Once a Thief and Other Themes

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Once a Thief and Other Themes
Once a Thief and Other Themes.jpg
Studio album by Lalo Schifrin
Released 1965
Recorded May 21 & 23, 1965
Studio Van Gelder Studio, Englewood Cliffs, New Jersey
Genre Jazz
Length29:46
Label Verve
V-8624
Producer Creed Taylor
Lalo Schifrin chronology
The Liquidator
(1965)
Once a Thief and Other Themes
(1965)
The Cincinnati Kid
(1965)

Once a Thief and Other Themes is an album of film and television themes by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1965 and released on the Verve label. [1] The album features rerecorded versions of Schifrin's themes from the motion pictures Once a Thief and Joy House and a theme inspired by the television series The Man from U.N.C.L.E. .

Lalo Schifrin Argentine composer

Boris Claudio "Lalo" Schifrin is an Argentine-American pianist, composer, arranger and conductor. He is best known for his large body of film and TV scores since the 1950s, including the "Theme from Mission: Impossible", Bullitt and Enter the Dragon. He has received five Grammy Awards and six Oscar nominations. Associated with the jazz music genre, Schifrin is also noted for his collaborations with Clint Eastwood from the late 1960s to the 1980s, particularly the Dirty Harry films.

Verve Records American record label

Verve Records, also known as The Verve Music Group, founded in 1956 by Norman Granz, is home to the world's largest jazz catalogue and includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz and Billie Holiday, among others. It absorbed the catalogues of Granz's earlier labels, Clef Records, founded in 1946, Norgran Records, founded in 1953, and material previously licensed to Mercury Records.

<i>Once a Thief</i> (1965 film) 1965 film by Ralph Nelson

Once a Thief is a 1965 crime film directed by Ralph Nelson and starring Alain Delon, Ann-Margret, Van Heflin and Jack Palance. It was written by Zekial Marko, based on his novel.

Contents

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [2]

Track listing

All compositions by Lalo Schifrin except as noted

  1. "Blues a Go Go" - 2:49
  2. "Once a Thief" (Dorcas Cochran, Schifrin) - 2:02
  3. "Insinuations" - 3:35
  4. "The Right to Love" (Gene Lees, Schifrin) - 3:07
  5. "The Cat" - 2:35
  6. "The Man from T.H.R.U.S.H." - 2:57
  7. "Roulette Rhumba" - 2:10
  8. "The Joint" - 4:23
  9. "Once a Thief (Instrumental)" - 2:02
  10. "Return to Trieste" - 4:06

Personnel

Piano musical instrument

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.

Arrangement musical composition in altered form

In music, an arrangement is a musical reconceptualization of a previously composed work. It may differ from the original work by means of reharmonization, melodic paraphrasing, orchestration, or development of the formal structure. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings... Arranging is the art of giving an existing melody musical variety".

Conducting directing a musical performance by way of visible gestures

Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.

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References

  1. Payne, D. Lalo Schifrin discography accessed March 14, 2012
  2. Allmusic Review accessed March 14, 2012