Delphi, in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The oracle was international in character and also fostered sentiments of Greek nationality, even though the nation of Greece was centuries away from realization. The ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as the omphalos (navel). The sacred precinct was in the region of Phocis, but its management had been taken away from the Phocians, who were trying to extort money from its visitors, and had been placed in the hands of an amphictyony, or committee of persons chosen mainly from Central Greece. According to the Suda, Delphi took its name from the Delphyne, the she-serpent (drakaina) who lived there and was killed by the god Apollo.
Year 470 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Consulship of Potitus and Mamercus. The denomination 470 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
Year 460 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Consulship of Poplicola and Sabinus. The denomination 460 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
The year 530 BC was a year of the pre-Julian Roman calendar. In the Roman Empire, it was known as year 224 Ab urbe condita. The denomination 600 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals or non-representational forms are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue.
The Charioteer of Delphi, also known as Heniokhos, is one of the best-known statues surviving from Ancient Greece, and is considered one of the finest examples of ancient bronze sculptures. The life-size (1.8m) statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi. It is now in the Delphi Archaeological Museum.
Lysippos was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods. The Victorious Youth or Getty bronze, which resurfaced around 1972, has been associated with him.
The Riace bronzes, also called the Riace Warriors, are two full-size Greek bronzes of naked bearded warriors, cast about 460–450 BC that were found in the sea in 1972 near Riace, Calabria, in southern Italy. The bronzes are now in the Museo Nazionale della Magna Grecia in the nearby city of Reggio Calabria. They are two of the few surviving full-size ancient Greek bronzes, and as such demonstrate the superb technical craftsmanship and exquisite artistic features that were achieved at this time.
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
Kresilas was a Greek sculptor in the Classical period, from Kydonia. He was trained in Argos and then worked in Athens at the time of the Peloponnesian war, as a follower of the idealistic portraiture of Myron. He is best known for his statue Pericles with the Corinthian helmet.
Amfissa is a town in Phocis, Greece, part of the municipality of Delphi, of which it is the seat and a municipal unit. The municipal unit has an area of 315.174 km2. It lies on the northern edge of the olive forest of the Crissaean plain, between two mountains, Giona to the west and Parnassus to the east, 200 km (120 mi) northwest of Athens and 20 km (12 mi) of Delphi, as well as 85 km (53 mi) northeast of Naupactus and 72 km (45 mi) south of Lamia.
Classical sculpture refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style.
The Artemision Bronze is an ancient Greek sculpture that was recovered from the sea off Cape Artemision, in northern Euboea, Greece. According to most scholars, the bronze represents Zeus, the thunder-god and king of gods, though it has also been suggested it might represent Poseidon. The statue is slightly over lifesize at 209 cm, and would have held either a thunderbolt, if Zeus, or a trident if Poseidon. The empty eye-sockets were originally inset, probably with bone, as well as the eyebrows, the lips, and the nipples. The sculptor is unknown. The statue is a highlight of the collections in the National Archaeological Museum of Athens.
The Venus Genetrix is a sculptural type which shows the Roman goddess Venus in her aspect of Genetrix, as she was honoured by the Julio-Claudian dynasty of Rome, which claimed her as their ancestor. Contemporary references identify the sculptor as a Greek named Arcesilaus. The statue was set up in Julius Caesar's new forum, probably as the cult statue in the cella of his temple of Venus Genetrix. Through this historical chance, a Roman designation is applied to an iconological type of Aphrodite that originated among the Greeks.
Delphi Archaeological museum is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture. Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era.
Dolichos or dolichus in the ancient Olympic Games was a long-race introduced in 720 BC. Separate accounts of the race present conflicting evidence as to the actual length of the dolichos. However, the average stated length of the race was approximately 12.5 laps, or about three miles. The event was run similarly to modern marathons - the runners would begin and end their event in the stadium proper, but the race course would wind its way through the Olympic grounds. The course would often flank important shrines and statues in the sanctuary, passing by the Nike statue by the temple of Zeus before returning to the stadium.
The Archaeological Museum of Dion is a museum in Dion in the Pieria regional unit of Central Macedonia, Greece.
Kleobis (Cleobis) and Biton are two Archaic Greek Kouros brothers from Argos whose stories date back to about 580 BC. Two statues, discovered in Delphi, represent them.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
The Dancers of Delphi, also known as the Acanthus Column, are three figures in high relief on top of an acanthus column found near the sanctuary of Pythian Apollo at Delphi. They are on display in the Delphi Archaeological Museum and were the inspiration for the first of Claude Debussy's Préludes.
