Metamorphosis: Jazz Meets the Symphony

Last updated
Metamorphosis: Jazz Meets the Symphony #4
Metamorphosis Jazz Meets the Symphony.jpg
Studio album by
Released1998
RecordedApril 1998
Los Angeles and London
Genre Jazz
Length59:57
Label Aleph
004
Producer Lalo Schifrin
Lalo Schifrin chronology
Jazz Mass in Concert
(1998)
Metamorphosis: Jazz Meets the Symphony #4
(1998)
Mannix
(1999)

Metamorphosis: Jazz Meets the Symphony #4 is an album by Argentine composer, pianist and conductor Lalo Schifrin with bassist Ray Brown, drummer Jeff Hamilton, trumpeter James Morrison, percussionist Francisco Aguabella and the London Symphony Orchestra recorded in 1998 and released on Schifrin's Aleph label. [1]

Lalo Schifrin Argentine composer

Boris Claudio "Lalo" Schifrin is an Argentine-American pianist, composer, arranger and conductor. He is best known for his large body of film and TV scores since the 1950s, including the "Theme from Mission: Impossible", Bullitt and Enter the Dragon. He has received five Grammy Awards and six Oscar nominations. Associated with the jazz music genre, Schifrin is also noted for his collaborations with Clint Eastwood from the late 1960s to the 1980s, particularly the Dirty Harry films.

Ray Brown (musician) American jazz double bassist and cellist

Raymond Matthews Brown was an American jazz double bassist known for extensive work with Oscar Peterson and Ella Fitzgerald.

Jeff Hamilton (drummer) American musician

Jeff Hamilton is an American jazz drummer who is co-leader of the Clayton-Hamilton Jazz Orchestra.

Contents

Reception

The Allmusic review stated "Lalo Schifrin's fourth attempt to merge symphonic and jazz conceptions takes a turn into dangerous waters, venturing into 20th century classical techniques and some of jazz's most challenging composers... Though one shouldn't use this disc as an entryway into the Jazz Meets the Symphony series, it is the boldest CD of the lot so far, unleashing the full resources of contemporary classical music and welding it firmly onto a jazz chassis". [2]

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [2]

Track listing

All compositions by Lalo Schifrin except as indicated

  1. "La Nevada" (Gil Evans) - 6:20
  2. "Sanctuary" - 6:17
  3. "Tosca Variations" (Giacomo Puccini) - 3:54
  4. "Miraculous Monk: Evidence/Epistrophy/Four in One/Criss Cross/Straight, No Chaser/Well, You Needn't/Misterioso/'Round Midnight/Rhythm-A-Ning" (Thelonious Monk) - 13:48
  5. "Invisible City" - 5:51
  6. "Rhapsody for Bix: Davenport Blues/Royal Garden Blues/Singing the Blues/In a Mist/Rhapsody for Bix Theme/At the Jazz Band Ball/Jazz-Me Blues" (Bix Beiderbecke/Clarence Williams, Spencer Williams/Sam M. Lewis, Joe Young, Con Conrad, J. Russel Robinson/Beiderbecke/Schifrin/Beiderbecke/Tom Delaney) - 23:47

Personnel

Piano musical instrument

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.

Arrangement musical composition in altered form

In music, an arrangement is a musical reconceptualization of a previously composed work. It may differ from the original work by means of reharmonization, melodic paraphrasing, orchestration, or development of the formal structure. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings... Arranging is the art of giving an existing melody musical variety".

Conducting Directing a musical performance by way of visible gestures

Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.

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References

  1. Payne, D. Lalo Schifrin discography accessed May 4, 2012
  2. 1 2 Ginell, R, S. Allmusic Review accessed May 4, 2012