The register key is a key on the clarinet that is used to play in the second register; that is, it raises the pitch of most first-register notes by a twelfth (19 semitones) when pressed. It is positioned above the left thumb hole and is operated by the left thumb. The same key used in combination with the left first finger key which produces the written note A4 (in scientific pitch notation) is used to play B♭4. Some clarinets, particularly bass clarinets and lower, have separate keys, or a more complex key mechanism, to control two or three separate holes for playing B♭, for playing the lower notes of the second register, and for playing the upper notes of the second register.
The octave key is a key on the saxophone or oboe that raises the pitch of most notes by an octave when pressed, so that similar fingerings can be used for two different octaves.
On a saxophone, the octave key is positioned next to the left-hand thumb rest. Pressing the octave key opens the top tone hole in the neck of the saxophone. Alternatively, whenever the G key is fingered, the top tone hole closes and a small tone hole is opened near the top of the body.
Some baritone saxophones, notably those made by Yamaha, also have three octave tone holes. The third one is used to prevent a rough transition from G# to A.
The modern oboe has two octave keys, sometimes three, often interconnected, the one for E5 to G#5 near the left thumb, and the one for A5 to C6 to the right of and above the front keys, depressed by the edge of the left index finger. Oboes are now available with automatic octaves. This involves extra keywork that frees the player from having to bother with an octave key at all. The bassoon has similar keys used by the left thumb, but these are usually only depressed at the attack of notes, or "flicked".
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet and Heckel systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, rock, and jazz settings as well. One who plays a bassoon is called a bassoonist.
The clarinet is a type of single-reed woodwind instrument. Like many wind instruments, clarinets are made in several different sizes, each having its own range of pitches. All have a nearly-cylindrical bore and a flared bell, and utilize a mouthpiece with a single reed. A person who plays a clarinet is called a clarinetist.
The oboe is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range.
The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.
The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.
A transposing instrument is a musical instrument for which music notation is not written at concert pitch. For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B♭, so these are referred to as B♭ instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form.
The Galician gaita is the traditional instrument of Galicia and northern Portugal.
Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the mouth and throat of the player.
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B♭ clarinet, it is usually pitched in B♭, but it plays notes an octave below the soprano B♭ clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare. Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular.
An organ stop is a component of a pipe organ that admits pressurized air to a set of organ pipes. Its name comes from the fact that stops can be used selectively by the organist; each can be "on", or "off".
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
The dulzaina or dolçaina is a Spanish double reed instrument in the oboe family. It has a conical shape and is the equivalent of the Breton bombarde. It is often replaced by an oboe or a double reeded clarinet as seen in Armenian and Ukrainian folk music.
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, or simply a flute player.
The alto clarinet is a woodwind instrument of the clarinet family. It is a transposing instrument pitched in the key of E♭, though instruments in F have been made. In size it lies between the soprano clarinet and the bass clarinet. It bears a greater resemblance to the bass clarinet in that it typically has a straight body, but a curved neck and bell made of metal. All-metal alto clarinets also exist. In appearance it strongly resembles the basset horn, but usually differs in three respects: it is pitched a whole step lower, it lacks an extended lower range, and it has a wider bore than many basset horns.
The stub-ended Swanson Tonette is a small, end-blown vessel flute made of plastic, which was once popular in American elementary music education. Though the Tonette has been superseded by the recorder in many areas, due to their price, durability and simplicity, plastic Tonettes are still in use in elementary schools around the nation. The range of the Tonette is from C4 to D5. A skilled player can produce notes above the principal register by overblowing and half-covering holes. Similar instruments are the Song Flute, Flutophone, and Precorder.
The xaphoon is a chromatic keyless single-reed woodwind instrument. It has a closed cylindrical bore and a very slightly flared bell. The xaphoon has a full chromatic range of two octaves, and overblows at the twelfth like the clarinet.
The ophicleide is a family of conical-bore keyed brass instruments invented in early 19th century France to extend the keyed bugle into the alto, bass and contrabass ranges. Of these, the bass ophicleide in C or B♭ took root over the course of the 19th century as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later derivatives, the bass horn and basson russe. Its popularity proved short-lived, however; by the end of the 19th century the ophicleide had been largely superseded by early forms of the modern tuba.
Altissimo is the uppermost register on woodwind instruments. For clarinets, which overblow on odd harmonics, the altissimo notes are those based on the fifth, seventh, and higher harmonics. For other woodwinds, the altissimo notes are those based on the third, fourth, and higher harmonics. The altissimo register is also known as the high register.
EWI is a type of wind controller, an electronic musical instrument. The EWI was invented by Nyle Steiner, his second electronic wind instrument design. Steiner originally brought to market a brass style fingering analogue wind synthesizer instrument known as the EVI in the 1970s. Steiner then went on to develop the EWI which had a unique fingering system closer to the woodwind style. These instrument designs first working models appeared in the 1970s, with the EWI appearing commercially during the early 1980s.
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune. The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave. Boehm himself was not involved in its development.
"Easy Steps to the Band", Taylor, Maurice D., 1985.
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