That's My Story | ||||
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Studio album by | ||||
Released | April or May 1960 [1] [2] | |||
Recorded | February 9, 1960 | |||
Studio | Reeves Sound Studios in New York | |||
Genre | Blues | |||
Length | 44:43 | |||
Label | Riverside | |||
Producer | Orrin Keepnews | |||
John Lee Hooker chronology | ||||
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That's My Story is a studio album by American blues musician John Lee Hooker, released in April or May 1960 on Riverside Records. [1] [2] The album was recorded in one session on February 9, 1960 at Reeves Sound Studio in New York City. [3] It was produced by Orrin Keepnews and features the rhythm section from saxophonist Cannonball Adderley's group, which included bassist Sam Jones and drummer Louis Hayes. [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
Down Beat | [5] |
The Rolling Stone Album Guide | [6] |
The Penguin Guide to Blues Recordings | [7] |
That's My Story was released in 1960 to positive reviews from The Jazz Review [8] and New York Times critic Robert Shelton. [9] By the time of this recording, Hooker's Delta blues style of playing had influenced and become part of the "folk boom" in the United States. [10] Mojo later cited the record as the point when Hooker had "developed the more ruminative side of his work". [11]
All songs written by John Lee Hooker except the first track which is an adaptation of "Money (That's What I Want) by Berry Gordy and Janie Bradford, with additional lyrics by John Lee Hooker. [3]
Credits for That's My Story adapted from liner notes. [3]
Explorations is an album by jazz pianist Bill Evans that was originally released on Riverside label in 1961. The album won the Billboard Jazz Critics Best Piano LP poll for 1961.
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
Riverside Records was an American jazz record company and label. Founded by Orrin Keepnews and Bill Grauer, Jr, under his firm Bill Grauer Productions in 1953, the label played an important role in the jazz record industry for a decade. Riverside headquarters were located in New York City, at 553 West 51st Street.
Monk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was recorded in New York City on June 26, 1957, and released in October the same year.
The Incredible Jazz Guitar of Wes Montgomery is an album by the American jazz guitarist Wes Montgomery. Most of its tracks exemplify two of Montgomery's distinguishing techniques: "thumb picking" and the use of octaves.
Orrin Keepnews was an American jazz writer and record producer known for founding Riverside Records and Milestone Records, for freelance work, and for his work at other labels.
At Newport 1960 is a live album by Muddy Waters recorded during his performance at the Newport Jazz Festival on July 3, 1960. With his longtime backup band, Muddy Waters plays a mix of his older popular tunes and some newer compositions. Chess Records released the album in the United States on November 15, 1960.
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.
Original Folk Blues is a compilation album by American bluesman John Lee Hooker, released in 1967. It mostly features songs that Hooker recorded for Bernard Besman in Detroit, Michigan, between 1948 and 1954 the were originally issued by Modern Records.
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded in 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
Gloria is the first album by the Shadows of Knight, released in 1966 on Dunwich Records 666. The Shadows of Knight are primarily known for their hit version of the Van Morrison penned Them band's "Gloria", but the band today is regarded as one of the original punk bands.
Kelly Blue is an album by American jazz pianist Wynton Kelly, released in 1959.
The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
Ugetsu: Art Blakey's Jazz Messengers at Birdland is a live jazz album by Art Blakey and the Jazz Messengers released on Riverside Records in October 1963. The album was recorded at Birdland in New York City.
Loose Blues is an album by jazz pianist Bill Evans released on the Milestone label, featuring performances by Evans with Zoot Sims, Jim Hall, Ron Carter, and Philly Joe Jones, recorded in 1962.
John Lee Hooker Sings the Blues is a 1961 album by John Lee Hooker and released by Crown Records under the label reference of CLP 5232. The album was produced in 1960 by Orrin Keepnews, and featured jazz bassist Sam Jones and drummer Louis Hayes from Cannonball Adderley's band.
Got My Mojo Workin' is a 1966 album by Jimmy Smith arranged by Oliver Nelson.
The Folk Lore of John Lee Hooker is an album by blues musician John Lee Hooker recorded in New York and Chicago, with two tracks recorded live at the Newport Folk Festival in 1960, and released by the Vee-Jay label in August or September 1961.
John Lee Hooker on Campus is an album by blues musician John Lee Hooker, released by the Vee-Jay label in 1963.