Lorenzo di Pietro, known as Vecchietta, was an Italian Sienese School painter, sculptor, goldsmith and architect of the Renaissance. He is among the artists profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori.
Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome.
Siena Cathedral is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary.
Orvieto Cathedral is a large 14th-century Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary and situated in the town of Orvieto in Umbria, central Italy. Formerly the episcopal seat of the Diocese of Todi, it has been since 1986 that of the Diocese of Orvieto-Todi.
San Silvestro al Quirinale is a historic church in central Rome, Italy. It is located near Via XXIV Maggio corner with Via Mazzarino, a few blocks south of the Piazza del Quirinale.
Giuseppe Nicola Nasini was an Italian painter of the Baroque period, active in Rome and Tuscany.
Rutilio di Lorenzo Manetti was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena.
The Basilica of San Domenico, also known as Basilica Cateriniana, is a basilica church in Siena, Tuscany, Italy, one of the most important in the city.
The Basilica dell'Osservanza is a church on the outskirts of Siena, region of Tuscany, Italy.
The Basilica of San Giacomo Maggiore is an historic Roman Catholic church in Bologna, region of Emilia Romagna, Italy, serving a monastery of Augustinian friars. It was built starting in 1267 and houses, among the rest, the Bentivoglio Chapel, featuring numerous Renaissance artworks.
Annibale Mazzuoli was an Italian painter.
Santi Apostoli is a Baroque-style church in Naples, Italy.
Pietro Anderlini, also Andorlini, (1687–1755) was an Italian painter of the Rococo period.
Palazzo del Magnifico, also known as Palazzo Petrucci, built as the residence of Pandolfo Petrucci, is located in Siena on Piazza San Giovanni at the corner of Via dei Pellegrini.
Andrea di Niccolò, also Andrea di Niccolò di Giacomo, (1440-1514) was an Italian painter of the Sienese School.
The Palazzo Palmieri, or Palazzo Nuti, is a Mannerist style urban palace, located on Via del Moro #48 in the present contrada of Civetta, Terzo di Camollia of the city of Siena, region of Tuscany, Italy.
San Niccolò al Carmine, also called Santa Maria del Carmine is a Renaissance style, Roman Catholic church and monastery located in Pian dei Mantellini #30, near the corner of Via della Diana in the Terzo de Citta of Siena, region of Tuscany, Italy. The church now serves as the Oratory for the Contrada of Pantera. Across the street from the belltower is the Palazzo Celsi Pollini. North along Pian dei Mantellini, toward the Arco delle Due Porte, and on the same side of the street are a number of palaces built around what was once the Monastery of the Derelict Women: in order they are the Neoclassical Palazzo Incontri, the Palazzo Ravissa and the Palazzo Segardi.
The Palazzo Chigi all Postierla, but sometimes referred also to as Chigi-Piccolomini or Piccolomini-Adami is a Renaissance style urban palace localized on Via del Capitano #1, corner Piazza Postierla, in the Terzo di Città, in the city of Siena, region of Tuscany, Italy. The palace is up the street from the Palazzo del Capitano del Popolo, Siena.
The Palazzo Sergardi is an 18th-century urban palace located on Via Montanini #110 in the city of Siena, region of Tuscany, Italy; the palace is best known for its late 18th century Neoclassical frescoes by Luigi Ademollo.
The Church of Our Lady of the Graces is a Gothic-style, Roman Catholic temple in Varallo Sesia, province of Vercelli, region of Piedmont, Italy. The church was built, together with the adjacent Franciscan convent, by padre Bernardo Caimi between 1486 and 1493. At this time, the construction of the Sacro Monte was also beginning. In December 1931, Pope Pius XI gave the church the title of Minor Basilica.
