LASALLE College of the Arts is a public post-secondary arts and design institution in Singapore. Founded in 1984, LASALLE boasts eight art and design schools that offer more than 30 diploma, undergraduate and postgraduate programmes in contemporary arts and design education. LASALLE's bachelor's and master's degrees are validated by Goldsmiths College, University of London, one of the leading universities in the world for arts and humanities.
The Singapore Art Museum is an art museum located in the Downtown Core district of Singapore. Formerly a 19th-century Catholic school, it is the first fully dedicated contemporary visual arts museum in Singapore with one of the world’s most important collections by local, Southeast and East Asian artists. It collaborates with international art museums to co-curate contemporary art exhibitions.
Nanyang Academy of Fine Arts (NAFA); is a post-secondary arts institution in Singapore, located beside the Bencoolen MRT station.
Lee Wen was a Singapore-based performance artist who shaped the development of performance art in Asia. He worked on the notion of identity, ethnicity, freedom, and the individual's relationship to communities and the environment. Lee's most iconic work is his performance series titled The Journey of aYellow Man, which started as a critique of racial and ethnic identities in 1992 and has evolved into a meditation on freedom, humility, and religious practices over more than a decade. Painting his own body with bright yellow poster paint, he expresses an exaggerated symbol of his ethnic identity as a citizen of Singapore. He was also active in artist-run initiatives, especially as part of The Artists Village (TAV) in Singapore, the performance artist collective Black Market International, as well as the festivals Future of Imagination and Rooted in the Ephemeral Speak (R.I.T.E.S.). On 3 March 2019, he died due to a lung infection, at the age of 61.
Dance in Singapore comprises traditional and contemporary forms. It has a relatively short history of creative, artistic and professional dance. The range of dance reflects the cultural diversity of Singapore. There is a consistent struggle between the rejection and acceptance of western dance influences and the re-emphasis of ethnic cultures from time to time. The Singapore identity through dance is a challenging one often on an outward looking perception rather than the acceptance and recognition of indigenous/original creativity. Notable non-profit artistic dance legacy include ECNAD and Arts Fission Company.
Ong Keng Sen is a Singaporean director of the theatre group TheatreWorks, which was founded in 1985.
Donna Ong is a Singaporean contemporary artist. She is known for her installation works, which often feature environments created with assemblages, found objects, and sculpture. Her practice draws upon notions of botany, landscaping, and representations of nature in both European and Chinese art.
Rashid Rana is a Pakistani artist. He has been included in numerous exhibitions in Pakistan and abroad with his works in abstractions on canvas, collaborations with a billboard painter, photographic/video performances, collages using found material, photo mosaics, photo sculptures, and large stainless steel works.
Group 90 is an informal arts group in Singapore, committed to the study and interpretation, and promotion of the human nudity as an art form. It was founded the late Brother Joseph McNally, along with founding members S. Namasivayam, Chia Wai Hon and Sim Tong Khern, who subscribe to the European art tradition of using the human body in developing artistic mastery in depicting form, perceptual acuity and fluency in drawing.
Tang Da Wu is a Singaporean artist who works in a variety of media, including drawing, painting, sculpture, installation art and performance art. Educated at Birmingham Polytechnic and Goldsmiths' College, University of London, Tang gave his first solo exhibition, consisting of drawings and paintings, in 1970 at the Singapore Chinese Chamber of Commerce and Industry. He began engaging in performance art upon returning to Singapore in 1979 following his undergraduate studies.
Han Sai Por is a Singaporean sculptor. A graduate of the Nanyang Academy of Fine Arts (NAFA), East Ham College of Art, Wolverhampton College of Art and Lincoln University, New Zealand, she worked as a teacher and later as a part-time lecturer at NAFA, the LASALLE-SIA College of the Arts, and the National Institute of Education, Nanyang Technological University, before becoming a full-time artist in 1997.
Nanyang Style is a regional art movement expressed solely in the form of visual art. The first attempts to define the Nanyang Style were made by art historians, Redza Piyadasa and T.K. Sabapathy, in 1979, during a retrospective study of Nanyang artists’ works. This study was done in tribute to the Nanyang Academy of Fine Arts (NAFA). The Nanyang style of painting was practised by migrant Chinese painters in Singapore in the 1950s.
Jeremiah Choy 蔡光明 is an actor, writer, director and choreographer.
Arahmaiani is an Indonesian artist born in Bandung and based in Yogyakarta, Central Java, Indonesia. Arahmaiani is considered by many to be one of the most respected and iconic contemporary artists, specifically in pioneering performance art in Southeast Asia. Arahmaiani frequently uses art as a means of critical commentary on social, religion, and cultural issues.
Isyana Sarasvati is an Indonesian singer-songwriter. She is an alumna of Nanyang Academy of Fine Arts, Singapore and Royal College of Music, United Kingdom. She composed all of her own songs and once was an opera singer in Singapore. She was named "2016 Best Asian Artist Indonesia, 2017 Best Composer of the Year" by MAMA Awards and honored "30 Under 30 Asia 2020" by Forbes.
Chng Seok Tin was a visually-impaired printmaker, sculptor and multi-media artist from Singapore. She was often inspired by the i-Ching and Buddhism. Her work has been shown internationally; Chng had over 26 solo shows and 100 group shows. In addition to her art, she was also a prolific writer and has published 11 collections of her writing, mostly in Chinese. She also advocated for artists with disabilities.
Biren De (1926–2011) was an Indian painter of modern art, known for his paintings with tantric influences. His paintings were characterized by symmetrical patterns of geometry and the presence of tantric symbols such as mandala, phallus and vagina, reportedly representing masculine and feminine energies of the universe. The Government of India awarded him the fourth highest civilian honour of the Padma Shri in 1992.
Suzann Victor is a Singaporean contemporary artist based in Australia whose practice spans installation, painting, and performance art. Victor is most known for her public artworks and installations that examine ideas of disembodiment, the postcolonial, and the environmental in response to space, context and architecture.
Ming Wong is a Singaporean contemporary artist who lives and works in Berlin, known for his re-interpretations of iconic films and performances from world cinema in his video installations, often featuring "miscastings" of himself in roles of varied identities.
Ho Tzu Nyen is a Singaporean contemporary artist and filmmaker whose works involve film, video, performance, and immersive multimedia installations. His work brings together fact and myth to mobilise different understandings of Southeast Asia's history, politics, and religion, often premised upon a complex set of references from art history, to theatre, cinema, and philosophy. Ho has shown internationally at major exhibitions such as the Aichi Triennale, Japan (2019), the Sharjah Biennial 14, United Arab Emirates (2019), and the Gwangju Biennale, South Korea (2018). In 2011, Ho represented Singapore at the 54th Venice Biennale at the Singapore Pavilion, presenting the work The Cloud of Unknowing.
