Saturday's Warrior

Last updated
Saturday's Warrior
Saturdays warrior.jpg
Directed byBob Williams
Written by Douglass Stewart
Produced byBob Williams
Gary Lewis
StarringErik Hickenlooper
Cori Jacobsen
Davison Cheney
Bart Hickenlooper
Music by Lex de Azevedo
Distributed byFieldbrook Entertainment
Release date
  • 1989 (1989)
CountryUnited States
LanguageEnglish

Saturday's Warrior is a religious-themed musical written by Douglass Stewart and Lex de Azevedo about a family who are members of the Church of Jesus Christ of Latter-day Saints (LDS Church). The musical tells the story of a group of children that are born into a Latter-day Saint family after making various promises in the premortal life. Two of the children, Jimmy and Julie, encounter personal struggles that help them rediscover and fulfill their foreordained missions in life. Although no explicit time frame is given in the dialogue, certain contextual clues (in particular, a song that references the Zero population growth movement) suggest that the story takes place in the then-current and then-recent period of the late 1960s or early '70s, similar to other religious musicals such as Godspell and Jesus Christ Superstar .

Contents

The musical explores the Latter-day Saint doctrines and views on the plan of salvation, premortal life, foreordination, and eternal marriage. It depicts abortion and birth control as being contrary to the divine plan of salvation.

Saturday's Warrior was first performed in California in 1973 as a college project. [1] In early spring 1974, the play was performed at Brigham Young University's (BYU) Spring Arts Festival by a cast of BYU students. Bob Williams made a video version of the musical in 1989, setting it on a stage as opposed to giving the movie a more naturalistic look. It is among the first popular LDS films to not be made or sponsored by the LDS Church or BYU. [1] Stewart wrote two sequels, Star Child (music by Gaye Beeson) which debuted in 1981, and The White Star (music by Janice Kapp Perry) which debuted in 2007. [2] In 2016, de Azevedo and Stewart produced another filmed remake with a more naturalized look.

Plot

While waiting in the pre-mortal Life to be born, a family of eight children promise each other that they will always be there for each other ("Pullin' Together"). The youngest, Emily, is afraid that when her turn to be born comes around, their parents will be tired of having kids, and she won't be born into their family. The oldest, Jimmy, promises Emily he will personally see to it she will be born into their family. Julie—the second-oldest daughter—and Tod—another spirit in the pre-mortal life—promise each other that, while on earth, they will somehow find each other and get married ("Circle of Our Love").

However, finding themselves on Earth and living a mortal life, no one remembers the promises they made before they were born. Julie finds herself desperately in love with Wally Kestler, who is now leaving to serve a two-year mission. Julie promises she'll wait for him ("Will I Wait For You?"). Jimmy is a typical confused teenager, influenced by peer pressure and rebellious against his parents. He finds himself in the company of other teenagers who are critical of his parents for having such a large family and advocate philosophies such as zero population growth and legalized abortion ("Zero Population"). Because of their influence, he becomes upset when he learns his parents are going to have another baby (Emily). Pam, Jimmy's twin sister, who has medical problems and can't walk, talks to Jimmy and tries to help him sort things out ("Line Upon Line"). Jimmy is still confused and leaves home to live with his friends. But when Jimmy has a chance encounter and conversation with a non-Mormon named Tod Richards ("Voices") and then gets a phone call from his family telling him Pam has died, he begins some serious personal reflection ("Brace Me Up"). He decides to return to his family.

Meanwhile, Julie gets engaged to another man, Peter, and writes a "Dear John letter" to Wally while he's still on his mission ("He's Just a Friend/Dear John"). Wally is devastated, but his companion, Elder Green, convinces him to "shape up" and keep preaching the Gospel ("Humble Way"). Though the two companions have not had much success proselyting, they find Tod, who has been searching for answers ("Paper Dream") and teach him by the Spirit. Julie decides she doesn't want to marry Peter after all, but when Wally comes home from his mission, he brings Tod with him, and Julie realizes he's the man she's been searching for all her life ("Feelings of Forever"). At the climax of the movie, Pam dies and meets Emily in Heaven. They joyously reunite, then say goodbye as Pam must ascend into the afterlife at the same time as Emily must descend from the pre-life into her new mortal body as she is born. The main title song, "Saturday's Warrior", is played as a finale.

Production history

Saturday's Warrior was first produced at BYU in the spring of 1974 with Stewart, de Azevedo, and Harold Oaks, of the BYU theatrical department, being the moving forces behind the production. [3] Azevedo was only lightly involved with the BYU production but later in 1974 staged a production in Los Angeles that was billed as having the original cast.

A 1975 run in Salt Lake City and Spanish Fork, Utah was very successful. [4]

Cast

Musical numbers

Musical Numbers, as included in the original play soundtrack: [5]

(SV) Stage Version only
(FV) Film Version only

Reception

Saturday's Warrior is not well known outside the LDS Church. The themes of Saturday's Warrior, however, resound with many church members, especially regarding "the last days".

The Los Angeles Times reviewer described the production as "pleasant lively and well-sung,... with an emphasis on close family ties." [6]

2016 film

After resisting the idea for many years, de Azevedo and Stewart decided to make a film version of the musical, which opened in 2016. [7] The film is directed by Michael Buster, who co-wrote the script with Heather Ravarino. [7]

de Azevedo wrote three new songs for the movie version. [7]

Production

The force behind this production largely came from de Azevedo's daughters, Emilie and Rachel. [8] It has been criticized as having very poor production quality. [9] Others have felt it was a well-produced work that truly moved the stage production into the realm of film. [10]

Cast

Cameo

Crew

  • Michael Buster (Director/Writer)
  • Lex de Azevedo (Writer/Executive Producer/Producer)
  • Heather Ravarino (Writer)
  • Duane Andersen (co-producer)
  • Emilie de Azevedo Brown (Executive Producer)
  • Rachel Coleman (Executive Producer)
  • Jarrod Phillips (Producer)
  • Bonnie Story (Choreographer)

Soundtrack

#TitlePerformer(s)Music byLyric byLength
1"Blink of an Eye" Alex Boyé and Gospel Choir Lex de Azevedo Lex de Azevedo, Heather Ravarino, and Doug Stewart4:28
2"The Circle of Our Love"Christeena Michelle Riggs, Justin Williams, and Millennium ChoirLex de AzevedoDoug Stewart3:11
3"Pullin' Together"Brian Neal Clark, Alison Akin Clark, Kenny Holland, Anna Daines, Monica Moore Smith, Bailee Johnson, Caroline Labrum, Ethan Mouser, Jacob Buster, and Chloe RavarinoLex de AzevedoDoug Stewart3:11
4"Humble Way"Dallin Major, Aaron de Azevedo, Alex Boyé, Tim Drisdom, and Gospel ChoirLex de AzevedoDoug Stewart2:54
5"Sailing On"Kenny Holland and Millennium ChoirLex de AzevedoDoug Stewart5:08
6"Zero Population"Kenny Holland, Carleton Bluford, Jenny Frogley, Aaron de Azevedo, Dallin Major, and Talmage EganLex de AzevedoDoug Stewart2:59
7"Didn't We Love Him?"Alison Akin Clark, Brian Neal Clark, Kenny Holland, and Millennium ChoirLex de AzevedoDoug Stewart1:53
8"Line Upon Line"Kenny Holland, Anna Daines, and Millennium ChoirLex de AzevedoDoug Stewart3:35
9"Paper Dream"Justin Williams and Millennium ChoirLex de AzevedoDoug Stewart2:53
10"Summer of Fair Weather"Kenny Holland, Carleton Bluford, Jenny Frogley, Aaron de Azevedo, Dallin Major, and Talmage EganLex de AzevedoDoug Stewart2:22
11"Never Enough"Kenny Holland, Carleton Bluford, Jenny Frogley, Aaron de Azevedo, Dallin Major, and Talmage EganLex de AzevedoLex de Azevedo and Heather Ravarino3:44
12"There's Got to Be More"Justin Williams, Chloe Ravarino, Zachary Brown, Emilie de Azevedo Brown, C.J. Drisdom, Timothy Drisdom, and Gospel ChoirLex de AzevedoLex de Azevedo and Heather Ravarino4:59
13"Feelings of Forever"Christeena Michelle Riggs, Justin Williams, and Millennium ChoirLex de AzevedoDoug Stewart2:46
14"Brace Me Up"Kenny HollandLex de AzevedoDoug Stewart5:20
15"Saturday's Warrior"Kenny Holland, Anna Daines, and Millennium ChoirLex de AzevedoDoug Stewart3:46
16"More to This Life"Kenny HollandLex de Azevedo and Kenny HollandLex de Azevedo, Kenny Holland, and Mason D. Davis3:44
17"I Will Find You"Lex de Azevedo1:13
18"Promise, Jimmy?"Lex de Azevedo1:08
19"Julie & Mom"Lex de Azevedo2:03
20"Loss"Lex de Azevedo1:12
21"Tod's Conversion"Lex de Azevedo1:07
22"Journey Home"Lex de Azevedo2:16
23"The Prodigal Son Returns"Lex de Azevedo1:24
24"I Choose Emily"Lex de Azevedo1:36
25"I've Seen That Smile"Lex de Azevedo1:45
26"Pam's Letter"Lex de Azevedo1:21

See also

Related Research Articles

Mitch Davis is an American film director, writer, and producer noted for his 2001 film The Other Side of Heaven about the trials and adventures of a missionary of the Church of Jesus Christ of Latter-day Saints, John H. Groberg. His movies range from intense dramas to lighthearted, family-friendly comedies. He has written seven films, directed five, and produced three. He is from Escondido, California. He attended Brigham Young University (BYU) and the University of Southern California.

Mormon fiction is generally fiction by or about members of the Church of Jesus Christ of Latter-day Saints, who are also referred to as Latter-day Saints or Mormons. Its history is commonly divided into four sections as first organized by Eugene England: foundations, home literature, the "lost" generation, and faithful realism. During the first fifty years of the church's existence, 1830–1880, fiction was not popular, though Parley P. Pratt wrote a fictional Dialogue between Joseph Smith and the Devil. With the emergence of the novel and short stories as popular reading material, Orson F. Whitney called on fellow members to write inspirational stories. During this "home literature" movement, church-published magazines published many didactic stories and Nephi Anderson wrote the novel Added Upon. The generation of writers after the home literature movement produced fiction that was recognized nationally but was seen as rebelling against home literature's outward moralization. Vardis Fisher's Children of God and Maurine Whipple's The Giant Joshua were prominent novels from this time period. In the 1970s and 1980s, authors started writing realistic fiction as faithful members of the LDS Church. Acclaimed examples include Levi S. Peterson's The Backslider and Linda Sillitoe's Sideways to the Sun. Home literature experienced a resurgence in popularity in the 1980s and 1990s when church-owned Deseret Book started to publish more fiction, including Gerald Lund's historical fiction series The Work and the Glory and Jack Weyland's novels.

<span class="mw-page-title-main">Mormon cinema</span> Films with themes surrounding Mormonism

Mormon cinema usually refers to films with themes relevant to members of the Church of Jesus Christ of Latter-day Saints. The term has also been used to refer to films that do not necessarily reflect Mormon themes but have been made by Mormon filmmakers. Films within the realm of Mormon cinema may be distinguished from institutional films produced by the LDS Church, such as Legacy and Testaments, which are made for instructional or proselyting purposes and are non-commercial. Mormon cinema is produced mainly for the purposes of entertainment and potential financial success.

Michael H. McLean is an American songwriter, playwright, author, and filmmaker based in Heber City, Utah.

Music has had a long history in the Church of Jesus Christ of Latter-day Saints, from the days in Kirtland, Nauvoo, and the settlement of the West, to the present day. In the early days of the Church, stripped-down Latter-Day Saint folk music, which could be sung without accompaniment due to the lack of instruments in Utah, was popular. In the 19th century, the Mormon Tabernacle Choir was created and began touring, while musicians began writing devotional and praise music with a Latter-Day Saint influence, paralleling the success of Christian Contemporary Music. Several organizations have existed and do exist to promote these artists, such as Deseret Book and the now-defunct Faith-centered Music Association. Starting in the late 20th century and to the present day, Latter-Day Saints have been increasingly involved in modern popular music in America and elsewhere in the World.

Alexis King de Azevedo is an American composer, songwriter, and pianist known primarily for his film scores and his work on The Swan Princess of which one of his songs was nominated for a Golden Globe Award. De Azevedo, a member of The Church of Jesus Christ of Latter-day Saints, also produced the music for the LDS musical Saturday's Warrior.

The Church of Jesus Christ of Latter-day Saints teaches that Adam and Eve were the first man and the first woman to live on the earth and that their fall was an essential step in the plan of salvation. Adam in particular is a central figure in Mormon cosmology.

Latter Day Saints and Mormons have been portrayed in popular media many times. These portrayals often emphasize controversial subjects from the history and beliefs of the Church of Jesus Christ of Latter-day Saints and other branches of the Latter Day Saint movement.

<span class="mw-page-title-main">Culture of the Church of Jesus Christ of Latter-day Saints</span>

The basic beliefs and traditions of the Church of Jesus Christ of Latter-day Saints have a cultural impact that distinguishes church members, practices and activities. The culture is geographically concentrated in the Mormon Corridor in the United States, and is present to a lesser extent in many places of the world where Latter-day Saints live.

<span class="mw-page-title-main">Homosexuality and the Church of Jesus Christ of Latter-day Saints</span> Non-heterosexual sexuality and the Church of Jesus Christ and Latter-Day Saints

All homosexual sexual activity is condemned as sinful by the Church of Jesus Christ of Latter-day Saints in its law of chastity, and the church teaches that God does not approve of same-sex marriage. Adherents who participate in same-sex sexual behavior may face church discipline. Members of the church who experience homosexual attractions, including those who self-identify as gay, lesbian, or bisexual remain in good standing in the church if they abstain from same-sex marriage and any homosexual sexual activity or sexual relationships outside an opposite-sex marriage. However, all people, including those in same-sex relationships and marriages, are permitted to attend the weekly Sunday meetings.

<span class="mw-page-title-main">Mormon cosmology</span> View of the universe and nature of divinity in the Latter day saint movement

Mormon cosmology is the description of the history, evolution, and destiny of the physical and metaphysical universe according to Mormonism, which includes the doctrines taught by leaders and theologians of the Church of Jesus Christ of Latter-day Saints, Mormon fundamentalism, and other denominations within the Latter Day Saint movement. Mormon cosmology draws from Biblical cosmology, but has many unique elements provided by movement founder Joseph Smith. These views are not generally shared by adherents of other Latter Day Saint movement denominations who do not self-identify as "Mormons", such as the Community of Christ.

Brigham Young University Press was the university press of Brigham Young University (BYU).

Erik Orton is a New York-based writer and theatre producer. His father was an Air Force officer and his mother a Finnish immigrant. He was raised primarily in West Germany and the suburbs of Washington D.C. He graduated from Brigham Young University in 1998 with a degree in Media Music. He and his wife, Emily Orton, have five children together.

<span class="mw-page-title-main">Alex Boyé</span> British actor and singer (born 1970)

Alex Boyé is a British-American singer, dancer, and actor. He was named the "2017 Rising Artist of the Year" in a contest sponsored by Pepsi and Hard Rock Cafe.

Although the media has always been important in the church's growth, public relations of the Church of Jesus Christ of Latter-day Saints has become increasingly important since the church's growth internationally after World War II. By the 1960s and 1970s, the LDS Church was no longer primarily an Intermountain West-based church, or even a United States-based church. The church's organized public relations efforts have deep roots. The Bureau of Information, the predecessor of the Temple Square Visitors Centers was started on Temple Square in Salt Lake City with Le Roi Snow, a son of Lorenzo Snow, as the first director.

<span class="mw-page-title-main">LDS Motion Picture Studios</span> American entertainment company

LDS Motion Picture Studios (MPS) is a film studio based in Provo, Utah, and is a directly-managed division of the Church of Jesus Christ of Latter-day Saints.

From 1852 to 1978, temple and priesthood policies in the Church of Jesus Christ of Latter-day Saints prohibited both Black women and Black men from temple ordinances and ordination in the all-male priesthood. In 1978, the church's highest governing body, the First Presidency, declared in the statement "Official Declaration 2" that the restriction had been lifted. Between 1830 and 1852, a few Black men had been ordained to the Mormon priesthood in the Latter Day Saint movement under Joseph Smith.

<span class="mw-page-title-main">Gender minorities and the Church of Jesus Christ of Latter-day Saints</span>

Transgender people and other gender minorities currently face membership restrictions in access to priesthood and temple rites in the Church of Jesus Christ of Latter-day Saints —Mormonism's largest denomination. Church leaders have taught gender roles as an important part of their doctrine since its founding. Only recently have they begun directly addressing gender diversity and the experiences of transgender, non-binary, intersex, and other gender minorities whose gender identity and expression differ from the cisgender majority.

<span class="mw-page-title-main">Melissa Leilani Larson</span> American playwright

Melissa Leilani Larson is an American writer and playwright based in Salt Lake City, Utah. Mormon literature critic Michael Austin described her as "one of the true rising stars of Mormon literature." Producer Jeremy Long described her as the "best playwright in Utah." Her plays commonly feature women in leading roles, and some center around the faith of members of the Church of Jesus Christ of Latter-day Saints.

The concept of premortal life in the Latter Day Saint movement is an early and fundamental doctrine which states that all people existed as spirit bodies before coming to Earth and receiving a mortal body. In Mormonism's eponymous text, the Book of Mormon, published in 1830, the premortal spirit of Jesus Christ appears in human form and explains that individuals were created in the beginning in the image of Christ. In 1833, early in the Latter Day Saint movement, its founder Joseph Smith taught that human souls are co-eternal with God the Father just as Jesus is co-eternal with God the Father, "Man was also in the beginning with God. Intelligence, or the light of truth, was not created or made, neither indeed can be."

References

  1. 1 2 Saturday's Warrior (1989), ldsfilm.com; accessed September 9, 2015.
  2. Wadley, Carma (10 June 2008). "'Saturday's Warrior' sequel is engaging, fast-paced". Deseret News . Retrieved 12 September 2016.
  3. article on the production of Saturday's Warrior
  4. The Spectrum article on Stewart and Saturday's Warrior
  5. DeseretBook.com - Saturday's Warrior: Original Play Soundtrack
  6. "Musical Saturday's Warrior (theatre review)". Los Angeles Times . 28 March 1975.
  7. 1 2 3 Means, Sean (31 March 2016). "Iconic Mormon musical 'Saturday's Warrior' is ready for its film close-up". Salt Lake Tribune.
  8. Provo Daily Herald article on Satursday's Warrior
  9. KUTV review of Saturday's Warrior
  10. Review of Saturday's Warrior