Taylor's Wailers | ||||
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Studio album by | ||||
Released | 1957 | |||
Recorded | February 25, 1957 (#1, 3-6) March 22, 1957 (#2) Van Gelder Studio, Hackensack | |||
Genre | Jazz | |||
Length | 41:00 | |||
Label | Prestige PRLP 7117 | |||
Producer | Bob Weinstock | |||
Art Taylor chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Jazz Recordings | [2] |
Taylor's Wailers is the debut album by drummer Art Taylor, released in 1957 on Prestige. It features tracks recorded mainly on February 25, 1957 plus a track from a different session featuring John Coltrane on saxophone. [3]
Tracks 1, 3–6
Track 2
Monk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was recorded in New York City on June 26, 1957, and released in November the same year.
Crescent is a 1964 studio album by jazz musician John Coltrane, released by Impulse! as A-66. Alongside Coltrane on tenor saxophone, the album features McCoy Tyner (piano), Jimmy Garrison and Elvin Jones (drums) playing original Coltrane compositions.
Thelonious Monk with John Coltrane is a 1961 album by Thelonious Monk issued on Jazzland Records, a subsidiary of Riverside Records. It consists of material recorded four years earlier when Monk worked extensively with John Coltrane, issued after Coltrane had become a leader and jazz star in his own right.
At Carnegie Hall is a live album by The Thelonious Monk Quartet with John Coltrane.
Bags & Trane is an album credited to jazz musicians Milt Jackson and John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1368. Taking its title from Jackson and Coltrane's nicknames, it is the only collaborative record by the pair, although only Jackson contributed original compositions. In actuality, the album belongs in Jackson's discography, as he was the session leader and still signed to Atlantic under the auspices of the Modern Jazz Quartet, and not in that of Coltrane, who had left the label for Impulse Records at the time of this album's issue. However, like Prestige Records before them, as Coltrane's fame grew after he had stopped recording for the label, Atlantic used varied unissued recordings and released them with Coltrane's name more prominently displayed.
Dakar is a Pepper Adams & Cecil Payne album credited in its reissue form to jazz musician John Coltrane, released in 1963 on Prestige Records, catalogue 7280. Dakar is a reissue of one side of a 16 rpm LP called Baritones and French Horns released in 1957, and originally credited to the "Prestige All Stars".
Lush Life is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7188. It is assembled from unissued results of three separate recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.
The Last Trane is an album credited to jazz musician John Coltrane, released in 1966 on Prestige Records, catalogue 7378.
The Believer is a jazz album credited to John Coltrane released in 1964 on Prestige Records, catalogue 7292. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1957 and 1958.
Settin' the Pace is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7213. It is assembled from unissued results of a single recording session at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Coltrane on tenor saxophone is accompanied by the Red Garland Trio with Garland on piano, Paul Chambers on bass, and Art Taylor on drums. With Garland and Chambers Coltrane had played together since at least October 1955 in Miles Davis' band. With Art Taylor they were part of the Tenor Conclave recordings in September 1956. As a quartet they had already recorded two albums for Prestige, John Coltrane with the Red Garland Trio and Soultrane. The material the quartet recorded on this session were extended interpretations of three popular songs not played by jazz musicians before, and "Little Melonae", a classic bebop tune written by Jackie McLean. Of note is Coltrane's use of the sheets of sound technique, particularly on Little Melonae.
Bahia is an album credited to jazz musician John Coltrane, released in 1965 on Prestige Records, catalogue 7353. It is assembled from unissued results of two separate recording sessions at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval. Bahia is the last known album of this category while recording with Prestige.
Wheelin' & Dealin' is an album by Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins and Art Taylor released in April 1958,. The album is credited to "The Prestige All Stars", a group of numerous jazz musicians who were under contract with the Prestige label. It was later reissued on New Jazz Records in 1964. The compact disc reissue adds two alternate takes that did not appear on the initial vinyl releases.
The Complete Columbia Recordings of Miles Davis with John Coltrane is a box set featuring jazz musicians Miles Davis and John Coltrane. It is the first box set in a series of eight from Columbia/Legacy compiling Davis's work for Columbia Records, and includes never-before-released alternate takes, omissions of other musicians, musician comments, false starts and a first version of compositions, some of which have made it to the 50th Anniversary 2-disc CD version of Kind of Blue. Originally issued on April 11, 2000 in a limited-edition metal slipcase, it was reissued in 2004 in an oversized book format.
Thelonious Himself is a studio album by Thelonious Monk released in 1957 via Riverside Records, his fourth for the label. The album is notable for featuring Monk on solo piano almost exclusively. The only non-solo performance on the album is the last track, "Monk's Mood", which features John Coltrane on tenor saxophone and Wilbur Ware on bass.
All Mornin' Long is a jazz album by pianist Red Garland, released in April 1958 on the Prestige label. It features only three pieces, which belong to the hard bop subgenre and distinguish themselves by being fast-paced and bluesy. Critic Ira Gitler found the album satisfactory and said that the title piece was a "many-splendored, deep-dish demonstration of feeling, mood and melody".
Dig It! is a jazz album by The Red Garland Quintet, recorded in 1957 and 1958 but not released until 1962 on the Prestige label as PRLP 7229.
The Essential Miles Davis is a 2-CD compilation album by Miles Davis released by Columbia Legacy on May 15, 2001. It belongs to Sony Music Entertainment's "The Essential" series, not to the series "Essentials," established by WEA International, and was released as part of Sony's Miles 75 Anniversary program. In 2008, The Essential Miles Davis 3.0 was released as a limited edition album featuring a bonus third disc that added five more songs to the original track list.
Soul Junction is an album by jazz pianist Red Garland, released in 1960 on Prestige Records. It features tracks recorded on November 15, 1957, the same day the pieces for All Mornin' Long were recorded, with the same lineup.
High Pressure is an album by jazz pianist Red Garland, recorded in 1957 but not released until 1961 on Prestige Records.