Jeffrey Karl Reese Vallance (born January 25, 1955, in Redondo Beach, California) is an American contemporary artist who lives and works in Los Angeles, California. He is best known for projects that blur the lines between object-making, installation, performance, curation and anthropological study.
Raised in Southern California's San Fernando Valley during that region's transformation from a mix of agricultural and suburban communities into one enormous expanse of strip malls and cookie-cutter houses, much of Vallance's early work is informed by regional iconography and pop culture, including his parents' fascination with Polynesian/Tiki imagery, and, later, his stepfather's affection for PresidentRichard M. Nixon.
Vallance is the leading force in a distinct version of Intervention Art called Infiltration Art. He creates art by interacting with real-world institutions, communities, politicians, religions, museums and pop-culture figures, tampering within bureaucratic structures to create change without creating conflict. His first public infiltration took place in 1977, when, dressed as a janitor, he sneaked into the Los Angeles County Museum of Art and exchanged the gallery wall-socket plates with his own hand-painted versions.
Vallance's childhood involvement with his local Lutheran church inspired much of his later interest in and depictions of religious subjects. Young Vallance was also influenced by the morbid humor of The Addams Family and The Munsters television shows, and the feature films The Loved One, Harold and Maude and Mondo Cane (which he now describes as "a sick collection of imagery that warped my young mind").
His first formal training came from his maternal grandfather, Norwegianfolk artist Karl Reese, for whom he is (middle-)named.
In the early 1970s, during the Cold War, Vallance corresponded with government officials in the Soviet Union and Red China, trading political badges with communist party leaders. For his efforts, Vallance was investigated by US federal officials and earned a 12-page FBI file.
At Los Angeles Pierce College in the mid 1970s he created a series of his own wallets, complete with photos & I.D. cards, that he purposefully "lost" at government and public institutions such as The White House. Shown in the Library Building, the wallets were displayed alongside the letters received, on official stationery, when they were returned to him by U. S. Mail. He also did a series of drawings of a bearded and bespectacled Dr. Loam. The series depicted the good Dr. interacting with various and sundry aspects of life, culminating with one titled "Dr. Loam gets a Lobotomy". Quickly executed in colorful markers on poster board, they were hung all over the campus.
Career
In 1983, Vallance traveled to Polynesia in search of the myth of Tiki. The resulting artwork, exhibited first in Los Angeles and then internationally, inspired a new genre which came to be known as Tiki Art.
In 1992, while doing volunteer work for the city-council campaign of disgraced former Washington, D.C. mayor Marion Barry (who had just been released from six months in federal prison for smoking crack), Vallance curated "Splashing with Barry (Marion Barry Pool Party)," an art exhibit at Barry's residence in the Washington View Apartments.
In 1983, Vallance was the host of MTV's The Cutting Edge, which premiered experimental music videos from such musicians as R.E.M., The Bangles and The Police, and featured Vallance's artwork. Also in 1983, Vallance appeared on NBC's Late Night with David Letterman to discuss what was then his best-known project, Blinky the Friendly Hen, in which he purchased a frozen chicken from a grocery store and buried it at a Los Angeles pet cemetery, and Cultural Ties, a "mail art" project involving the exchange of neckwear with such international dignitaries as Anwar Sadat, King Hussein of Jordan, Austrian president Rudolf Kirchschläger and dozens of others.
In 1984, Vallance appeared on an episode of The Regis Philbin Show to teach Philbin how to make art. He has also appeared in numerous European and Asian arts and culture documentaries.
Having created album-cover artwork for several early-'80s punk bands including Monitor, Vallance was hired by Grammy-winning art director Kevin Reagan to create art for the cover of singer-songwriter Peter Case's album Six-Pack of Love (Geffen) in 1992.
In 2004, Vallance received the prestigious John Simon Guggenheim Memorial Foundation award for installation art. In 2001, he received a Stiftelsen Framtidens Kultur (Foundation Culture of the Future) grant to curate a performance festival at the Ice Hotel in northern Sweden. In 2000, he was conferred with the royal title of Honorary Noble by the Tongan National Center, Nuku'alofa, Tonga, and also received a Distinguished Alumnus Award from Otis College of Art and Design, Los Angeles.
Paranormalcy
Since 2003, when psychic medium Dorothy Maksym identified Vallance as being the earthly spokesperson for the disembodied spirit of former US president Richard M. Nixon (The Haunting of the Presidents, by Joel Martin and William J. Birnes, Signet), Vallance has taken an interest in the paranormal, contributing stories to the UK's Fortean Times and leading ghost tours of the Nixon Library and Birthplace in Yorba Linda, California.
Vallance's interest in the paranormal was piqued by his paternal grandmother, a Long Beach, California, psychic who once appeared on Art Linkletter's House Party, and his maternal great-uncle Emil Knudsen, a world-renowned Norwegian psychic who was often enlisted by police and private citizens to find missing persons, dead bodies and lost objects throughout the world.
For a project at the Frieze Art Fair in London, Vallance assembled psychic mediums to channel the spirits of five famous dead artists: Leonardo da Vinci, Marcel Duchamp, Frida Kahlo, Vincent van Gogh and Jackson Pollock. The project took the familiar form of a panel discussion, wherein the artist spirits responded to a series of questions prepared by Vallance. At the end of the program, the spirits responded to questions from the audience as well.
Writings
Vallance has written for such publications and journals as Artforum, Art issues, L.A. Weekly, Juxtapoz, Frieze and Fortean Times, and has published nine books: Blinky the Friendly Hen; The World of Jeffrey Vallance: Collected Writings 1978–1994; Christian Dinosaur; Art on the Rocks; Preserving America's Cultural Heritage; Thomas Kinkade: Heaven on Earth; My Life with Dick; Relics and Reliquaries; and The Vallance Bible (2011).
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