The Residents are an American art collective and art rock band best known for their avant-garde music and multimedia works. Since their first official release, Meet the Residents (1974), they have released over 60 albums, numerous music videos and short films, three CD-ROM projects, and ten DVDs over the course of over half a century. They have undertaken seven major world tours and scored multiple films. Pioneers in exploring the potential of CD-ROM and similar technologies, the Residents have won several awards for their multimedia projects. They founded Ralph Records, a record label focusing on avant-garde music, in 1972.
Fingerprince is the third studio album by American art rock group the Residents, released in 1977. It was allegedly intended to be a three-sided record titled Tourniquet of Roses, but due to financial difficulties in fulfilling such a project, the record was instead cut down to a regular two-sided album.
Billion Dollar Babies is the sixth studio album by American rock band Alice Cooper, released in March 1973 by Warner Bros. Records. The album became the best selling Alice Cooper record at the time of its release, hitting number one on the album charts in the United States and the United Kingdom, and was certified platinum by the Recording Industry Association of America.
Commercial Album is the seventh studio album released by art rock group the Residents in 1980. It is commonly considered a follow-up to their 1978 album Duck Stab/Buster & Glen, in that it retains the former album's pop-oriented song structures. The album contains 40 songs, each lasting exactly one minute - a deliberate allusion to Top 40 mainstream radio. The album's liner notes state that, to form a complete pop song, tracks from the album should be played three times in a row.
Philip Charles Lithman, who performed under the stage name Snakefinger, was an English musician, singer and songwriter. A multi-instrumentalist, he was best known for his guitar and violin work and his collaborations with The Residents.
Tigermilk is the 1996 debut album from Scottish pop group Belle and Sebastian. Originally given a limited release by Electric Honey, the album was subsequently re-released in 1999 by Jeepster Records.
Ralph Records was an independent record label active between 1972 and 1989, best known for being initially run by avant-garde art collective, The Residents. The name arose from the slang phrase for vomiting, "calling Ralph on the porcelain telephone".
Indestructible Object is the sixth EP by They Might Be Giants, released through Barsuk Records on April 6, 2004.
Frizzle Fry is the debut studio album by American rock band Primus. It was released on February 7, 1990, by Caroline Records. Produced by the band and Matt Winegar, the album was recorded at Different Fur Studios in San Francisco in December 1989.
The Thirteenth Anniversary tour was a triumph both financially and critically for the Residents. It was also the last time Snakefinger would work with them, as he died of a heart attack in 1987. The official album release of The Thirteenth Anniversary Show in 1987 was a recording of the show in Japan. There was also a recording of the show in the United States that was released to UWEB fan club members in the late 1980s, and various outtakes and bootlegs of other performances of the show exist as well.
Super Black Market Clash is a 1993 compilation album released by the English punk rock band The Clash. It contains B-sides and rare tracks not available on the group's regular studio albums. The album is an expanded repackaging of the 1980 release Black Market Clash, a 10-inch EP containing nine songs. The man in the foreground of the front cover art on both releases is Don Letts, who worked with The Clash on several projects and later was a founding member of Big Audio Dynamite.
Alien Lanes is the eighth full-length album by American lo-fi band Guided by Voices, released on April 4, 1995.
Alice Cooper's Greatest Hits is the only greatest hits album by American rock band Alice Cooper, and their last release as a band. Released in 1974, it features hit songs from five of the band's seven studio albums. It does not include any material from their first two albums, Pretties for You and Easy Action.
Atomizer is the debut full-length album by American punk rock group Big Black released in 1986.
State Songs is a concept album released by John Linnell in 1999. It was Linnell's third solo project and first full solo album. It consists of tracks that are named after, and are at least partially inspired by, 15 of the 50 U.S. states. The album is surrealist in nature, suggesting that there is another West Virginia inside of the state, that one can drive a house to Idaho, that Montana is a leg, Iowa is a witch, Oregon chases after people, and Arkansas has sunken and may be replaced by a ship of its exact shape and size.
"Purple Toupee" is a 1988 song by alternative rock duo They Might Be Giants from their second album, Lincoln. It was released as a promotional single in 1989. In 1994, a live performance of the song was recorded for the promotional live album, Live!! New York City 10/14/94, which was released by Elektra Records.
Constantinople is the historic city name of present-day Istanbul in Turkey, formerly known as Byzantium.
The Very Best of The Doors is a compilation album by the Doors, released in the US in 2001. It features the same cover art as The Best of The Doors compilation released the previous year, and a similar track listing to the single CD version of that album.
Santa Dog is the debut extended play by the American art rock group the Residents, credited as Residents, Uninc. Released on the Christmas season of 1972, it is one of the Residents' most notorious releases, with the title track being one of their most well-known songs. Most copies of the EP were sent to close friends, family and celebrity figures such as Frank Zappa and Richard Nixon, the latter refusing his copy.
Metal, Meat & Bone: The Songs of Dyin' Dog is an album released by American art rock band the Residents in July 2020. It is a rock opera which purports to be an album of covers of songs by fictional albino blues singer Alvin Snow, also known as Dyin' Dog. The album's musical style encompasses blues, electronic and industrial music.
