Hayandose

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Hayandose is a cultural category used to express membership and belonging among Zapotec migrants, described by cultural anthropologist Lourdes Gutiérrez-Nájera. Hayandose entails a process of creating ethnically-marked spaces among migrants in an effort to combat feelings of marginalization and displacement in a host country. [1] This concept may be compared to the notion of Native Hubs developed by anthropologist Renya Ramirez to describe how urban Native Americans negotiate a transnational existence. [2]

In Freudian psychology, displacement is an unconscious defence mechanism whereby the mind substitutes either a new aim or a new object for goals felt in their original form to be dangerous or unacceptable.

Contents

Beyond el Barrio

“Hayandose”, in Beyond el Barrio: Everyday Life in Latina/o America, [3] examines the place of indigenous people within the broader scope of Latino Studies and also within the national political landscape. As argued in the text, indigenous subjects do not easily fit the category of "Latino" used to describe national identities; for example, Guatemalan, Mexican, Ecuadorian. At the same time, indigenous migrants often are targets of racism and prejudice directed towards them. The essay is in conversation with other essays in the volume that interrogate the ways that Latinos carve out niches for themselves and thrive in urban spaces within the United States. As the essay Hayandose argues, such established spaces allow migrants, struggling with separation from their home country and racist stigmatization in their host country, to engage in a “meaningful practice of belonging” in which they are able to express their cultural membership. [1] Hayandose marks the point at which people finally feel as though they belong through the discovery of themselves in a foreign place.

Zapotecs/Gutiérrez-Nájera

Gutiérrez-Nájera uses Zapotecs as an example of migrants who originate from Oaxaca, México and form their own spaces of belonging in the United States, specifically in Los Angeles. The Zapotecs that Gutiérrez-Najera writes about are from Yalálag, a small rural town in the heart of Oaxaca. The community of Yalaltecos in Los Angeles comes together collectively and participates in festivals, ceremonies, tandas and other small gatherings where they can gossip in Zapotec, share food, dance, financially and emotionally support one another, and engage in other customs and traditions from their place of origin. The existence and practice of customs and traditions that were once thought to be exclusive to Yalálag, but that have now permeated American society, demonstrates the transnational character of Yalaltecos indigeneity that makes possible the process of Hayandose through the seizure and declaration of these ethnically-marked spaces. [1] Yalaltecos living in Los Angeles have invoked their cultural identity hundreds of miles from home and have used it as a tool to resist the push for assimilation and marginalization within the United States. Therefore, the transmission and continuity of culture across national borders are essential for Yalaltecos to mark their own space and ultimately find themselves in a hostile environment far from their home country. With this new-found sense of belonging, the opportunity for “rally[ing] for indigenous rights and the development of hometown communities in Oaxaca, as well as to organize in the United States around immigrant legislation” no longer remains out of reach. [1] This claim is reaffirmed by another scholar, Annice Jacoby, who argues that the affirmation of transnational identities allows “borders of ownership, space, and social agency” to be challenged. [4] Once a migrant se hayan, or finds themselves, they have gained a sense of belonging by affirming their cultural membership and confronting their marginalization and displacement within a space collectively or individually marked as their own in the host country. This phenomenon then acts as a bridge for migrants to gain social ascendancy and acknowledgment that has the potential to improve lives in the home and host country alike.

Zapotec peoples ethnic group

The Zapotecs are an indigenous people of Mexico. The population is concentrated in the southern state of Oaxaca, but Zapotec communities also exist in neighboring states. The present-day population is estimated at approximately 800,000 to 1,000,000 persons, many of whom are monolingual in one of the native Zapotec languages and dialects. In pre-Columbian times, the Zapotec civilization was one of the highly developed cultures of Mesoamerica, which, among other things, included a system of writing. Many people of Zapotec ancestry have emigrated to the United States over several decades, and they maintain their own social organizations in the Los Angeles and Central Valley areas of California.

Oaxaca State of Mexico

Oaxaca, officially the Free and Sovereign State of Oaxaca, is one of the 31 states which, along with Mexico City, make up the 32 federative entities of Mexico. It is divided into 570 municipalities, of which 418 are governed by the system of usos y costumbres with recognized local forms of self-governance. Its capital city is Oaxaca de Juárez.

United States Federal republic in North America

The United States of America (USA), commonly known as the United States or America, is a country composed of 50 states, a federal district, five major self-governing territories, and various possessions. At 3.8 million square miles, the United States is the world's third or fourth largest country by total area and is slightly smaller than the entire continent of Europe's 3.9 million square miles. With a population of over 327 million people, the U.S. is the third most populous country. The capital is Washington, D.C., and the largest city by population is New York City. Forty-eight states and the capital's federal district are contiguous in North America between Canada and Mexico. The State of Alaska is in the northwest corner of North America, bordered by Canada to the east and across the Bering Strait from Russia to the west. The State of Hawaii is an archipelago in the mid-Pacific Ocean. The U.S. territories are scattered about the Pacific Ocean and the Caribbean Sea, stretching across nine official time zones. The extremely diverse geography, climate, and wildlife of the United States make it one of the world's 17 megadiverse countries.

De/territorialization

Hayandose is also reflective of a contemporary cultural process known as de/territorialization. [5] When emigrants moved to the United States they and their culture became deterritorialized. [5] Once they moved, however, they are simultaneously reterritorialized as they begin to form a space for themselves and practice their customs and traditions as they did in their home country. [5] The theory of de/territorialization can be seen in the Yalalteco community in Los Angeles through the perseverance of their cultural solidarity from Oaxaca to California, and the maintenance of community ties that traverse national boundaries. The theories of de/territorialization and Hayandose entail the movement of culture from one place to another, and thus reveal the “multiple centers” culture can obtain, as opposed to just a single "center" being the place of origin. [5] Because migration causes displacement among emigrants who are forced to adapt to a new environment, culture, and way of living, bringing the culture and customs that they practiced in their places of origin to their new location helps to combat these negative feelings and also adds an additional “center” to their particular culture. In regards to Gutiérrez-Nájera’s example, Yalaltecos adopted Los Angeles as an additional “center” where their customs and traditions could be expressed as they would have been in Yalálag. This sharing of cultures creates a cultural flow between the United States and Oaxacan communities that have allowed emigrants not to lose their culture and sense of who they are, but to maintain it and ultimately use it as a powerful tool to engage in practices of belonging that resist sentiments of marginalization and displacement in new locations.

Human migration permanent change of residence of people

Human migration is the movement by people from one place to another with the intentions of settling, permanently or temporarily in a new location. The movement is often over long distances and from one country to another, but internal migration is also possible; indeed, this is the dominant form globally. People may migrate as individuals, in family units or in large groups.

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Oaxaca City City and Municipality in Oaxaca, Mexico

The city and municipality of Oaxaca de Juárez, or simply Oaxaca, is the capital and largest city of the Mexican state of the same name. It is located in the Centro District in the Central Valleys region of the state, on the foothills of the Sierra Madre at the base of the Cerro del Fortín extending to the banks of the Atoyac River. The city relies heavily on tourism, which is based on its large number of colonial-era structures as well as the native Zapotec and Mixtec cultures and archeological sites. It, together with the archeological site of Monte Albán, was named a World Heritage Site in 1987. It is also the home of the month-long cultural festival called the "Guelaguetza", which features Oaxacan dance from the seven regions, music and a beauty pageant for indigenous women.

Mixtec ethnic group

The Mixtecs, or Mixtecos, are indigenous Mesoamerican peoples of Mexico inhabiting the region known as La Mixteca of Oaxaca and Puebla as well as the state of Guerrero's Región Montañas, and Región Costa Chica, which covers parts of the Mexican states of Oaxaca, Guerrero and Puebla.

Mixtec transnational migration is the phenomenon whereby Mixtec people have migrated between Mexico and the United States, for over three generations.

Zapotec languages group of indigenous Mesoamerican languages

The Zapotec languages are a group of around 50 closely related indigenous Mesoamerican languages that constitute a main branch of the Oto-Manguean language family and which is spoken by the Zapotec people from the southwestern-central highlands of Mexico. The 2010 Mexican census reports 425,000 speakers, with the majority inhabiting the state of Oaxaca. Zapotec-speaking communities are also found in the neighboring states of Puebla, Veracruz, and Guerrero. Labor migration has also brought a number of native Zapotec speakers to the United States, particularly in California and New Jersey. Most Zapotec-speaking communities are highly bilingual in Spanish.

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Zapotec civilization indigenous civilization that flourished in the Valley of Oaxaca in Mesoamerica

The Zapotec civilization was an indigenous pre-Columbian civilization that flourished in the Valley of Oaxaca in Mesoamerica. Archaeological evidence shows that their culture goes back at least 2,500 years. The Zapotec left archaeological evidence at the ancient city of Monte Albán in the form of buildings, ball courts, magnificent tombs and grave goods including finely worked gold jewelry. Monte Albán was one of the first major cities in Mesoamerica and the center of a Zapotec state that dominated much of the territory that today belongs to the Mexican state of Oaxaca.

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Demographics of Oaxaca

The state of Oaxaca, Mexico has a total population of about 3.5 million, with women outnumbering men by 150,000 and about 60% of the population under the age of 30. It is ranked tenth in population in the country. Fifty three percent of the population lives in rural areas. Most of the state’s population growth took place between 1980 and 1990. Life expectancy is 71.7 for men and 77.4 for women, just under the national average. Births far outpace deaths. In 2007, there were 122,579 birth and 19,439 deaths. Approximately 85% profess the Catholic faith.

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Los Mojarras are a band from the province of El Agustino Lima Peru that formed in 1992. They released their first album in the same year, titled Sarita Colonia, and are still currently producing music and performing. Link label They have been politically active through their music, voicing political realities and views. Their music is referred to as Peruvian rock, however Luis A. Ramos-Garcia, a professor and researcher of Latin American theater and popular music from the University of Minnesota, describes their music as a “mixture of Chicha or Peruvian cumbia, Andean Cumbia, and Afro-Peruvian styling’s”. Their style of music also includes blends of rock music. Critically analyzed, the music of Los Mojarras, can be thought of as a form of transculturation, in which the emergence of mixed cultures are expressed through the mixture of musical rhythms. This type of music can also be described a form of cultural hybridity, in which the music and its scene has become a new cultural production raised out of multiple existing cultures or shared meanings. As Jesus-Martin Barbero, a researcher and philosopher, who’s disciplined in Cultural Studies; has stated “music is the result of mestizaje, the profane deformation of an authentic form.” Link label Appropriated in musical terms, mestizaje can refer to the mixtures of different music produced as a response to the formations of new social identities; and in the search of belonging by new generations of Andean migrants in capital cities. This mixture of music has primarily been played by the “decedents of migrant Andeans, who grew up and/or were born in major cities such as Lima, in Peru”. These migrants come from rural areas in Peru, moving to modernized cities often forced because of economic circumstances, exemplifying a form of local diasporic mobility. Los Mojarras lyrics range from the issues of societal displacement, dislocation of Andean migrants in major cities and working class migrant experiences and issues. Their music genre became recognized as a form of “new musical subjectivity by marginalized Urban-Andeans”, that were expressing for the first time, within chicha music that has primarily been about love or romance; anger, agency, political issues and concerns. Los Mojarras created a space for people living within the marginalized sectors of Peru. These artists also brought “ attention to the problems situated within the hegemonic Creole-Spanish model maintained by privileged classes”, and narrating through music the conflicts between Limeños and Andean migrants, that arise within the city of Lima.

Lourdes Gutiérrez Nájera anthropologist

Lourdes Gutierrez Najera is an American cultural anthropologist. She is an assistant professor in the Department of Anthropology at Drake University. She is a member of the Latin American Studies Association, American Anthropological Association, and Mujeres Activas en Letras y Cambio Social. Her research is published in journals and books such as Beyond El Barrio: Everyday Life in Latina/o America. Other publications include reviews of scholarly work. Her academic accomplishments and research pertain to the field of Latinx national migration, indigenous communities in the United States and Mexico, and the U.S.-Mexican borderlands.

A tanda is the Latin American term for an informal rotating savings and credit association (ROSCAS). They are operated globally, but have over 200 different names that vary from country to country. They are also known as cundinas (Mexico), susu/Osusu, hui (Asia), juntas (Peru), cuchubales, pollas (Chile), pandeiros (Brazil), paluwagan (Philippines), Stokvel or quiniela. An English name for such an association is a partnerhand. In short, a tanda is a form of a short-term no-interest loan among friends.

Yalálag Zapotec is a Zapotec language of Oaxaca, Mexico, spoken in Hidalgo Yalalag, Mexico City, Oaxaca City, Veracruz and Los Angeles.

El Mercado de Los Angeles, sometimes referred to as El Mercadito, is a market located in Boyle Heights on the corner of 1st Street and Lorena Street. El Mercado is a three-floor indoor shopping center that offers dining and restaurant services, entertainment with live mariachi bands and shopping from various vendors. The market is located by the Metro Gold Line's Indiana Station located two blocks east.

Porfirio Gutierrez (weaver)

Porfirio Gutierrez is a Mexican artisan and advocate specializing in the weaving traditions of Teotitlan del Valle, Oaxaca. He comes from a long line of traditional Zapotec weavers, and the family still is dedicated to this art. Although Gutierrez grew up with the craft and worked looms starting at age 12; at age 18, he went to work in the United States, staying for ten years. Upon returning to Oaxaca, he rediscovered his heritage and the importance of weaving and has since worked to create and promote the making of wool rugs using traditional materials and techniques. In particular he promotes the use of natural dyes, in which his sister Juana specializes. Gutierrez divides his time between Oaxaca and California, not only to sell his family's wares but also to speak and research about weaving and Zapotec culture. This has included a collaboration with the National Museum of the American Indian (Smithsonian).

References

  1. 1 2 3 4 Gutiérrez-Nájera, Lourdes. “Hayandose”, in Beyond el Barrio: Everyday Life in Latina/o America. Ed. Peréz,Gina M., Frank A. Guridy, and Adrian Burgos Jr. New York: New York University Press, 2010. 211-232.
  2. Ramirez, Renya (2007). Native Hubs: Culture, Community, and Belonging in Silicon Valley and Beyond. Duke University Press Books. p. 288. ISBN   0822340305.
  3. Ed. Peréz,Gina M., Frank A. Guridy, and Adrian Burgos Jr. New York: New York University Press, 2010. 211-232.
  4. Jacoby, Annice. "With and Without Permission: Mission Muralismo", in Street Art San Francisco: Mission Muralismo. Ed. Jacoby, Annice. New York: Abrams, 2009. 29-36.
  5. 1 2 3 4 Inda, Johnathan Xavier and Renato Rosaldo. "Introduction: A World in Motion", in The Anthropology of Globalization: A Reader. Ed. Inda, J.X. and R. Rosaldo. Massachusetts: Blackwell Publishing Ltd., 2002. 1-34.