Minerva's Visit to the Muses [1] | |
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Artist | Joos de Momper |
Year | Late 16th century or early 17th century |
Medium | Oil on panel [2] |
Dimensions | 140 cm× 55.1 cm(199 in× 78.3 in) |
Location | Royal Museum of Fine Arts, Antwerp |
Minerva's Visit to the Muses is an oil-on-oak-panel painting by Flemish painter Joos de Momper. The painting depicts a scene from Ovid's Metamorphoses, which tells of Minerva visiting the muses on Mount Helicon, to listen to their song and see the Hippocrene. In the painting, the scene takes place in a wooded mountain side. At the same time, a pastel, distant landscape is depicted in the background. The painting is currently housed at the Royal Museum of Fine Arts in Antwerp. [3] [4] [1]
In his metamorphoses, Ovid recounts:
Through all these mighty deeds
Pallas, Minerva, had availed to guide
her gold-begotten brother. Now she sped,
surrounded in a cloud, from Seriphus,
while Cynthus on the right, and Gyarus
far faded from her view. And where a path,
high over the deep sea, leads the near way,
she winged the air for Thebes, and Helicon
haunt of the Virgin Nine.
High on that mount
she stayed her flight, and with these words bespoke
those well-taught sisters; "Fame has given to me
the knowledge of a new-made fountain—gift
of Pegasus, that fleet steed, from the blood
of dread Medusa sprung—it opened when
his hard hoof struck the ground.—It is the cause
that brought me.—For my longing to have seen
this fount, miraculous and wonderful,
grows not the less in that myself did see
the swift steed, nascent from maternal blood."
[...] Pallas, after she had long admired
that fountain, flowing where the hoof had struck,
turned round to view the groves of ancient trees;
the grottoes and the grass bespangled, rich
with flowers unnumbered—all so beautiful
she deemed the charm of that locality
a fair surrounding for the studious days
of those Mnemonian Maids. [5]
Ovid tells about Minerva's visit to the muses on Mount Helicon. The goddess went there to listen to the muses' songs and behold Hippocrene, which sprung from a rock after Pegasus hit it with his hooves. In the painting, several muses are playing music in a wooded mountain side overlooking a dale. Pegasus is seen in the background on the top right corner. On the opposite corner, there walks in Minerva, with Medusa depicted on her shield. [4]
As mentioned by Ovid, according to tradition, Pegasus and his brother Chrysaor sprang from the blood issuing from Medusa's neck as Perseus was beheading her. [6]
The way in which Pegasus was born is similar to the manner in which Athena was born from the head of Zeus. After beheading her, Perseus used Medusa's head, which retained its ability to turn onlookers to stone, as a weapon, and then gave it to Athena (Minerva) who placed it on her shield. [7]
In the painting, Minerva's association with the muses jibes with the former's identification as sponsor of the arts. [4] A.P. de Mirimonde postulated that the work represents Minerva's visit to the Muses. The scene does not take place on the Parnassus, but on the Helicon, as evinced in the Hippocrene, "Horse's Fountain", stemming from beneath Pegasus's hooves. [1]
The painting's landscape was realized by de Momper, while Hendrik van Balen painted the figures, and Jan Brueghel the Elder painted the flowers. [8] [9] [4] In the painting, the foreground gradually merges into the background. The latter's harmonious landscape jibes with the cheerful mood of the Greek mythological characters painted in the foreground. [4] [8]
In Greek mythology, Andromeda is the daughter of Cepheus, the king of Aethiopia, and his wife, Cassiopeia. When Cassiopeia boasts that she is more beautiful than the Nereids, Poseidon sends the sea monster Cetus to ravage the coast of Aethiopia as divine punishment. Queen Cassiopeia understands that chaining Andromeda to a rock as a sacrifice is what will appease Poseidon. Perseus finds her as he is coming back from his quest to decapitate Medusa, and brings her back to Greece to marry her and let her reign as his queen. With the head of Medusa he turns Cetus to stone to stop it from terrorizing the coast any longer.
Minerva is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war. From the second century BC onward, the Romans equated her with the Greek goddess Athena. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.
Pegasus is a winged horse in Greek mythology, usually depicted as a white stallion. He was sired by Poseidon, in his role as horse-god, and foaled by the Gorgon Medusa. Pegasus was the brother of Chrysaor, both born when their mother was decapitated by Perseus. Greco-Roman poets wrote about his ascent to heaven after his birth and his obeisance to Zeus, who instructed him to bring lightning and thunder from Olympus.
In ancient Greek religion and mythology, the Muses are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture.
In Greek mythology, Hippocrene is a spring on Mount Helicon. It was sacred to the Muses and was said to have formed when the winged horse Pegasus struck his hoof into the ground, whence its name which literally translates as "Steed/Horse's Fountain". The water was supposed to bring forth poetic inspiration when imbibed.
In Greek mythology, Perseus is the legendary founder of the Perseid dynasty. He was, alongside Cadmus and Bellerophon, the greatest Greek hero and slayer of monsters before the days of Heracles. He beheaded the Gorgon Medusa for Polydectes and saved Andromeda from the sea monster Cetus. He was the son of Zeus and the mortal Danaë, as well as the half-brother and great-grandfather of Heracles.
In Greek mythology, Medusa, also called Gorgo, was one of the three Gorgons. Medusa is generally described as a human female with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was turned to stone. Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto; of the three, only Medusa was mortal.
Mount Helicon is a mountain in the region of Thespiai in Boeotia, Greece, celebrated in Greek mythology. With an altitude of 1,749 metres (5,738 ft), it is located approximately 10 kilometres (6 mi) from the north coast of the Gulf of Corinth. Some researchers maintain that Helicon was also the Greek name of mount Rocca Salvatesta in Sicily as a river started from it was called also Helikon.
The Royal Museums of Fine Arts of Belgium are a group of art museums in Brussels, Belgium. They include six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum, the Antoine Wiertz Museum and the Constantin Meunier Museum.
Joos de Momper the Younger or Joost de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.
Pegasides were nymphs of Greek mythology connected with wells and springs, specifically those that the mythical horse Pegasus created by striking the ground with his hooves.
The Madonna at the Fountain is a 1439 oil on panel painting by the early Netherlandish artist Jan van Eyck. It belongs to van Eyck's late work, and is his last signed and dated painting. It retains its original frame, which bears the inscription; "ALS IXH CAN", "JOHES DE EYCK ME FECIT + [COM]PLEVIT ANNO 1439
The Oldmasters Museum is an art museum in the Royal Quarter of Brussels, Belgium, dedicated to European painters from the 15th to the 18th centuries. It is one of the constituent museums of the Royal Museums of Fine Arts of Belgium.
In Greek mythology, the Pierides or Emathides (Ἠμαθίδες) were the nine sisters who defied the Muses in a contest of song and, having been defeated, were turned into birds. The Muses themselves are sometimes called by this name.
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...and turning his face away, he held up the Gorgon's head. Atlas, with all his bulk, was changed into stone.