Revamp & Restoration

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Revamp: Reimagining the Songs of Elton John & Bernie Taupin
Revamp - Reimagining the Songs of Elton John & Bernie Taupin.png
Compilation album by
various artists
Released6 April 2018 (2018-04-06)
Label Island
Producer
Singles from Revamp: Reimagining the Songs of Elton John & Bernie Taupin
  1. "Don't Go Breaking My Heart"
    Released: March 15, 2018
Restoration: Reimagining the Songs of Elton John and Bernie Taupin
Restoration - Reimagining the Songs of Elton John and Bernie Taupin.png
Compilation album by
various artists
Released6 April 2018 (2018-04-06)
Label Universal Nashville
Producer
Singles from Restoration: Reimagining the Songs of Elton John and Bernie Taupin
  1. "I Want Love"
    Released: March 15, 2018
  2. "Rocket Man"
    Released: March 23, 2018

Revamp: Reimagining the Songs of Elton John & Bernie Taupin and Restoration: Reimagining the Songs of Elton John and Bernie Taupin are two tribute albums to English musician Elton John and his frequent songwriting partner Bernie Taupin, both released on 6 April 2018. Revamp was described as John's project and features covers of the duo's back catalogue by pop, rock and R&B artists, whereas Restoration was seen as Taupin's project and features covers by country music artists. [2] [3] Revamp was released via Island Records and Restoration by Universal Music Group Nashville. The release of the albums coincided with John's 2018–2023 Farewell Yellow Brick Road tour. [4]

Contents

The cover of "Mona Lisas and Mad Hatters" by Maren Morris which appears on Restoration was nominated for the Grammy Award for Best Country Solo Performance at the 61st Annual Grammy Awards.

Background

On the decision to release two separate albums encompassing different genres, Taupin told Rolling Stone :

From day one we borrowed from everything that's good about American music – whether it's blues, country, gospel, pop, pure rock – everything got thrown in the mix. It would be tiring if you just got stuck in one niche your entire career, especially when it's one as long as ours. [5]

According to John, "We have two completely different albums; Revamp being the pop one and Restoration being the country one and God we have so many great artists doing our songs, it's quite incredible." [2] Of his Revamp record, John told E! : [2]

It's always a huge compliment when an artist loves your song enough to take the time and effort to rework it. As songwriters, Bernie [Taupin] and myself are thrilled when singers we admire and respect as much as those on Revamp and Restoration choose to add their own unique twist in the process. It means that our music is still relevant and ultimately that our songs continue to reach new audiences. We're humbled and thank them all for their generosity.

He added, "On Revamp, I wrote out a wish list of people that I would love and asked them and to my surprise most of them said yes and we have quite an astonishing eclectic crew." [2]

Of Taupin's Restoration record, John said, "Restoration was Bernie's project and he's a huge country fan. He came up with an astonishing list of country performers both new and legendary". [6]

Cover art

The Revamp album features a pop-art style cover based on the Terry O'Neill photograph of John, recreated in neon. The Restoration artwork was created by Taupin who wanted to emphasise the role that American culture played in his and John's careers, stating: [6]

For me, there's an irony about the American flag. It's been battered and beaten and burned, but it's resilient. It's always come back. I incorporate it with other things, and lately I've done a lot of pieces with deconstructed guitars and other found materials: barbed wire, broken bottles, things that people identify with on an everyday level. If it's on the floor and it works, I'll put it into the artwork. But it all goes hand in hand with my belief in America and my interest, I would say obsession, with Americana."

Reception

Reviews of the two albums generally favoured the country reinterpretations of the John/Taupin catalogue, with significantly greater critical praise going to Taupin's Restoration volume than to John's Revamp. The Metacritic score for Revamp, which averages professional reviews from a wide range of media sources, was 58, indicating "mixed or average reviews". Meanwhile, the site assigned a score of 84 to Restoration, indicating "universal acclaim".

The professional consensus in favour of Restoration centered around what was perceived as this volume embracing both riskier and rootsier arrangements. Stephen Thomas Erlewine of AllMusic called Revamp "slickly produced" and "dull", though giving praise to tracks cut by Alessia Cara, Miley Cyrus, Q-Tip & Demi Lovato, and Queens of the Stone Age. [7] The same reviewer noted that on Restoration, "the artists take risks, and they -- and the songbook -- come out sounding the better for it." [8]

Chris Willman of Variety magazine, while praising individual tracks by Coldplay and Sam Smith, opined that "the list of predictably commercial names that fills out Revamp sits at the intersection of tasteful and cash-grabby" and that "this feels like an album designed more to move tickets for his farewell tour." Conversely, Willman had little but positive things to say about Restoration, singling out 10 of its tracks for special praise and noting of its country feel, "with Restoration, it’s a treat to get reacquainted with Las Cruces Elton." [9]

Jody Rosen of Rolling Stone gave three stars to Revamp, stating that the "best moments on Revamp, featuring big names from pop, rock and R&B, are those least faithful to the originals." Rosen gave four stars to Restoration, calling it "a revelation". [10]

In a three-star review of Revamp, Michael Hann of The Guardian wrote that "When it's good, Revamp is very good. When it's bad, it's awful." [11]

Revamp

Professional ratings
Aggregate scores
SourceRating
Metacritic 58/100 [12]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [13]
The Guardian Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [14]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [15]

Track listing

Japanese edition bonus tracks
No.TitleArtist(s)Length
14."I'm Still Standing"Takuya Ōhashi (Sukima Switch)2:11

Charts

Chart (2018)Peak
position
Australian Albums (ARIA) [16] 5
Austrian Albums (Ö3 Austria) [17] 17
Belgian Albums (Ultratop Flanders) [17] 38
Belgian Albums (Ultratop Wallonia) [17] 98
Dutch Albums (MegaCharts) [17] 101
German Albums (Offizielle Top 100) [18] 31
New Zealand Albums (RMNZ) [19] 7
Norwegian Albums (VG-lista) [20] 28
Swiss Albums (Schweizer Hitparade) [17] 17
US Billboard 200 [21] 13

Restoration

Professional ratings
Aggregate scores
SourceRating
Metacritic 84/100 [22]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [23]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [15]

Track listing

Charts

Chart (2018)Peak
position
Australian Albums (ARIA) [24] 57
Belgian Albums (Ultratop Flanders) [25] 181
New Zealand Heatseeker Albums (RMNZ) [26] 9
Swiss Albums (Swiss Hitparade) [25] 59
US Billboard 200 [21] 36
US Billboard Country Albums 4

Grammy salute

On 10 April 2018, CBS aired I'm Still Standing: A Grammy Salute to Sir Elton John which featured artists performing songs from the John/Taupin songbook, including many of the artists who recorded songs for Revamp and Restoration. At the end of the broadcast, John and Taupin were given Grammy Awards: the President's Award. [27] [28]

Performers

House band

Christopher Jackson, Gayle King and Neil Patrick Harris provided recitations of Taupin's lyrics accompanied by Valerie Simpson and Jon Batiste. Additionally, Harris, Anna Kendrick, Lucy Liu, and Hailee Steinfeld served as hosts introducing some of the performances. Neil Portnow presented John and Taupin with their awards on behalf of the Recording Academy.

See also

Related Research Articles

<i>Elton John</i> (album) 1970 studio album by Elton John

The self-titled second studio album by English singer-songwriter Elton John was released on 10 April 1970 by DJM Records and by Uni Records in United States. The album was the first release by John in the United States because Empty Sky was not released in the country until 1975.

<i>Tumbleweed Connection</i> 1970 studio album by Elton John

Tumbleweed Connection is the third studio album by English singer-songwriter Elton John. It was recorded at Trident Studios, London, England, in March 1970, and released in October 1970 in the United Kingdom and January 1971 in the United States. It is a concept album based on country and western/Americana themes. All songs are written by John and Bernie Taupin, with the exception of "Love Song" by Lesley Duncan.

<i>Honky Château</i> 1972 studio album by Elton John

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<i>Captain Fantastic and the Brown Dirt Cowboy</i> 1975 studio album by Elton John

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Tiny Dancer 1972 single by Elton John

"Tiny Dancer" is a song written by English musician and composer Elton John and lyricist Bernie Taupin, and performed by John. It was originally released on John's 1971 album Madman Across the Water, and was later released as a single in 1972.

<span class="mw-page-title-main">Daniel (Elton John song)</span> 1973 single by Elton John

"Daniel" is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was first released on John's 1973 album Don't Shoot Me I'm Only the Piano Player.

<span class="mw-page-title-main">Candle in the Wind</span> 1974 single by Elton John

"Candle in the Wind" is a threnody written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was originally written in 1973, in honour of Marilyn Monroe, who had died 11 years earlier.

<span class="mw-page-title-main">Your Song</span> 1970 single by Elton John

"Your Song" is a song written by British musician Elton John and lyricist Bernie Taupin, and performed by John. It was John's first international Top 10 chart single.

<span class="mw-page-title-main">Elton John</span> British singer, composer and pianist (born 1947)

Sir Elton Hercules John is a British singer, pianist and composer. Acclaimed by critics and musicians, particularly for his work during the 1970s and for his lasting impact on the music industry, his music and showmanship have had a significant impact on popular music. His songwriting partnership with lyricist Bernie Taupin is one of the most successful in history.

<span class="mw-page-title-main">Take Me to the Pilot</span> 1970 single by Elton John

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<span class="mw-page-title-main">Border Song</span> 1970 single by Elton John

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<span class="mw-page-title-main">Bennie and the Jets</span> 1974 single by Elton John

"Bennie and the Jets" is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. The song first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during his appearance at Live Aid.

<i>Two Rooms: Celebrating the Songs of Elton John & Bernie Taupin</i> 1991 compilation album by various artists

Two Rooms: Celebrating the Songs of Elton John & Bernie Taupin is a 1991 tribute album consisting of interpretations of sixteen songs written by Elton John and Bernie Taupin. The title refers to a song on John's album 21 at 33, "Two Rooms at the End of the World", and to the duo's unusual collaborative style; it is also the title of a 1991 film documenting their collaboration.

<span class="mw-page-title-main">I Guess That's Why They Call It the Blues</span> 1983 song by Elton John

"I Guess That's Why They Call It the Blues" is a song by English musician Elton John, with music by John and Davey Johnstone and lyrics by Bernie Taupin. It is the first single from John's 17th studio album Too Low for Zero. In the United States, it became one of John's biggest hits of the 1980s, holding at No. 2 for four weeks on the Adult Contemporary chart, and reaching No. 4 on the Billboard Hot 100. It also reached the top ten in five countries, including the UK, peaking at number five. It was the first single since 1975 to feature the classic lineup of the Elton John Band.

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<span class="mw-page-title-main">Elton John albums discography</span>

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