| Goin' to the Meeting | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1962 | |||
| Recorded | May 1, 1962 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 37:02 | |||
| Label | Prestige PRLP 7242 | |||
| Producer | Esmond Edwards | |||
| Eddie "Lockjaw" Davis chronology | ||||
| ||||
Goin' to the Meeting is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Down Beat |   [2] |
| Allmusic | [3] |
| The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review states, "Goin' to the Meetin showcases Horace Parlan in a way even his Blue Note records didn't. While Davis appears to be the leader because of his beat generation bluesed-out swing in the solos and brief melodic statements, it's Parlan, on the title track, "Pass the Hat," and "Night and Day," who carries the tunes and turns them into a very sophisticated and subtle kind of jazz that allows for both the simplicity of a raw-toned, grooved-out blues statement and simultaneously created the space for a harmonic improvisation that employed counterpoint and intervallic architecture for the rhythm section. Parlan's own soloing is nothing less than soulful, but it is considerably more than soul he's playing. Moreover, Parlan is laying down the sophistication evidenced in the post-bop and modal playing of both Bill Evans and Horace Silver". [3]
All compositions by Eddie "Lockjaw" Davis except as indicated
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist.
Horace Parlan was an American hard bop and post-bop pianist and composer. He was known for his contributions to the Charles Mingus recordings Mingus Ah Um and Blues & Roots.
Shirley Scott was an American jazz organist.
Sunny Side Up is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with Bill Hardman, Horace Parlan, Sam Jones, Al Harewood, with Laymon Jackson replacing Jones on four tracks.
Trouble in Mind is a studio album by American jazz saxophonist Archie Shepp and pianist Horace Parlan, featuring performances recorded in 1980 and released on the Danish-based SteepleChase label. The album consists mainly of early and traditional blues and follows up to their 1977 album of duets on spirituals Goin' Home.
This is the discography for jazz record label Prestige Records. Not all original releases are included. Others are listed by the Jazz Discography Project. The earlier New Jazz/Prestige 78rpm releases and the 100/200 series, are omitted. Prestige also released albums on several subsidiary labels including the New Jazz, Bluesville, Moodsville and Swingsville labels.
Jaws is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott, recorded in 1958 for the Prestige label.
The Eddie "Lockjaw" Davis Cookbook is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was later issued as Vol. 1 when two subsequent "Cookbook" volumes were released.
The Eddie "Lockjaw" Davis Cookbook, Vol. 2 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was the second of Davis' popular "Cookbook" volumes to be released.
The Eddie "Lockjaw" Davis Cookbook Volume 3 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1958 for the Prestige label. The album was the third of Davis' popular "Cookbook" volumes to be released.
Very Saxy is an album by saxophonist Eddie "Lockjaw" Davis with Buddy Tate, Coleman Hawkins and Arnett Cobb recorded in 1959 for the Prestige label.
Smokin′ is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1958 for the Prestige label.
Jaws in Orbit is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott, recorded in 1959 for the Prestige label.
Trane Whistle is an album by saxophonist Eddie "Lockjaw" Davis' Big Band with arrangements by Oliver Nelson and Ernie Wilkins recorded in 1960 and released on the Prestige label.
The Tenor Scene is a live album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded at Minton's Playhouse in 1961 and released on the Prestige label.
Blues Up & Down is an album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded in 1961 and released on the Jazzland label.
Jawbreakers is an album by saxophonist Eddie "Lockjaw" Davis and trumpeter Harry "Sweets" Edison recorded in 1962 and released on the Riverside label.
Trackin' is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.
Jaw's Blues is a live album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Munich in 1981 and released on the German Enja label.
Hear My Blues is the debut album by jazz/blues vocalist Al Smith featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1959 and becoming the first release on the Bluesville label. The album was reissued as Blues Shout! under Eddie "Lockjaw" Davis's name on Prestige in 1964.