Mersenne's laws

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A string half the length (1/2), four times the tension (4), or one-quarter the mass per length (1/4) is an octave higher (2/1).
If the tension on a string is ten lbs., it must be increased to 40 lbs. for a pitch an octave higher. Mersenne's laws.png
A string half the length (1/2), four times the tension (4), or one-quarter the mass per length (1/4) is an octave higher (2/1).
If the tension on a string is ten lbs., it must be increased to 40 lbs. for a pitch an octave higher.
A string, tied at A, is kept in tension by W, a suspended weight, and two bridges, B and the movable bridge C, while D is a freely moving wheel; all allowing one to demonstrate Mersenne's laws regarding tension and length Monochord Jeans.png
A string, tied at A, is kept in tension by W, a suspended weight, and two bridges, B and the movable bridge C, while D is a freely moving wheel; all allowing one to demonstrate Mersenne's laws regarding tension and length

Mersenne's laws are laws describing the frequency of oscillation of a stretched string or monochord, [1] useful in musical tuning and musical instrument construction.

Contents

Overview

The equation was first proposed by French mathematician and music theorist Marin Mersenne in his 1636 work Harmonie universelle . [2] Mersenne's laws govern the construction and operation of string instruments, such as pianos and harps, which must accommodate the total tension force required to keep the strings at the proper pitch. Lower strings are thicker, thus having a greater mass per length. They typically have lower tension. Guitars are a familiar exception to this: string tensions are similar, for playability, so lower string pitch is largely achieved with increased mass per length. [note 1] Higher-pitched strings typically are thinner, have higher tension, and may be shorter. "This result does not differ substantially from Galileo's, yet it is rightly known as Mersenne's law," because Mersenne physically proved their truth through experiments (while Galileo considered their proof impossible). [3] "Mersenne investigated and refined these relationships by experiment but did not himself originate them". [4] Though his theories are correct, his measurements are not very exact, and his calculations were greatly improved by Joseph Sauveur (1653–1716) through the use of acoustic beats and metronomes. [5]

Equations

The natural frequency is:

(equation 26)
(equation 27)
(equation 28)

Thus, for example, all other properties of the string being equal, to make the note one octave higher (2/1) one would need either to decrease its length by half (1/2), to increase the tension to the square (4), or to decrease its mass per length by the inverse square (1/4).

HarmonicsLength,Tension,or Mass
1111
21/2 = 0.52² = 41/2² = 0.25
31/3 = 0.333² = 91/3² = 0.11
41/4 = 0.254² = 161/4² = 0.0625
81/8 = 0.1258² = 641/8² = 0.015625

These laws are derived from Mersenne's equation 22: [6]

The formula for the fundamental frequency is:

where f is the frequency, L is the length, F is the force and μ is the mass per length.

Similar laws were not developed for pipes and wind instruments at the same time since Mersenne's laws predate the conception of wind instrument pitch being dependent on longitudinal waves rather than "percussion". [3]

See also

Notes

  1. Mass is typically added by increasing cross-section area. This increases the string's force constant (k). Higher k doesn't affect pitch per se, but fretting a string stretches it in addition to shortening it, and the pitch increase due to stretching is larger for higher k values. Thus intonation requires more compensation for lower strings, and (markedly) for steel vs nylon. This effect still applies to strings where mass is increased with windings, albeit to a lesser extent, because the core that supports string tension generally needs to be larger to support larger masses of winding.

Related Research Articles

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Normal distribution Probability distribution

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Oscillation Repetitive variation of some measure about a central value

Oscillation is the repetitive or periodic variation, typically in time, of some measure about a central value or between two or more different states. Familiar examples of oscillation include a swinging pendulum and alternating current. Oscillations can be used in physics to approximate complex interactions, such as those between atoms.

Resonance Tendency to oscillate at certain frequencies

Resonance describes the phenomenon of increased amplitude that occurs when the frequency of an applied periodic force is equal or close to a natural frequency of the system on which it acts. When an oscillating force is applied at a resonant frequency of a dynamic system, the system will oscillate at a higher amplitude than when the same force is applied at other, non-resonant frequencies.

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Marin Mersenne French polymath (1588–1648)

Marin Mersenne was a French polymath whose works touched a wide variety of fields. He is perhaps best known today among mathematicians for Mersenne prime numbers, those which can be written in the form Mn = 2n − 1 for some integer n. He also developed Mersenne's laws, which describe the harmonics of a vibrating string, and his seminal work on music theory, Harmonie universelle, for which he is referred to as the "father of acoustics". Mersenne, an ordained Catholic priest, had many contacts in the scientific world and has been called "the center of the world of science and mathematics during the first half of the 1600s" and, because of his ability to make connections between people and ideas, "the post-box of Europe". He was also a member of the Minim religious order and wrote and lectured on theology and philosophy.

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Piano acoustics is the set of physical properties of the piano that affect its sound. It is an area of study within musical acoustics.

Wind chime Percussion instrument constructed by rods, bells, tubes suspending to air

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String vibration

A vibration in a string is a wave. Resonance causes a vibrating string to produce a sound with constant frequency, i.e. constant pitch. If the length or tension of the string is correctly adjusted, the sound produced is a musical tone. Vibrating strings are the basis of string instruments such as guitars, cellos, and pianos.

Pearson distribution Family of continuous probability distributions

The Pearson distribution is a family of continuous probability distributions. It was first published by Karl Pearson in 1895 and subsequently extended by him in 1901 and 1916 in a series of articles on biostatistics.

Helmholtz resonance Phenomenon of air resonance in a cavity

Helmholtz resonance or wind throb is the phenomenon of air resonance in a cavity, such as when one blows across the top of an empty bottle. The name comes from a device created in the 1850s by Hermann von Helmholtz, the Helmholtz resonator, which he used to identify the various frequencies or musical pitches present in music and other complex sounds.

Acoustic resonance Resonance phenomena in sound and musical devices

Acoustic resonance is a phenomenon in which an acoustic system amplifies sound waves whose frequency matches one of its own natural frequencies of vibration.

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Violin acoustics Area of study within musical acoustics

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In nonideal fluid dynamics, the Hagen–Poiseuille equation, also known as the Hagen–Poiseuille law, Poiseuille law or Poiseuille equation, is a physical law that gives the pressure drop in an incompressible and Newtonian fluid in laminar flow flowing through a long cylindrical pipe of constant cross section. It can be successfully applied to air flow in lung alveoli, or the flow through a drinking straw or through a hypodermic needle. It was experimentally derived independently by Jean Léonard Marie Poiseuille in 1838 and Gotthilf Heinrich Ludwig Hagen, and published by Poiseuille in 1840–41 and 1846. The theoretical justification of the Poiseuille law was given by George Stokes in 1845.

References

  1. 1 2 3 4 Jeans, James Hopwood (1937/1968). Science & Music, pp.62-4. Dover. ISBN   0-486-61964-8. Cited in "Mersenne's Laws", Wolfram.com
  2. Mersenne, Marin (1636). Harmonie universelle [ page needed ]. Cited in "Mersenne's Laws", Wolfram.com .
  3. 1 2 Cohen, H.F. (2013). Quantifying Music: The Science of Music at the First Stage of Scientific Revolution 1580–1650, p.101. Springer. ISBN   9789401576864.
  4. Gozza, Paolo; ed. (2013). Number to Sound: The Musical Way to the Scientific Revolution, p.279. Springer. ISBN   9789401595780. Gozza is referring to statements by Sigalia Dostrovsky's "Early Vibration Theory", pp.185-187.
  5. Beyer, Robert Thomas (1999). Sounds of Our Times: Two Hundred Years of Acoustics. Springer. p.10. ISBN   978-0-387-98435-3.
  6. Steinhaus, Hugo (1999). Mathematical Snapshots[ page needed ]. Dover, ISBN   9780486409146. Cited in "Mersenne's Laws", Wolfram.com .