Scenes from Tebaldeo's Eclogues

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Scenes from Tebaldeo's Eclogues Andrea previtali, scene dalle ecloghe di tebaldeo, la storia di damone, 1510 ca. 01.jpg
Scenes from Tebaldeo's Eclogues
Scene 1 - Damon Brooding Andrea previtali, scene dalle ecloghe di tebaldeo, la storia di damone, 1510 ca. 02.jpg
Scene 1 - Damon Brooding
Scene 2 - Thyrsis asking Damon the Reason for his Suffering Andrea previtali, scene dalle ecloghe di tebaldeo, la storia di damone, 1510 ca. 04 pastore thyrsi.jpg
Scene 2 - Thyrsis asking Damon the Reason for his Suffering

Scenes from Tebaldeo's Eclogues is a set of four small square oil on panel paintings by Andrea Previtali, executed between 1505 and 1510, now in the National Gallery, London. [1] They show scenes from the Ferrarese writer Antonio Tebaldeo's eclogue on the life of Damon of Athens, featuring his friend Thyrsis and Damon's love for Amaryllis. [2] [3] They were probably originally part of a piece of furniture for a rich Venetian noble family. [4] Previtali's master Giovanni Bellini also produced furniture with scenes from the same book. [4]

Whilst still misattributed to Giorgione due to their pastoral content and style, they were acquired for their present owner in 1938 by its director Kenneth Clark at a high price, leading to the 'Giorgione Controversy'. [5] However, comparison with the background landscape in Madonna and Child (Detroit Institute of Arts), an undated work signed by Previtali, confirmed that the four London works were in fact also by Previtali. [6]


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<i>Madonna and Child with Saint Sebastian and Saint Vincent Ferrer</i> 1506 painting by Andrea Previtali

Madonna and Child with Saint Sebastian and Saint Vincent Ferrer or Madonna and Child with Saint Sebastian and Saint Thomas Aquinas is an oil on panel painting by Andrea Previtali. It was produced in 1506 in Venice while he was still in the studio of Giovanni Bellini and is contemporary with the same artist's Madonna and Child. It is now in the Accademia Carrara in Bergamo, to which it passed from Guglielmo Lochis's collection in 1866.

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References

  1. (in Italian) Antonia Abbatista Finocchiaro, La pittura bergamasca nella prima decina del cinquecento, La Rivista di Bergamo, 2001.
  2. AA.VV. (2002). La egloca (in Italian). Università di Siviglia-Gruppo P.A.S.O. ISBN   9788447207206.
  3. Antonio Mazzotta. Andrea Previtali (in Italian). L'Eco di Bergamo- Museo Bermareggi.
  4. 1 2 (in Italian) Mauro Zanchi, Andrea Previtali il colore prospettico di maniera belliniana, Ferrari Editrice, 2001, pages 17-21.
  5. "Catalogue entry".
  6. "DBI entry" (in Italian).