Remo Giazotto was an Italian musicologist, music critic, and composer, mostly known through his systematic catalogue of the works of Tomaso Albinoni. He wrote biographies of Albinoni and other composers, including Vivaldi, the composer of The Four Seasons.
Giacomo Antonio Perti was an Italian composer of the Baroque era. He was mainly active at Bologna, where he was Maestro di Cappella for sixty years. He was the teacher of Giuseppe Torelli and Giovanni Battista Martini.
The Accademia di Belle Arti di Bologna is a public tertiary academy of fine art in Bologna, in Emilia-Romagna in northern Italy. It has a campus in Cesena.
Teodulo Mabellini was an Italian composer.
Luigi Gaetano Marini was an Italian natural philosopher, jurist, historian, archaeologist and epigraphist.
Arnoldo Foà was an Italian film actor. He appeared in more than 130 films between 1938 and 2014.
Luigi Pernier was an Italian archaeologist and academic now best known for his discovery of the Disc of Phaistos.
Giovanni Tadolini was an Italian composer, conductor and singing instructor, who enjoyed a career that alternated between Bologna and Paris. Tadolini is probably best known for completing six sections of Rossini's 1833 version of the Stabat mater after the latter fell sick. However, he also composed eight operas as well as sinfonias, sonatas, chamber music, and numerous pieces of religious music and art songs.
Ettore Tito was an Italian artist particularly known for his paintings of contemporary life and landscapes in Venice and the surrounding region. He trained at the Accademia di Belle Arti in Venice and from 1894 to 1927 was the Professor of Painting there. Tito exhibited widely and was awarded the Grand Prize in painting at the 1915 Panama–Pacific International Exposition in San Francisco. In 1926 he was made a member of the Royal Academy of Italy. Tito was born in Castellammare di Stabia in the province of Naples and died in Venice, the city which was his home for most of his life.
Giacomo Benvenuti was an Italian composer and musicologist. He was the son of organist Cristoforo Benvenuti and studied at the Liceo Musicale in Bologna under Luigi Torchi (musicology) and Marco Enrico Bossi (organ). In 1919 his collection of songs for voice and piano accompaniment, Canti a una voce : con accompagnamento di pianoforte, was published in Bologna. In 1922 he published a collection of 17th-century art songs entitled 35 Arie di vari autori del secolo XVII. Composer Samuel Barber studied the works of Giulio Caccini, Andrea Falconieri, and other early Italian composers under his tutelage in Milan in 1933-1934. For the Teatro dell'Opera di Roma he adapted Claudio Monteverdi's L'Orfeo for a production which premiered on 27 December 1934. The adaptation was later used for the first recording of L'Orfeo in 1939, which included a performance by the orchestra of La Scala Milan under conductor Ferrucio Calusio.
Antonio del Massaro da Viterbo, or Antonio da Viterbo, nicknamed il Pastura was an Italian painter.
The Modena Codex(Modena, Biblioteca Estense, α.m.5,24) is an early fifteenth-century Italian manuscript of medieval music. The manuscript is one of the most important sources of the ars subtilior style of music. It is held in the Biblioteca Estense library in Modena.
Dario Graffi was an influential Italian mathematical physicist, known for his researches on the electromagnetic field, particularly for a mathematical explanation of the Luxemburg effect, for proving an important uniqueness theorem for the solutions of a class of fluid dynamics equations including the Navier-Stokes equation, for his researches in continuum mechanics and for his contribution to oscillation theory.
Carlo Caproli or Caprioli, also called Carlo del Violino, was an Italian violinist, organist, and a leading composer of cantatas in mid-17th-century Italy.
Andrea Della Corte was an Italian musicologist and critic. Born in Naples on 5 April 1883, Della Corte studied law at the University of the native city, but was self-taught in music. After some short experiences in Neapolitan papers, he moved to Turin, where he was music critic for La Stampa from 1919 to May 1967. He brought the music journalism in Italy to a level of «professionalism hitherto unknown». In Turin, Della Corte also taught history of music, both at the Conservatory (1926–53) and at the University (1939–53).
Alberto Basso is an Italian musicologist.
Anna Maria Brizio (1902-1982) was professor of art history at the University of Milan, a member of the Commissione Vinciana and an authority on the work of Leonardo da Vinci.
The Conservatorio Giovanni Battista Martini is a college of music in Bologna, Italy. The conservatory opened on 3 December 1804, as the Liceo Musicale di Bologna. It was initially housed in the convent at the Basilica of San Giacomo Maggiore. The first faculty at the school included the composers Stanislao Mattei and Giovanni Callisto Zanotti, and the composer and singer Lorenzo Gibelli. Gioachino Rossini was a pupil at the school beginning in 1806, and was appointed head of the school in 1839. Later directors of the school included Luigi Mancinelli (1881-1886), Giuseppe Martucci (1886-1902), Marco Enrico Bossi (1902-1911), and Cesare Nordio (1925-1945).
Franco Venturini, is an Italian musician based in Paris. From the earliest age he demonstrated an uncommon attitude towards classical music, which led him to pursue a musical career. He started as a pianist, later devoting himself to composition mainly in the fields of contemporary classical music and electronic music.
