melbourne underground film festival.
Naked Lens: Beat Cinema is a book by Jack Sargeant about the relationship between Beat culture and underground film. First published by Creation Books in 1997, the book has been subsequently republished in two different English language editions, by Creation Books in 2001 and Soft Skull in 2008. The book also features contributions from Tessa Hughes-Freeland, Stephanie Watson, and Arthur and Corrine Cantrill.
Shade Rupe is an American writer, editor, and filmmaker.
Tessa Hughes-Freeland is a British-born experimental film maker, writer living in New York City. Her films have screened internationally in North America, Europe and Australia and in prominent museums and galleries, including the Museum of Modern Art (MOMA); the Museum of Contemporary Art, Los Angeles; the Whitney Museum of American Art; the New Museum of Contemporary Art in New York; and the KW Institute of Contemporary Art in Berlin. She has collaborated on live multi-media projects with musicians like John Zorn and J. G. Thirlwell. She and Ela Troyano co-founded the New York Film Festival Downtown in 1984 and served as its co-directors until 1990. Hughes-Freeland later served as President of the Board of Directors of the Film-Makers Co-Operative in New York City from 1998-2001. She has published articles in numerous books, including “Naked Lens: Beat Cinema” and “No Focus: Punk Film,” and in periodicals including PAPER Magazine, Filmmaker magazine, GQ, the East Village Eye, and Film Threat.
Jack Stevenson is an author and film showman, who lives in Copenhagen, Denmark.
Jim Sikora is a Chicago based American film director, writer, and producer and is considered a pioneer in DV filmmaking. Sikora is best known for his independent micro-budgeted feature films Walls in the City, starring Paula Killen, Bill Cusack, Tony Fitzpatrick, and David Yow of the rock band The Jesus Lizard, with a soundtrack by The Denison/Kimball Trio; Bullet on a Wire starring Jeff Strong, Paula Killen, Lara Phillips, David Yow, and Cinema of Transgression legend Richard Kern; Rock & Roll Punk which features members of Hüsker Dü, The Descendents, Big Black, Tortoise, and Slint; My Charbroiled Burger with Brewer starring Mike Watt of Minutemen and The Stooges and Jack Brewer of Saccharine Trust.
An Introduction To The American Underground Film is a book by the American author Sheldon Renan. It was published by Dutton in 1967. It was the first book about Underground Film.