Rig Theater | |
Location | 213-215 E. Hendricks Blvd, Wink, Texas |
---|---|
Coordinates | 31°45′20″N103°08′46″W / 31.75556°N 103.14611°W Coordinates: 31°45′20″N103°08′46″W / 31.75556°N 103.14611°W |
Area | less than one acre |
Built | 1928 |
Built by | Griffith Amusement Co. |
Architectural style | Early Commercial |
NRHP reference # | 03000770 [1] |
Added to NRHP | August 14, 2003 |
The Rig Theater is a former cinema on East Hendricks Boulevard in Wink, Texas. It was built in 1928. It was listed on the National Register of Historic Places in 2003. [1] It had a single screen as a cinema and had a seating capacity of 605. [2] [3] At the time of the theater's construction it was the only other building in Wink made from masonry other than the town's school. [4]
Wink is a city in Winkler County, Texas, United States. The population was 940 at the 2010 census.
The National Register of Historic Places (NRHP) is the United States federal government's official list of districts, sites, buildings, structures, and objects deemed worthy of preservation for their historical significance. A property listed in the National Register, or located within a National Register Historic District, may qualify for tax incentives derived from the total value of expenses incurred preserving the property.
The Rig Theater was the childhood cinema of the young singer-songwriter Roy Orbison, where he spent many hours. [5] Orbison performed at the Rig with his early bands, the Teen Kings and the Wink Westerners. Walt Quigley, a Roy Orbison tribute artist, is raising funds to reopen the Rig Theater and to move Wink's Roy Orbison Museum into the theater's lobby. [6] Graffiti by Orbison and his friends from 1951 was found in the stairway to the balcony in 1999, and is preserved in a display at the Roy Orbison Museum. [7]
Roy Kelton Orbison was an American singer, songwriter, and musician known for his powerful voice, wide vocal range, impassioned singing style, complex song structures, and dark, emotional ballads. The combination led many critics to describe his music as operatic, nicknaming him "the Caruso of Rock" and "the Big O". While most male rock-and-roll performers in the 1950s and 1960s projected a defiant masculinity, many of Orbison's songs instead conveyed vulnerability. During performances, he was known for standing still and solitary and for wearing black clothes to match his dyed jet-black hair and dark sunglasses; all of this lent an air of mystery to his persona.
It is a two-part Early Commercial-style two-story building. [7]
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