How Can You Be in Two Places at Once When You're Not Anywhere at All

Last updated
How Can You Be in Two Places at Once When You're Not Anywhere at All
FST How Can You Be in Two Places at Once album cover.jpg
Studio album by
ReleasedJuly 1969
Genre Comedy
Length56:38
Label Columbia
Producer Cyrus Faryar
The Firesign Theatre chronology
Waiting for the Electrician or Someone Like Him
(1968)
How Can You Be in Two Places at Once When You're Not Anywhere at All
(1969)
Don't Crush That Dwarf, Hand Me the Pliers
(1970)
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg link
Robert Christgau A+ link
The New Rolling Stone Record Guide Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg[ citation needed ]

How Can You Be in Two Places at Once When You're Not Anywhere at All is the second comedy album recorded by the Firesign Theatre. It was originally released in July 1969 by Columbia Records.

Contents

Track listing

Side one

This side of the vinyl LP was not divided into separate tracks, but the liner notes list the following titles and tracks:

  1. "How Can You Be in Two Places at Once When You're Not Anywhere at All" – 28:27:
    1. "Drink to Me Only with Thine Fox" (Mr. Catherwood and Ensemble) [CD retitle: "The Ralph Spoilsport Mantrum"] – 4:21
    2. "The Policemen's Brawl" (Officers Bradshaw and Henderson) [CD retitle: "Zeno's Evil"] – 4:34
    3. "Yankee Doodle Came to Terms" (All Fecal People's Chorus) [CD retitle: "The Land of the Pharaohs"] – 2:47
    4. "Über Dubbing Over Alice" ('Arry 'N' Friends) [CD Track retitle: "VACANCY-NO VACANCY"] – 1:34
    5. "You Ain't Got No Friends on the Left" (Babe and the Unknown Soldiers) [CD retitle: "The Lonesome American Choo-Choo Don' Wan' Stop Here Any Mo'"] – 7:34
    6. ""We're Bringing the War Back Home!" From Babes in Khaki" (Lilly Lamont*) (*Miss Lamont Courtesy of Paranoid Pictures) – 7:31 [split into 2 tracks on the CD, track titles below]:
      1. "Babes in Khaki" – 3:53
      2. "TV or Not TV" – 3:38

Side two

  1. The Further Adventures of Nick Danger – 28:11
"From the Archives of the Original Firesign Theatre Radio Hour. As First Broadcast December 6, 1941. Rebroadcast Courtesy of Loostners Bros. Soap Co."

Synopsis

The album consists of two 28-minute pieces, each taking up one side of the original vinyl release.

"How Can You Be in Two Places at Once When You're Not Anywhere at All"

This opens with a late-night TV commercial by car salesman Ralph Spoilsport (Philip Proctor), a spoof of Southern California Ford dealer Ralph Williams. As he extols the virtues of a featured new car, the main character Babe (Peter Bergman), runs across traffic onto the lot and interrupts Ralph's spiel with an immediate desire to buy the car in question. Ralph enthusiastically invites Babe to take a look inside his "beautiful new home". The impossibly luxurious car contains a "home entertainment system", with AM and FM radio and television. Spoilsport turns on each component in turn, creating a cacophonous din.

Babe buys the car and, as he drives it, the text of road signs and billboards along the road is spoken as he passes them. He decides to take the Antelope Freeway, and the distance signs to it progress per Zeno's paradox (one mile, 1/2 mile, 1/4 mile, etc.) The infinite series is broken only when he decides to try the "all-weather climate control", and selects "tropical paradise" from a list of options. At the push of a button, this transforms the interior of his car into a tropical rainforest, complete with sounds of exotic birds, thunder, and rainfall.

A troupe of wise-cracking explorers emerge from the trees, including someone who sounds like W. C. Fields, on a half-hearted expedition. Babe tries to escape the interlopers by changing the climate control to "Land of the Pharaohs" and is transported to ancient Egypt, but to no avail; the explorers have come with him. Increasingly annoyed, he complains that the sun is setting and it will be night soon. They reply he's confused, the horizon is moving up; so they stand him on his head to convince him that it is morning. Babe loses his balance and falls to the ground, causing one to remark, "He's no fun! He fell right over!". A loud rumbling is heard, and the group realizes that a pyramid is opening.

The pyramid is actually a motel, with a vacancy. Babe enters the lobby and encounters a pair of partiers. They gradually morph into panoply of characters who launch a satirical celebration of America which parodies Norman Corwin's 1941 patriotic radio pageant We Hold These Truths . [1] This includes sardonic references to slavery and the conquest of the American Indians. At one point, each member of the group rhythmically repeats the names of the candidates in the 1968 presidential election mimicking a steam locomotive: "Rockefeller, Nixon, Humphrey, and Kennedy."

Eventually, Babe is drafted into the army, and the play morphs again into the closing scene of a World War II musical film "Babes In Khaki", starring Lillie Lamont (Proctor). The movie is broadcast on television, and after it ends, channel surfing reveals snippets of random commercials and program segments. At one point we hear a crime drama, with tough guys saying they hate cops. One named Nick declares he's "gonna get even with every rotten cop in this city", by turning in his badge and burning his uniform.

Finally, Spoilsport returns as "Ralph Icebag", selling marijuana instead of cars. His spiel morphs into a close paraphrase of Molly Bloom's Soliloquy which closes James Joyce's novel Ulysses .

"The Further Adventures of Nick Danger"

This is presented as an episode (titled "Cut 'Em Off at the Past") of a fictional 1940s radio drama, Nick Danger, Third Eye, broadcast on December 7, 1941. Nick Danger (Phil Austin) is a '40s-style hardboiled private investigator in the Raymond Chandler mold. In live performances and photographs, he wears the stereotypical fedora and trench coat. He has the obligatory nemesis on the police force, Lieutenant Bradshaw (Bergman), who questions Danger's every move. His "mark" is Rocky Rococo (Proctor), a Peter Lorre parody. True to the clichés of the genre, there is a suspicious butler, Catherwood (David Ossman), and a femme fatale : Danger's old college flame Betty Jo Bialosky (Proctor, or Bergman in scenes with Rocky Rococo), with aliases Melanie Haber, Audrey Farber, and Susan Underhill, whom "everyone knew as Nancy" (parodying a line from the Beatles' song "Rocky Raccoon").

This sketch is not as surreal or Kafkaesque as most other Firesign Theatre material, though it is intermixed and loaded with references to the Beatles, the I Ching , and other counterculture topics. The basic plot involves the attempt by Rococo to sell Danger a stolen ring, that belonged to Nancy; Danger is thus drawn into a trap and framed when Nancy and Catherwood kill Rococo because he found out about time travel experiments by Catherwood, leading Danger to a violent confrontation with all of them and forcing a confession from Catherwood at gunpoint. It also parodies characteristics of old-time radio drama production, e.g. referring to a fireplace fire as "the cellophane" and "coming in out of the cornstarch" (used to create the sound effects); actors reading the wrong lines, or dropping their scripts; actors stepping out of character to read commercials; and referring to the use of voice fade-outs and organ cues to signal transitions between flashbacks.

At one point, Nancy faints and falls over, causing Danger to say, "She's no fun, she fell right over." He remembers he (Austin) said this same line on side 1 of the record, and asks, "Where am I? I'd better check." The side 1 track is then heard playing backwards, and Danger says, "It's OK, they're speaking Chinese" and continues with the play.

The climax is reached as Catherwood's return from a flashback is bungled, resulting in the duplication of every character except Lieutenant Bradshaw. Just as Danger is about to try something daring to solve this problem and extricate himself from his trap, the action is abruptly interrupted by a special news bulletin, in which President Franklin Delano Roosevelt (Bergman) wearily tells the American people of the attack on Pearl Harbor. He declares our "rendezvous with destiny" demands the United States "unconditionally surrender" to the Empire of Japan. The bulletin ends, but it is too late to find out what Danger did; Bradshaw is congratulating him for solving the case.

The closing organ theme chord segues into Austin laughing and singing "ta-da!", and the Firesign Theatre talk to the producer, announcing their intent to "go back to the other side of the record". The producer then announces, "Scene 3, take 600".

Issues and reissues

This album was originally released on both LP and 8-track tape, and was later released on cassette.

It has been reissued on CD at least 5 times:

Artwork

The front cover of the album features photographs of Groucho Marx and John Lennon framed by faux Cyrillic lettering, "ДLL НДІL МДЯЖ LЄИИФИ", parodying Marxism–Leninism. Because of this, the album is sometimes erroneously referred to as All Hail Мarx and Lennon.

The back cover is an overhead shot of the four members looking up at the camera, with Proctor standing on Austin's foot.

Inside the gatefold of the album there are eight posed photos representing various scenes from "The Further Adventures of Nick Danger."

There are several bars in the United States named "Nick Danger's". There is a clothing line called "Nick Danger",[ citation needed ] as well as a garage band, a porn star, a site about board games (now defunct), [2] and a radio DJ [3] all using the name. "Rocky Rococo" is the name of a pizza-and-pasta restaurant chain based in Wisconsin, and there is a "Betty Jo Byoloski's" (sic) bar and grill in downtown Winona, Minnesota. [4]

The line "He's no fun, he fell right over" is used as a quip in the Mystery Science Theater 3000 episode "Hercules Unchained" for the film Hercules Unchained .

Related Research Articles

<span class="mw-page-title-main">Phil Austin</span> American comedian and writer (1941–2015)

Philip Baine Austin was an American comedian and writer, best known as a member of the Firesign Theatre.

<span class="mw-page-title-main">The Firesign Theatre</span> American surreal comedy group

The Firesign Theatre was an American surreal comedy troupe who first appeared on November 17, 1966, in a live performance on the Los Angeles radio program Radio Free Oz on station KPFK FM. They continued appearing on Radio Free Oz, which later moved to KRLA 1110 AM and then KMET FM, through February 1969. They produced fifteen record albums and a 45 rpm single under contract to Columbia Records from 1967 through 1976, and had three nationally syndicated radio programs: The Firesign Theatre Radio Hour Hour [sic] in 1970 on KPPC-FM; and Dear Friends (1970–1971) and Let's Eat! (1971–1972) on KPFK. They also appeared in front of live audiences, and continued to write, perform, and record on other labels, occasionally taking sabbaticals during which they wrote or performed solo or in smaller groups.

<i>Dont Crush That Dwarf, Hand Me the Pliers</i> 1970 studio album by The Firesign Theatre

Don't Crush That Dwarf, Hand Me the Pliers is the Firesign Theatre's third comedy album, released by Columbia Records in July 1970. In 1983, The New Rolling Stone Record Guide called it "the greatest comedy album ever made". It was nominated for a Hugo Award for Best Dramatic Presentation in 1971 by the World Science Fiction Society. In 2005, the US Library of Congress added the album to the National Recording Registry and called the Firesign Theatre "the Beatles of comedy."

<i>I Think Were All Bozos on This Bus</i> 1971 studio album by The Firesign Theatre

I Think We're All Bozos on This Bus is the fourth comedy album made by the Firesign Theatre for Columbia Records, released in August 1971 on standard stereo vinyl LP, and Quadraphonic LP and 8-track tape. It was nominated for a Hugo Award for Best Dramatic Presentation in 1972 by the World Science Fiction Society.

<i>Waiting for the Electrician or Someone Like Him</i> 1968 studio album by The Firesign Theatre

Waiting for the Electrician or Someone Like Him is the first comedy album recorded by the Firesign Theatre. It was originally released in January 1968 by Columbia Records.

<i>Give Me Immortality or Give Me Death</i> 1998 studio album by The Firesign Theatre

Give Me Immortality or Give Me Death is a comedy album by the Firesign Theatre that was released in 1998 on Rhino Records. Its main theme satirizes 1990s radio formats and public hysteria over the Y2K programming bug. Give Me Immortality... is the first of the Firesign Theatre's Millennium CD trilogy We're Doomed, which includes Boom Dot Bust and Bride of Firesign.

<span class="mw-page-title-main">Peter Bergman (comedian)</span> American comedian, founder of The Firesign Theatre troupe

Peter Paul Bergman was an American comedian and writer, best known as the founder of the Firesign Theatre. He played Lt. Bradshaw in the Nick Danger series.

<span class="mw-page-title-main">David Ossman</span> American comic writer, member of The Firesign Theatre troupe

David Ossman is an American writer and comedian, best known as a member of the Firesign Theatre and screenwriter of such films as Zachariah.

<i>Everything You Know Is Wrong</i> 1974 studio album by The Firesign Theatre

Everything You Know Is Wrong is the eighth comedy album by the Firesign Theatre. Released in October 1974 on Columbia Records, it satirizes UFO conspiracy theories and New Age paranormal beliefs such as Erich von Däniken's Chariots of the Gods and claimed psychic Uri Geller, which achieved wide public attention by that time.

<span class="mw-page-title-main">Proctor and Bergman</span> American comedy duo

Proctor and Bergman was a comedy duo consisting of Philip Proctor and Peter Bergman. The two started performing in 1973 while taking a break from the four-man comedy act The Firesign Theatre, with the comedy album "TV or Not TV", on which they based a short film in 1978. They reunited the Firesign Theatre in 1974, but resumed their duo act in 1975 during a second temporary split of the Firesigns, and continued to perform as a duo during several breaks of the Firesign Theatre until Bergman's death in 2012.

<i>The Firesign Theatres Box of Danger</i> 2008 box set by The Firesign Theatre

The Firesign Theatre's Box of Danger: The Complete Nick Danger Casebook is a four-CD boxed set of most recorded material by comedy group the Firesign Theatre containing their fictional character Nick Danger, portrayed by Phil Austin. Danger is a parody of the hard-boiled detective genre, and is often announced as "Nick Danger, Third Eye", a parody of the term private eye. Danger stories involve stereotypical film noir situations, including mistaken identity, betrayal, and femme fatales. Danger originally appeared on the 1969 album How Can You Be in Two Places at Once When You're Not Anywhere at All, and was reprised in various live shows, radio appearances and albums, including the 1979 Nick Danger: The Case of the Missing Shoe, 1984 The Three Faces of Al, and 2001 The Bride of Firesign.

<i>Roller Maidens from Outer Space</i> 1974 studio album by Phil Austin and the Firesign Theatre

Roller Maidens From Outer Space is a 1974 comedy album by Phil Austin, one of the members of the comedy group Firesign Theatre. Although the record is considered to be Austin's "solo" album, the other three Firesigns make vocal contributions throughout, and are thanked by Austin in the liner notes. A complex lampoon on television and society, Austin's record is much in the same vein as the Firesign Theatre's Don't Crush That Dwarf, Hand Me the Pliers and fellow Firesign members Phil Proctor and Peter Bergman's TV or Not TV. The television theme is carried over into the record sleeve, which features liner information displayed as if it were a TV Guide listing, complete with stylized channel numbers and little blurbs of content.

<i>The Three Faces of Al</i> 1984 studio album by Firesign Theatre

The Three Faces of Al is a 1984 comedy album by the group Firesign Theatre. It features the group members reprising their most popular characters from earlier collaborations, notably hard-boiled detective Nick Danger and his nemesis, Lieutenant Bradshaw.

<i>Dear Friends</i> (album) 1972 compilation album by The Firesign Theatre

Dear Friends is the Firesign Theatre's fifth album to be released on Columbia Records. It is a compilation album, collecting the Firesigns' choice of the best comedy sketches from their nationally syndicated radio program produced from September 1970 to February 1971.

<i>Not Insane or Anything You Want To</i> 1972 live album by the Firesign Theatre

Not Insane or Anything You Want To is the sixth album released by the Firesign Theatre on Columbia Records. It was released in October 1972 and includes some material that was recorded in the studio as well as some material that was recorded before a live audience. The full title is listed on the spine of the record album as Not Insane or Anything You Want To. The abbreviated title Not Insane appears on the front of the album cover, while Or Anything You Want To appears on the back cover. It is usually referred to simply as Not Insane.

<i>Just Folks... A Firesign Chat</i> 1977 studio album by The Firesign Theatre

Just Folks... A Firesign Chat is a 1977 comedy album by the Firesign Theatre. The material is based on previously unreleased material from their 1970–1972 radio shows Dear Friends and Let's Eat!. It was the only record the group made under a new contract with Butterfly Records, after the cancellation of their ten-year Columbia Records contract.

<i>Nick Danger: The Case of the Missing Shoe</i> 1979 EP by The Firesign Theatre

Nick Danger: The Case of the Missing Shoe is an EP by the Firesign Theatre. It was released in 1979 by Rhino Records.

<i>Fighting Clowns</i> 1980 live album by The Firesign Theatre

Fighting Clowns is a 1980 album by the Firesign Theatre. It is unique among Firesign Theatre albums because it is primarily made up of songs rather than the group's usual audio theater or sketch comedy pieces. Many of the songs on this album were recorded live in front of an audience while some of the songs and much of the linking material was recorded in the studio. Cover artwork was done by Phil Hartman.

<i>Radio Now Live</i> 2001 live album by The Firesign Theatre

Radio Now Live is a 2001 comedy album by the Firesign Theatre, recorded from a live performance on a 1999 West Coast tour. Its main concept is based on material from Firesign's studio album Give Me Immortality or Give Me Death, but also contains material based on older albums How Can You Be in Two Places at Once When You're Not Anywhere at All; Don't Crush That Dwarf, Hand Me the Pliers; I Think We're All Bozos on This Bus; and Anythynge You Want To.

Nick Danger is a fictional character created by the comedy group The Firesign Theatre, portrayed by Phil Austin. Danger is a parody of the hard-boiled detective, and is often announced as "Nick Danger, Third Eye", a parody of the term private eye. Danger stories involve stereotypical film noir situations, including mistaken identity, betrayal, and femmes fatales. Danger originally appears on the 1969 album How Can You Be in Two Places at Once When You're Not Anywhere at All, and is reprised in the 1979 Nick Danger: The Case of the Missing Shoe, 1984 The Three Faces of Al, and 2001 The Bride of Firesign.

He's based on the [Dashiell] Hammett Sam Spade character, but as I got more into writing him over the years, he's become much more like [Philip] Marlowe. I love [Raymond] Chandler's writing.

References

  1. CD Liner Notes by David Ossman Archived 2006-10-26 at the Wayback Machine
  2. "Planet Proctor 2002". www.planetproctor.com.
  3. "Disc jockey dies from self-inflicted gunshot wound". Reno Gazette-Journal . 2005-10-12. Reno disc jockey Nick Danger of radio station KDOT...
  4. "BETTY JO BYOLOSKI'S - Winona, MN". www.bettyjos.com.