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Gelsey Kirkland is an American ballerina. She received early ballet training at the School of American Ballet. Kirkland joined the New York City Ballet in 1968 at age 15, at the invitation of George Balanchine. She was promoted to soloist in 1969, and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor, including Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading.
Peter Martins is a Danish former ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet.
Violette Verdy was a French ballerina, choreographer, teacher, and writer who worked as a dance company director with the Paris Opera Ballet in France and the Boston Ballet in the United States. From 1958 to 1977 she was a principal dancer with the New York City Ballet where she performed in the world premieres of several works created specifically for her by choreographers George Balanchine and Jerome Robbins. She was Distinguished Professor of Music (Ballet) at the Jacobs School of Music, Indiana University, in Bloomington, and the recipient of two medals from the French government.
Greta Hodgkinson O.Ont is an American-Canadian ballet dancer. She was a Principal dancer with the National Ballet of Canada until she stepped down in 2020. She continues to perform freelance and is Artist-in-Residence of the National Ballet.
Katherine Healy is an American former principal ballerina and actress who also had a professional performing career in figure skating.
Damian Woetzel is an American choreographer.
Wendy Whelan is an American ballet dancer. She was principal dancer with the New York City Ballet and performed with the company for 30 years, and toured in the U.S., Europe, and Asia. Whelan has also been an influential guest artist with Morphoses/The Wheeldon Company. In 2019, Whelan was named Associate Artistic Director of New York City Ballet.
Helgi Tomasson is an Icelandic artistic director and principal choreographer for San Francisco Ballet, and a former professional ballet dancer. Since assuming leadership of San Francisco Ballet, he has helped transform the company from a respected regional troupe to one of the world's great classical ballet companies.
Tchaikovsky Pas de Deux is a ballet choreographed by George Balanchine to a composition by Pyotr Ilyich Tchaikovsky originally intended for act 3 of Swan Lake. With costumes by Barbara Karinska and lighting by Jack Owen Brown, it was first presented by New York City Ballet at the City Center of Music and Drama, New York, on 29 March 1960. Robert Irving conducted the New York City Ballet Orchestra. The dancers were Violette Verdy and Conrad Ludlow.
Patricia McBride is a ballerina who spent nearly 30 years dancing with the New York City Ballet. McBride joined the New York City Ballet in 1959. She became a principal in 1961, becoming the company's youngest principal. She danced with the company for 30 years, including roles created for her by choreographers George Balanchine and Jerome Robbins.
Maria Kowroski is an American ballet dancer. She was a principal dancer at the New York City Ballet.
Janie Taylor is an American ballet dancer, répétiteur and costume designer. She joined New York City Ballet in 1998, was promoted to principal dancer in 2005 and left in 2014. She then started designing costumes and staging works by Justin Peck and Benjamin Millepied, before performing again as a member of the L.A. Dance Project.
Sara Ann Mearns is an American ballet dancer. She is a principal dancer at New York City Ballet.
Miranda Weese is an American former ballet dancer, teacher and ballet master. She joined the New York City Ballet in 1993 and was promoted to principal dancer in 1996. In 2007, she left to perform with the Pacific Northwest Ballet, first as a guest artist, then joined the company as a principal dancer, before retiring in 2010. In 2017, she joined the Boston Ballet as a children's ballet master.
Barbara Anne Milberg Fisher was an American academic and professional dancer. She was professor emerita of English at the City College of the City University of New York (CUNY), where she taught for 29 years. She published several works, including on the life of Wallace Stevens. Prior to her academic career, under her maiden name, Barbara Milberg, she danced with the short-lived Ballet Society, founded by George Balanchine and Lincoln Kirstein; became soloist with the New York City Ballet (NYCB) in its first decade; and then joined Jerome Robbins's newly formed Ballets: USA, touring Europe and the States with that company as a principal dancer.
The Cage is a ballet choreographed by Jerome Robbins to Stravinsky's Concerto in D. The ballet depicts a tribe of female insects that preys on their male counterparts, in which the Novice falls in love with a male intruder, before being overcome by her animal instincts to kill him. The Cage was made for the New York City Ballet, and premiered on June 10, 1951, at the City Center of Music and Drama, with Nora Kaye as the Novice.
Katita Waldo is a Spanish ballet dancer and ballet master. She joined the San Francisco Ballet in 1988, was promoted to principal dancer in 1994, and retired from performing in 2010, but remains in the company as a ballet master.
Hee Seo is a South Korean ballet dancer who is a principal dancer at the American Ballet Theatre (ABT), one of the three leading classical ballet companies in the United States. She became the company's first Korean ballerina to be promoted to principal dancer in ABT's 75-year history. She is also one of the youngest dancers in ABT history to be promoted to principal at the age of twenty-six. The New York Times has described her style and dancing to "exude an unhurried purity that sums up all that is lovely about ballet" and by Vogue as "unspeakably lissome". Several critics have noted her style as "lyrical and open" and she has been critically acclaimed for her "humility" and "unique feminine strength".
Allegro Brillante is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 3. The ballet is danced by a principal couple and a corps de ballet of eight. Balanchine said it "contains everything I knew about classical ballet." Allegro Brillante was made for the New York City Ballet, and premiered on March 1, 1956, at the City Center of Music and Drama, with Maria Tallchief and Nicholas Magallanes originating the two principal roles.
Maria Calegari is an American ballet dancer, teacher and répétiteur. She joined the New York City Ballet in 1974 and became a principal dancer in 1983. She left the company in 1994, then occasionally performed until 2004. She also teaches ballet and began working as a répétiteur for the Balanchine Trust and Robbins Rights Trust in 1996 and 2003 respectively.
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