Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Edward Mitchell Bannister was an oil painter of the American Barbizon school. Born in Canada, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux Bannister, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design.
Frédéric Auguste Bartholdi was a French sculptor and painter. He is best known for designing Liberty Enlightening the World, commonly known as the Statue of Liberty.
Jean-Léon Gérôme was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students.
Richard Morris Hunt was an American architect of the nineteenth century and an eminent figure in the history of American architecture. He helped shape New York City with his designs for the 1902 entrance façade and Great Hall of the Metropolitan Museum of Art, the pedestal of the Statue of Liberty, and many Fifth Avenue mansions since destroyed.
Jean-Louis-Ernest Meissonier was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille.
Florent Willems or Florent Willems van Edeghem was a Belgian painter and art restorer. He was successful with his genre scenes depicting a few figures in an interior executed in the style of the 17th century Flemish and Dutch Baroque. He was particularly praised for his ability to render realistically the materials of the clothes of his figures which earned him the nickname of the 'modern Ter Borch'.
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Francesca da Rimini and Paolo Malatesta appraised by Dante and Virgil is a composition painted in at least six very similar versions by Ary Scheffer between 1822 and 1855; all are in oils on canvas. The paintings show a scene from Dante's Inferno, of Dante and Virgil in the shadows to the right viewing the murdered lovers Francesca da Rimini and Paolo Malatesta in Hell. It "could be described as Scheffer's best work".
The Execution of Emperor Maximilian is a series of paintings by Édouard Manet from 1867 to 1869, depicting the execution by firing squad of Emperor Maximilian I of the short-lived Second Mexican Empire. Manet produced three large oil paintings, a smaller oil sketch and a lithograph of the same subject. All five works were brought together for an exhibition in London and Mannheim in 1992–1993 and at the Museum of Modern Art in New York in 2006.
In Summer is an 1868 oil-on-canvas painting by Pierre-Auguste Renoir, a portrait of Lise Tréhot aged about 20.
Elizabeth Okie Paxton (1878–1972) was an American painter, married to another artist William McGregor Paxton (1869–1941). The Paxtons were part of the Boston School, a prominent group of artists known for works of beautiful interiors, landscapes, and portraits of their wealthy patrons. Her paintings were widely exhibited and sold well.
Daniel J. Robbins was an American art historian, art critic, and curator, who specialized in avant-garde 20th-century art and helped encourage the study of it. Robbins' area of scholarship was on the theoretical and philosophical origins of Cubism. His writings centered on the importance of artists such as Albert Gleizes, Jean Metzinger, Henri Le Fauconnier and Jacques Villon. He was a specialist in early Modernism, writing on Salon Cubists and championed contemporaries such as Louise Bourgeois and the Color Field painters. Art historian Peter Brooke referred to Robbins as "the great pioneer of the broader history of Cubism".
Hugh Bolton Jones was an American landscape painter. He grew up in Baltimore, Maryland, where he received his early training as an artist. While studying in New York he was strongly influenced by Frederic Edwin Church of the Hudson River School. After spending four years in Europe he settled in New York in 1881, where he shared a studio with his brother Francis Coates Jones for the rest of his long life. He was celebrated for his realistic depictions of calm rural scenes of the eastern United States at different times of the year, usually empty of people. He won prizes in several major exhibitions in the US and France. His paintings are held in public collections such as the Metropolitan Museum of Art and the Smithsonian Institution.
Berthe Morisot with a Bouquet of Violets is an 1872 oil painting by Édouard Manet. It depicts fellow painter Berthe Morisot dressed in black mourning dress, with a barely visible bouquet of violets. The painting, sometimes known as Portrait of Berthe Morisot, Berthe Morisot in a black hat or Young woman in a black hat, is in the collection of the Musée d'Orsay in Paris. Manet also created an etching and two lithographs of the same composition.
George William Whitaker was a prominent Rhode Island landscape painter during the late 19th and early 20th century, known as the "Dean of Providence painters" or the "Dean of Rhode Island Artists."
Applicants for Admission to a Casual Ward is an 1874 oil painting by British painter Luke Fildes, a key work in nineteenth-century British social realism. The painting shows a street scene of impoverished and weary men, women and children waiting by the side of the road outside a police station, huddled against the cold evening, waiting to be given a ticket for temporary admission to a workhouse for the night. Many resisted taking up permanent residence at the workhouse, where men and women would be separated, and would be required to work to pay for their board and lodging; once they entered, many only left when they died. Instead, from 1864, if the police in London certified that a person was genuinely in need, they could stay for one night on a "casual" basis, and leave the next morning, but they would have to queue up again for temporary admission the next evening. Poverty and vagrancy were pressing issues in Victorian London, and the issuance of "casual" tickets doubled from around 200,000 in 1864 to over 400,000 in 1869.
Henry Seymour Chase Jr., better known by his professional name Harry Chase, was an American artist who specialized in marine paintings.
The Last Muster is an 1875 oil painting by Sir Hubert von Herkomer, based on his wood engraving Sunday at the Chelsea Hospital published in The Graphic on 18 February 1871. The painting is in the Lady Lever Art Gallery in Port Sunlight, Wirral.
Rosa (Rose) Frances Peckham Danielson, born October 28, 1842, in Killingly, Connecticut, was a nineteenth-century portrait and landscape artist. She was a founder of the Providence Art Club, where she was also the first female board member, serving as secretary and then as vice president. During her lifetime, her works were displayed at the Paris Salon on three occasions, and she exhibited at the Boston Art Club and the Providence Art Club. At her request, many of her paintings were destroyed after her death on August 22, 1922. More recently, in 2017, her paintings Girl Picking Flower, Breton Headdress, Portrait of Woman, [Schooners at Port], and Portrait of Katherine Peckham were displayed at the Providence Art Club's exhibition "Making Her Mark."
